Arts Events in St. Louis

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Printing the Pastoral: Visions of the Countryside in 18th-Century Europe

Tuesdays-Thursdays, Saturdays, Sundays, 10 a.m.-5 p.m. Continues through Dec. 1


The consumers of middle- and upper-class society in the eighteenth century developed a passion for rural scenes of traditional country life, just as the introduction of copperplate printing to the textile industry made it possible to produce fabrics with intricately detailed scenes printed upon them. Textile factories began churning out yards of fabric with shepherds, village fêtes and strolling couples for a market that could afford to buy them as furniture coverings, bedding and curtains. Printing the Pastoral: Visions of the Countryside in 18th-Century Europe, an exhibition at the Saint Louis Art Museum, includes numerous examples of the craft, several of which have never before been shown at the museum. The centerpiece of the exhibit is a reconstructed bed with printed bedding and curtains. Printing the Pastoral continues through December 1 in gallery 100 at the Saint Louis Art Museum (1 Fine Arts Drive; www.slam.org). Admission is free. 314-721-0072

Sam Falls: Conception

Through Dec. 22, 11 a.m.-1 p.m.


Sam Falls' artworks are inspired by, and at least in part created by, nature. For his exhibition at Laumeier Sculpture Park, Falls laid a canvas covered with dry pigments on ground in the park's woodland. Left there for several days, the dew, whatever rain fell and the sunlight that passed through the leaves overhead and onto the canvas made a record of the local flora. In addition to his large-scale nature paintings, Falls has also mosaicked a pair of steel I-beams with tiles featuring native plants grown especially by Laumeier's master gardener at Falls' request. The finished beams are placed standing upright in the forest, reflecting and refracting the natural landscape that surrounds them. Sam Falls: Conception opens with a free public reception from 11 a.m. to 1 p.m. on Saturday, August 24, at the Aronson Fine Arts Center in Laumeier Sculpture Park (12580 Rott Road, Sunset Hills; www.laumeier.org). Falls' work remains on display through December 22. 314-615-5278

The Shape Of Abstraction: Selections from the Ollie Collection

Tuesdays-Sundays. Continues through March 22


The Thelma and Bert Ollie Memorial Collection of abstract art officially went on display Tuesday, September 17, at the Saint Louis Art Museum (1 Fine Arts Drive; www.slam.org). The collection was gifted to the museum in 2017 by New Jersey-based art collector Ronald Maurice Ollie and his wife, Monique McRipley Ollie, in honor of Ronald's parents. The elder Ollies often visited the Saint Louis Art Museum with their children, instilling a lifelong passion for art. Ronald and Monique Ollie together collected art for many years, particularly work by contemporary black artists. Among the treasures in the exhibit, The Shape Of Abstraction: Selections from the Ollie Collection, are important works such as Robert Blackburn's lithograph Faux Pas, Mary Lovelace O'Neal's City Lights and Frank Bowling's Fishes, Wishes and Star Apple Blue, which demonstrates Bowling's innovative painting technique. In all, 40 works are displayed in the show, which draws its title from a poem by Quincy Troupe. The St. Louis native was inspired by the artworks in the Ollie Collection and wrote "The Shape of Abstraction; for Ron Ollie" in response. Troupe's poem is included in the exhibit catalog. 314-721-0072

Pulitzer Prize Photographs and In Focus: St. Louis Post-Dispatch Photographs

Through Jan. 20, 2020
Missouri History Museum 5700 Lindell Blvd., St. Louis St. Louis - Forest Park

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Photographs are a key element of narrative storytelling, which is why it's so baffling that newspapers have deemed staff photographers an expendable luxury. You probably recognize many of the photographs that won Pulitzer Prizes, from Joe Rosenthal's shot Raising the Flag on Iwo Jima, to Alan Diaz's memorable photo of U.S. federal agents seizing Elian Gonzalez, to St. Louis Post-Dispatch photographer Robert Cohen's 2014 image of a protestor throwing a tear-gas canister back at police while protesting the killing of Michael Brown. These photographs shock us, inspire feelings of pride and anger, and inform us, just as great written journalism does. The Newseum in Washington created a traveling exhibit of some of the most beautiful images to win the Pulitzer, and it's a show that will make its St. Louis debut on Saturday, August 3, at the Missouri History Museum (5700 Lindell Boulevard; www.mohistory.org). A second exhibition organized by the Missouri History Museum collected 75 photos of everyday life in St. Louis from the Post-Dispatch archives. Pulitzer Prize Photographs and In Focus: St. Louis Post-Dispatch Photographs remain on display through January 20, and admission is free. Parents are cautioned that some of the photographs are intense and may be too much for younger children. 314-746-4599

Carlos Zamora: cART

Through Dec. 22


Art is something to be appreciated, and St. Louis-based illustrator/graphic designer Carlos Zamora's cART exhibition at Laumeier Sculpture Park is one of those examples. Zamora transformed three golf carts into kinetic sculptures by installing his oversized paper boat sculptures on top and wrapping the bodies with printed vinyl slogans. A fourth large paper boat sculpture will be placed in a creek on the Laumeier grounds. The Cuban native drew inspiration for the project from his heritage, specifically the song "Baraquio de papel" — "Little Paper Boat" — as well as Cuban car culture, nursery rhymes and politics.

