The Worst Moments from SXSW 2012

Mar 19, 2012 at 11:37 am

You were a little flat at the end of your performance of "Happy Birthday" there, Wolf Violinist
The last few days, Village Voice Media's indefatigable music staff has been regaling you with stories of the best from SXSW 2012. In the midst of these discoveries, we've been culling another list: the worst shit. The acts that ranged from huge bore-fests to downright lame. Below, you'll find our critics' submissions. Let us know if you have similar experiences.

Yawn at Bar 96 Standing up for indie rock in 2012 is like pledging allegiance to Joseph Kony, and we have bands like infantile Chicago quartet Yawn to thank. The pleasure of Bandcamp is that we get to peruse hashtags like "animal collective, avant-pop, beach boys, brian eno, electronic, of montreal, vampire weekend, yeasayer, avant-pop, dreampop, electronic, indie pop, Chicago" and theoretically end up with something that resembles those terms. (Don't forget "andrew bird" and "beirut," guys.) The downside is that a slickly produced EP like Yawn's self-titled collection and last year's Open Season get out to the masses too fast. Tongue-wagging tastemakery takes over, and suddenly folks trying to fill out lineup cards at festivals end up latching onto goobers like these guys without seeing them perform.

Yawn's live act confirms they are a fraud. Thursday's appearance at Bar 96 was the art of trying as hard as possible to seem like they weren't trying. Imagine four unremarkable white dudes with unkempt hair having a rehearsal consisting of directions like "can you make your voice crack a little more when you add some unnecessary harmony to the second verse," or "make sure to introduce that song that obviously isn't slow as a 'slow jam.'" Further banter clunkers: "This is Terry Gross and you're listening to NPR" and "We're in Austin right now, but let's imagine we're in Africa." Even the guy convulsing and spazzing in place to these dilute ripoffs must have been a paid extra. Such earnest attempts to make flippant music -- well, it's enough to make you... yawn. -- Reed Fischer / City Pages

Ben Westhoff
Spontaneous tattoo at the S.O. Terik / Filter showcase On Friday, Samantha Urbani from Brooklyn indie band Friends did something to a fan he might forever regret. At the S.O.Terik-Filter showcase, beneath a blazing sun, she tattooed him using a safety pin and a lighter. The ink -- a crude-looking planet with a ring around it on his right bicep -- was modeled after one Urbani has herself on her left middle finger. When pressed, Urbani declined to identify it as a specific planet, despite its similarities to Saturn. "It's just a planet," she said. "My own private planet!" She seems annoyed, perhaps because she'd been asked this question many times before. As for her smitten devotee, he can look forward to a lifetime of explaining that he got a shitty tattoo from a member of a early-teens buzz band that he briefly liked with a song called "Friend Crush." - Ben Westhoff / LA Weekly

Craig Hlavaty
The Doritos Jacked Stage The Doritos Jacked venue was ugly and dumb. It reminded me that the movie Idiocracy isn't just a comic farce, but it's also a prophetic nightmare. It caused a bottleneck after bottleneck of people taking pictures of it at least every five minutes -- fashioned to look like a giant Doritos vending machine. Don't get me wrong, I love Doritos (Cooler Ranch if you please...) but this was a severely stoopid advertising gimmick even for me, something who is fueled by over the top idiocy, and adores the crassness of corporate America.

I don't mind a Red Bull party or the Extreme Miller Lite Super Sud stage, but a monstrous faux-machine was like a hotel-sized "fuck you" to human spirit for five days in Austin. It was bad enough that we had to contend with the lame-dick amateur drinkers in "Blow Me I'm Irish" shirts they got at Spencer's on the way to Sixth Street. The acts that played in the vending venue machine weren't bad, I mean I saw White Denim and Gemma Ray in there even, but what was worse was that they tried to treat the inside of the lot it was on like a posh, exclusive venue. If I am going to see a band inside a vending machine, don't charge the kids for water, and you better give away one of those comically-large bags of chips away at least, or implode at as the finale. I guess what I am saying is, I wish that the kids working the gate offered me free Doritos on my way out. -- Craig Hlavaty / Houston Press