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Monday, December 3, 2012

Jason Stoff: Meet the Best Music Photographers in St. Louis

Posted By on Mon, Dec 3, 2012 at 5:06 AM


Before the Thanksgiving break, we introduced you to our ten favorite concert photographers in St. Louis. We got well over fifty nominations, and our judges narrowed the field to these ten folks. Over the coming week-plus, we'll be introducing you to each of the finalists in turn by having them share with you five of their favorite concert photos and answering a few questions about their process and passion. Up next is Jason Stoff (also a contributor to RFT Music), whose work can be viewed (and purchased) from his web site,

See also: -The Ten Best Music Photographers in St. Louis: Meet the Finalists -Finalist profile: Corey Woodruff -Finalist profile: Nate Burrell

RFT Music: If you had to guess at the ballpark number, how many concerts would you say you've photographed?

Jason Stoff: Probably somewhere around 400 or 500 shows, most of which have had multiple bands on the bill. Tons and tons of bands, and I usually shoot about one show per week.

What makes a great concert photo?

In my opinion, a truly great concert photo makes you want to relive the show if you were there -- or alternately, makes you regret not attending the show.

Concert photography can straddle a fine line between photojournalism and photography as Art with a capital "A", as it's easy for a concert photographer to imprint their personal vision on a show's events to tell a different story.


What's the best thing about live music?

There's something amazing about live performers feeding off the energy of their bandmates and audience, or solo musicians putting themselves out on a stage in front of people that may or may not care about what they've got to say. A live show is, at some level, unpredictable, and sometimes things don't go as planned.

How To Dress Well's recent Firebird show is a perfect example of what I find so compelling about live music. Tom Krell's live band wasn't able to get into the country, and his lighting tech was stuck in Paraguay -- so Krell sang along to sparse accompaniment from his laptop, emphasizing how the show would be . The audience of 50+ people was completely silent for much of the set, awed by the music one guy could make with a laptop and a few microphones. Krell later tweeted that the show was "motherfucking LIFE AFFIRMING," and I'll bet that most of the audience felt the same way.

What's the strangest thing that has happened to you while photographing live music?

At Kanrocksas in 2011, a fan at the front of the crowd against the stage's barricade wouldn't stop shouting at me to get out of her way. I politely explained that I was on a job, and would be completely out of the area after three songs -- she wouldn't have it, and asked the security guard to throw me from the pit. He reiterated that I was doing my job. After swearing at the security, she asked if I had a card so she could see my photos later -- and when I handed her a card with a photo of Cypress Hill on it, she asked why I "gave her a picture of a n----r."

So, you know... you meet some classy people at shows.

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