Carlos Zamora: cART opens with a free reception from 6 to 8 p.m. Thursday, July 25, at Laumeier Sculpture Park (12580 Rott Road; www.laumeier.org). The following night a Havana Night celebration takes place in the park's Aronson Fine Arts Center from 6:30 to 9:30 p.m., with mojitos, snacks, "Casino" dance lessons and a screenprinted poster station. Tickets are $25, but admission to the park and Zamora's boat sculptures is free. The exhibition continues through December 22, and the park is open daily from 8 a.m. to 30 minutes past sunset.

314-615-5278

Howard Barry: Inertia

Tuesdays-Saturdays. Continues through Dec. 9
University of Missouri-St. Louis-Gallery 210 1 University Dr at Natural Bridge Road, Normandy North St. Louis County


Local artist Howard Barry has gained significant attention for his illustrations inspired by the Ferguson protests, but he's not just an activist artist. Barry's drawings are a form of physical therapy and mental therapy. He creates to relieve his frustration with the world and his own pain. Using ink, coffee and various computer programs for effects, Barry creates images of artists, musicians, civil rights pioneers and modern-day protesters, all with an eye for gesture and a gift for imbuing something of his subject's character. James Baldwin's luminous eyes reveal his hurt and anger with the country that rejected him for his blackness and homosexuality, while a barefoot child pushing his way through cotton emerges from a page of sheet music for Billie Holiday's "God Bless the Child." Inertia, an exhibition of Barry's artwork, opens with a free reception from 4 to 7 p.m. Saturday, September 14, at Gallery 210 on the University of Missouri-St. Louis campus (1 University Drive at Natural Bridge Road; www. gallery210.umsl.edu). The show remains on display through December 9. 314-516-5976

Totems: Personal Stories in Fiber

Mondays-Fridays, 9 a.m.-5 p.m. Continues through Nov. 1
Bluebird Park 225 Kiefer Creek Road, Ballwin Manchester/ Ballwin


Visitors will enter an enchanted forest of 3-dimensional art quilts between 4 and 6 feet tall. Each totem is the artist's unique creative expression in fiber, fabric, embellishment and stitch. 314-704-1501

The Shape of Abstraction: Selections from the Ollie Collection

Through March 8, 2020, 10 a.m.-5 p.m.


The Shape of Abstraction: Selections from the Ollie Collection presents 40 abstract paintings, drawings, and prints by acclaimed black artists drawn from and celebrating the transformative gift of the Thelma and Bert Ollie Memorial Art Collection. In 2017, Ollie and his wife Monique gifted the Museum with 81 abstract works in honor of his parents, a collection that has added depth and breadth to the Museum’s holdings of works by black artists. 314.721.0072

Stewart D Halperin: One World - Five Decades and Six Continents

Tuesdays-Saturdays, 11 a.m.-5 p.m. Continues through Oct. 19


A visual journey through time and space – from the rainforests of Africa to the streets of New York City and points in between. Halperin found his photographic roots in the jungles of Tanzania studying chimpanzees along with Jane Goodall. During this time while observing the chimps Stewart developed a keen sense of observation- and what he now considers the most important element of good photography- the gift of time. Mentored by photographer Ernst Haas, Halperin traveled the world and documented his adventures. On display until October 19th at IPHF. 314-535-1999

Damon Davis: Sad Panther

Tuesdays-Fridays, 12-6 p.m. Continues through Oct. 26
Bruno David Gallery 7513 Forsyth Blvd., Clayton Clayton


Sad Panther is an animated music video by acclaimed post-disciplinary artist Damon Davis. It embodies a visual representation of blackness in deity form, following the story of a God that woke up one day to find there existed a power even greater than him. This video is the visual counterpart to the song “Sad Panther” from Darker Gods, the accompanying full-length album to Davis’ exhibition Darker Gods in the Garden of the Low-Hanging Heavens that premiered at The Luminary in June 2018, and made a debut at Art Basel Miami later that year. 1.314.696-2377

It's Not You, It's Me: A Declaration of Independence

Wednesdays-Fridays, 12-5 p.m. and Tuesdays, 12-8 p.m. Continues through Nov. 26
The Sheldon 3648 Washington Blvd., St. Louis St. Louis - Grand Center

