"I want this to be the place where old punk rockers come to die," says Steve "Doc" Dachroeden of his bar. When Dachroeden and his wife, Shelly, opened the Silver Ballroom nearly five years ago, it was designed around just a couple of key elements: pinball and punk rock. That's what they liked, so that's what they provided.
It's an unlikely business model that has found solid success in south city's Bevo Mill neighborhood. Since opening in April 2010, the Silver Ballroom has become an internationally renowned destination spot for pinball enthusiasts and a home away from home for St. Louis musicians looking to unwind. Patrons are drawn to the flashing lights of the arcade-style setup and the sounds of the games dinging beneath the blast of classic punk rock provided by a carefully stocked jukebox.
The jukebox selection is a well-earned point of pride for Dachroeden. It's loaded with classic punk albums and selections from local bands including Nineteen, 7 Shot Screamers and the Humanoids.
"If you're going to have a real punk-rock bar, there's no Blink-182 in the jukebox," he says. "When the jukebox stops, nothing comes on. Not the radio or anything. It's punk rock or nothing. No Nelly songs on after the Dead Kennedys or anything like that."
It's a musical place, and not just because of the jukebox. Dachroeden's connection to the music scene goes back much further than the existence of the bar. In addition to drumming for the UnMutuals, Dachroeden has played in fifteen or so bands since moving to St. Louis from Australia in 1987. He also spent years as the "artist relations guy" at instrument distributor St. Louis Music, specializing in Ampeg amplifiers and Alvarez guitars.
Doc mentions, almost offhandedly, that he'd "have to do things like fly to AC/DC's rehearsal and make their practice sound good."
Tim Jamison, singer of St. Louis' long-running punk band Ultraman, met Dachroeden many years ago while filming an episode of Critical Mass, a late '80s public-access show not unlike a smarter, St. Louis-based version of Wayne's World. His favorite aspect of the Silver Ballroom is the inclusion of historic concert fliers, displayed on the actual bar itself.
"The coolest thing about them is that they're a totally lost art form," Jamison explains as he taps a flier near the far corner of the bar.
The flier is for Scream, Dave Grohl's punk band from the 1980s. It triggers a hilarious story from Jamison, who explains that the show was canceled, rescheduled for a different location and then shut down during sound check, with the bands eventually bailing on the whole thing and hitting a house party instead. A different flier for a Minutemen show at Mississippi Nights has Jamison recalling that the raucous event occurred just a month before the death of Minutemen vocalist D. Boon, with five "hoosier bands" opening the show and fistfights breaking out all night.
The handbills offer a glimpse into St. Louis' musical past, advertising shows at shuttered venues and one-time performance spaces. Names including the Alley, Animal House, Bernard Pub, Bille Auditorium, Bryan's, Carriage Bowl, Club 367, Creepy Crawl, Delmar Sports Palace, Frederick's Music Lounge, the Galaxy, Jefferson Underground, Mississippi Nights, OP-P, Other World, Turner's Hall, Solid 50's and Victory Center are all represented in the fliers, and most of them have an accompanying story.
"At Bernard Pub the threat was being mugged," Jamison explains. "At Turner's it was getting beat up just for being a punk rocker."
Continue to page two for more.