Have you ever really thought about where you hear classical music? No, really thought about it? Once you know what to listen for, you'll notice that orchestral pieces are everywhere, from video games to cartoons to presidential inaugurations. It's kind of scary how often we're surrounded by beautiful scores, and it's even scarier how often our brains take them for granted.
A new program from the St. Louis Symphony aims to change that, though. Through a series dubbed "Music You Know," the symphony will lead music lovers through famous classical pieces they may have heard outside of a traditional concert event. Music director and conductor David Robertson will further enhance the audience's surprise by explaining the historical and cultural origins of the music and why the pieces lend themselves so well to everyday use.
"We have a huge repertoire of pieces that the audience isn't necessarily going to know by the title," Robertson says. "That's part of the fun of these concerts — the joy of actually discovering, 'Oh, that's what that is!' and saying, 'Wow, that's really cool!'"
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The "Music You Know" series, which has multiple installments over the next year, kicks off Friday, November 21, at Powell Hall with a concert dedicated to what the symphony bills as "Showstoppers." These are the tunes audience members are sure to recognize from major pop-culture works, including composer Modest Mussorgsky's Night on Bald Mountain, which famously was featured during the "Devil segment" in Disney's Fantasia.
"Night on Bald Mountain is the scariest part of Fantasia," insists Beth Guterman Chu, principal viola for the St. Louis Symphony. "When I was little, I couldn't even watch it; the music is terrifying. It's awesome."
Chu says that the combination of music and commentary during "Music You Know" will help audience members process the tunes their ears are familiar with in a completely different way.
"I think it's going to be really cool for people to learn about a piece and then to get to hear it," Chu says. "Night on Bald Mountain was written as a witches' Sabbath dance. To know that about the piece and then hear it — it really does sound like that!"
Likewise, listeners may be surprised to learn that the song from the "Beef: It's What's for Dinner" commercials of the '90s actually was composed for a 1942 ballet. This "Hoe-Down" section from Aaron Copland's "Rodeo" has been used in additional works over the years, including by progressive rock group Emerson, Lake & Palmer. Robertson even recalls hearing "Hoe-Down" on an incessant loop in a Cleveland shopping center.
"I feel like inviting people who work at that shopping center down [to "Music You Know"] so they can go, 'Oh, that's what it really sounds like when it's not over cruddy speakers!'" Robertson laughs.
On page two, see where "Tom & Jerry" fits into the symphony's musical landscape.