Buy TicketsAdmission is Free


Organized in conjunction with the citywide Innovations in Textiles 2019, the exhibition showcases contemporary works in fashion, photography and performance art by local and regional artists who investigate the narrative possibilities within fashion idioms and fiber art as they intersect with issues of identity and power. Curated by fashion designer Michael Drummond, the exhibit will feature the work of Mary Collins, Yasi Fayal, Nina Ganci, Nasheli Juliana, Larry Krone, Qun Yiyao Liu, Yvonne Osei Oppong, Kat Reynolds, Chloë Simmons and others. The exhibition is sponsored by Ms. Susan Barrett and Mr. Chris Poehler. 314-533-9900

Thomas Sleet: Integration: Sacred Space

Tuesdays-Fridays, 12-6 p.m. Continues through Oct. 26
Bruno David Gallery 7513 Forsyth Blvd., Clayton Clayton


Since his youth, Thomas Sleet was always fascinated with nature. He tells stories about growing up in Kirkwood in the 60’s, playing in creeks and running around the neighborhood with his siblings. This fascination followed him well into his adult years, showing up in his sculptures, paintings, prints, and more. True to concepts consistent in past works, Integration: Scared Space continues with Sleet’s theme of intersecting the natural and the manufactured. His new wall mounted pieces highlight his carefully designed experiments with light, space, arrangement/placement, and the concept of the individual intersecting with the whole—the collective. 1.314.696-2377

Jill Downen: Here all is distance, there it was Breath

Tuesdays-Fridays, 12-6 p.m. Continues through Oct. 26
Bruno David Gallery 7513 Forsyth Blvd., Clayton Clayton


The show features Downen’s recent 8 X 10 inches drawings, executed in plaster, lapis lazuli and gold leaf — nearly forty works in all. This new body of work expands the artist’s renowned exploration of human spatial experience and the contemplative value of architectural form. Refined by decades of work with large scale sculptural installations, Downen’s drawings benefit not only from precise conceptual motivation, but also from her distilled palette and proven skill with plaster, lapis and gold leaf. Each piece depicts a moment in which new space emerges or where fragmented structure moves toward balance. 1.314.696-2377

Invent A Musical Instrument - Selections from The Sheldon's SOLID Program

Saturdays, 10 a.m.-2 p.m., Wednesdays-Fridays, 12-5 p.m. and Tuesdays, 12-8 p.m. Continues through Jan. 21
The Sheldon 3648 Washington Blvd., St. Louis St. Louis - Grand Center

Buy TicketsAdmission is Free


A selection of inventive musical instruments by students from over 30 area schools are featured in this exhibition. Created during the 2018 and 2019 school years, the instruments represent the results of The Sheldon’s SOLID (Science of Learning Instrument Design) program, through which students use the Engineering Cycle to build instruments out of recycled materials. SOLID is a STEAM-based program, supported by the St. Louis Science Center. 314-533-9900

Daniel Raedeke: Adventure

Tuesdays-Fridays, 12-6 p.m. Continues through Oct. 26
Bruno David Gallery 7513 Forsyth Blvd., Clayton Clayton


In his new series of paintings, Daniel Raedeke continues his exploration of the converging boundaries of our physical and digital worlds. Just as natural objects and scenes are photographed, organized, downloaded and shared through various user interfaces, in Adventure, Raedeke designs each painting as a sort of “poster” for experience. Layered, textured and organic surfaces are framed by graphically inspired color panels serving as containers for the handmade process of image making, nature exploration and escape. Floating on and emerging from the textured fragments of color are 3D icons and virtually rendered objects that hover over the randomly generated grounds. 1.314.696-2377

Bea Nettles: Harvest of Memory

Tuesdays, 12-8 p.m., Saturdays, 10 a.m.-2 p.m. and Wednesdays-Fridays, 12-5 p.m. Continues through Dec. 28
The Sheldon 3648 Washington Blvd., St. Louis St. Louis - Grand Center

Buy TicketsAdmission is Free


Bea Nettles: Harvest of Memory is co-organized by the George Eastman Museum and the Sheldon Art Galleries, St. Louis. Internationally recognized for her experimental approaches to art-making that combine craft with alternative photographic processes, Bea Nettles explores the narrative potential of photography. Often incorporating autobiographical and metaphorical elements, Nettles’s imagery references key stages of a woman’s life. Her work examines place, nature, dreams, mythology, and the passage of time. The first exhibition to survey Nettles’s fifty-year career, Bea Nettles: Harvest of Memory provides a comprehensive look at the work of an artist who profoundly illuminates our inner worlds. 314-533-9900

Kristen Peterson - Visual Delights: Photographs and Altered Books

Wednesdays-Fridays, 12-5 p.m., Sundays, 10 a.m.-2 p.m. and Tuesdays, 12-8 p.m. Continues through Feb. 1
The Sheldon 3648 Washington Blvd., St. Louis St. Louis - Grand Center

