Support Local Journalism. Join Riverfront Times Press Club.

Wednesday, October 16, 2013

The Union Electric's Latest EPs Display Depth and Range: Review

Posted By on Wed, Oct 16, 2013 at 12:56 PM

The Union Electric at the 2013 RFT Music Showcase - STEVE TRUESDELL
  • Steve Truesdell
  • The Union Electric at the 2013 RFT Music Showcase

The Union Electric Cover Charge EP/From Bad to Worstward EP (

If done properly, covers records can offer an entry into a band's inner world. Usually more lightweight than a proper album and more passionately curated than a mere list of influences, these collections of other people's songs are at their best when the band is clearly, audibly having fun. That's what makes this seven-song Union Electric EP Cover Charge such a joy for a band that more often trades in socially trenchant seriousness. (The set is available as a free download on the group's Bandcamp page.)


The band stays pretty faithful to the spirit of the originals -- these songs aren't recast as Union Electric compositions, which gives the EP a stylistic bounce. It probably helps that the members picked songs and songwriters from that pantheon of (mostly) American writers who trod the same lyrical soil as band leader Tim Rakel. It's almost a given that Woody Guthrie and Townes Van Zandt are represented here; both are patron saints for lovers of Americana and its discontents.

This take on Van Zandt's "Lungs" turns the thumping lope of the original into a fully barbed performance with an overdriven guitar line helping to ratchet up the doom. That ragged, metallic guitar is a rough counterpoint to Glenn Burleigh's smooth lines on the pedal steel for a shambling but faithful take on Guthrie's "Ain't Got No Home." The more modern covers show an entrenching weirdness, including two Handsome Family covers. Opener "Amelia Earhart Vs. the Dancing Bear" is easily the most carefree thing that Union Electric has put down, which contrasts with the stark "Bottomless Hole" at the EP's close.

The real revelation here comes with the most recent song: PJ Harvey's "The Words That Maketh Murder" appeared on her Let England Shake, and bassist Melinda Cooper steps up from backing to lead vocalist to honor Harvey's original while adding something extra. Cooper's own act, the Town Cars, has been rightly tipped as a new band to watch, and this recording is a nice apéritif for what's to come.

Continue to page two for our review of From Bad to Worstward.

Tags: ,

Support Local Journalism.
Join the Riverfront Times Press Club

Local journalism is information. Information is power. And we believe everyone deserves access to accurate independent coverage of their community and state. Our readers helped us continue this coverage in 2020, and we are so grateful for the support.

Help us keep this coverage going in 2021. Whether it's a one-time acknowledgement of this article or an ongoing membership pledge, your support goes to local-based reporting from our small but mighty team.

Join the Riverfront Times Club for as little as $5 a month.

Read the Digital Print Issue

January 26, 2022

View more issues


Never miss a beat

Sign Up Now

Subscribe now to get the latest news delivered right to your inbox.

Best Things to Do In St. Louis

© 2022 Riverfront Times

Website powered by Foundation