This week, St. Louis says goodbye to beloved rock outfit Via Dove who, in the past two years, added Mike Tomko (the brains behind An Under Cover Weekend) and Charlie Brumley (of the Educated Guess) to its lineup. Hot off the heels of its latest LP Foil Deer, Speedy Ortiz returns to St. Louis for the first time since 2013. Did you know that the band donated $1,000 to the Ferguson Public Library back in November on Black Friday? What a class act.
There's more to see all week long. Go on, go out every single night. We double-dog dare you.
MONDAY, JUNE 1
Tame Impala w/ Kuroma Monday, June 1 The Pageant 8 p.m. | $28-$32 By Jaime Lees Tame Impala is the recording project of Australian dream pop super-genius Kevin Parker. Known for his work with Pond and Melody's Echo Chamber, Parker embraces his deeper psychedelic side when constructing Tame Impala songs. With critically acclaimed releases like Innerspeaker and last year's Lonerism (Modular Records), Parker has been exploring new territory. His new, heavier sound lands somewhere between the Flaming Lips and later era Beatles, including spacey laser zaps, thick harmonies and chugging blues riffs. On Tame Impala's breakthrough album, Lonerism, each song bleeds into the next and between layers of trippy atmospherics and interludes of clean, bright vocals. Parker also squeezes in bursts of shimmering blissed-out pop, producing mind-expanding extended grooves. Free your mind, man.
TUESDAY, JUNE 2
The Fantagraphics comic-book series Love and Rockets once featured a young man named Speedy Ortiz. The comic character started as combative gang member, but later became more introspective. The Massachusetts-based band has done the opposite from a lyrical standpoint.
On Foil Deer, Speedy Ortiz's latest album, the band's familiar guitar melodies are accompanied by aggressive, almost combative lyrics -- a departure from the lamentations threaded though the liner notes of the group's previous releases.
"I'm just older," says singer/guitarist Sadie Dupuis of the lyrical shift. "The things that seem worth writing about are on a larger scale."
Much of the material on earlier releases, Dupuis explains, was culled from demos that she hadn't initially planned to release with a full band. But as her group began touring, Dupuis says, she began meeting people -- specifically younger fans -- who were forming their own projects, citing her work as an inspiration. It was a revelation.
WEDNESDAY, JUNE 3
Scott Bradlee's Post-Modern Jukebox Wednesday, June 3 The Pageant 8 p.m. | $29.50 By Daniel Hill There's a lot about this group that simply shouldn't equate to good music, according to conventional wisdom. For starters, there's the fact that it peddles primarily in YouTube virality -- not a medium typically known for producing quality art. Strike two is the "covers act" aspect of it all; Post-Modern Jukebox pumps out other peoples' songs rather than writing its own. And then there's the rotating lineup -- a harbinger of inconsistency in most cases. But throw all those preconceived notions away. Scott Bradlee, leader of the group, uses all of the aforementioned qualities to his benefit. His YouTube channel has been cited as one of the best by those who track new media stars. His covers are reworked versions of modern hits -- Radiohead's "Creep," for example, re-imagined as a sultry '20s jazz number, bringing new life to an old favorite. And what of the constant lineup shifts? Those are intentional, it turns out, enabling Bradlee to hand-pick the musicians most suitable for each song. The end result is an exercise in nostalgia with a modern day twist -- or is it the other way around?
THURSDAY, JUNE 4
Control w/ Willis, CaveofswordS Thursday, June 4 Foam Coffee & Beer 9 p.m. | $5 By Joseph Hess New bands need to take care to not be "un-Googleable," but Control is not concerned with such matters. Seemingly frozen in time around 1985, this Iowa trio propels beyond simple synths by forcibly cramming enough new-wave nostalgia into its sound to kill a hip-ass horse. Vocalist Joseph Mayfield bellows from the gut, singing down a tunnel of warped beats and bent keys. The guitars take on subtle drive with the faintest bit of reverb, landing somewhere between punk and surf. This tone lends a jagged edge to the smooth operation, making for a noir vibe that feels dark enough but never pitch black. Hot off the trail blazed by its recent LP Sigils, CaveofswordS closes the show with synth-induced fever dreams. Opener Willis is best taken chilled, as a coldwave summer treat.
Follow through for more great shows happening this weekend.