Buy TicketsAdmission is Free


Incorporating Xerox transfers, gel, paint, various forms of photography, and ephemera such as tickets, ribbon, feathers, jewels, glitter and more, Kristen Peterson’s journals, altered books and photographs give the viewer an intimate look at her life experiences. Peterson’s photos have been published in Esquire, People, Time and Actual, and she has exhibited at The National Museum of Women in the Arts in Washington D.C. The exhibition is sponsored by Mr. Ryan C. Easley. 314-533-9900

Beyond the Surface: Surface Design Association Annual Juried Members' Exhibition

Through Oct. 23, 12-6 p.m.
St. Louis Artists' Guild 12 N Jackson Ave, Clayton Clayton


A textile nonprofit dedicated to promoting contemporary textile and fiber art, Surface Design Association (SDA) presents its annual juried members’ exhibition, Beyond the Surface, September 20- October 23, at the St Louis Artists’ Guild, St Louis, Missouri. Jurors Jo Stealey and Jim Arendt selected work by 48 artists. Award winners will be announced at the opening reception, October 3, 5-8pm. (314) 727-6266

Paper and Thread: Dreams are Made of These

Tuesdays-Saturdays, 10 a.m.-6 p.m. Continues through Oct. 30
Norton's Fine Art & Framing 2025 S. Big Bend Blvd., Richmond Heights Richmond Heights

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Paper and Thread: Dreams are Made of These Deann Rubin and Betty Shew - Handwoven Tapestry and Cast Paper Opening Reception- September 28th: 1 - 4pm Show runs through Weds, Oct. 30th In connection with Innovations in Textiles STL 2019 More details at their website - www.innovationsintextilesstl.org Regular Gallery hours: Tuesday - Saturday, 10 - 6 / Free and open to the public with free parking. 314-645-4040

It’s Not You, It’s Me: A Declaration of Independence

Tuesdays-Sundays. Continues through Oct. 30
The Sheldon 3648 Washington Blvd., St. Louis St. Louis - Grand Center

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For the exhibition It's Not You, It's Me: A Declaration of Independence, curator and fashion designer Michael Drummond selected fiber artists who use their art to address issues of gender and identity through the media of fashion. Body-disguising fabrics, masks, gender-bending and other similar ideas are explored in the show, which opens with a free reception from 5 to 7 p.m. Friday, October 4, at the Sheldon (3648 Washington Boulevard; www.thesheldon.org). The show is presented in conjunction with the citywide show Innovations in Textiles and features work by Nina Ganci, Larry Krone and Yvonne Osei, among others. It's Not You, It's Me remains on display through November 30, and the gallery is open Tuesday through Saturday. 314-533-9900

Robert Lucy '84: Recent Work

Mondays-Fridays, 8 a.m.-6:30 p.m. Continues through Dec. 4
Bonsack Gallery 755 S. Price Road, Ladue Ladue


"Recent Work" represents three different aspects of Robert Lucy’s current art practice. The first group of paintings, ICONS, is a series of large-scale works depicting TV characters from his 1970s childhood that explore motherhood, feminine power and sexual identity. The second group marks Lucy’s return to landscape painting where he has taken his easel outdoors to paint Northeastern landscapes, including the Catskills and Cape Cod. The third group of paintings includes recent portrait commissions. Robert Lucy is currently an artist-in-residence at the Byrdcliffe Artists Colony in Woodstock, New York. To learn more about his work, visit his website, robertlucy.com. 314-993-4040

Ai Weiwei: Bare Life

Sundays, 12-5 p.m. and Mondays, Wednesdays-Saturdays, 11 a.m.-5 p.m. Continues through Jan. 5


The Mildred Lane Kemper Art Museum (1 Brookings Drive; kemperartmuseum.wustl.edu) officially reopens with a bang. Chinese artist and dissident Ai Weiwei presents a major exhibition of work that spans the past twenty years of his career, some of which has never before been shown in the United States. Divided into two parts, Bare Life and Rupture, the show features monumental exhibitions such as Forever Bicycles (2019) and Through (2007-2008). The former is a commemorative arch built with Chinese-made bicycles, their carefully positioned tires lining up to create the image of telescoping lenses; the latter is an intersecting series of wooden pillars that pierce the surface of Qing Dynasty wooden tables. The work evokes China's own interrupted and intentionally erased history. Ai Weiwei: Bare Life also includes sculptures, photographs, films and a triptych constructed of LEGO bricks. The show runs from September 28 to January 5. 314-935-4523

Stephanie Syjuco: Rogue States

Thursdays, Fridays, 10 a.m.-8 p.m. and Wednesdays, Saturdays, Sundays, 10 a.m.-5 p.m. Continues through Dec. 29

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Artist Stephanie Syjuco was born in Manila and immigrated to the United States with her family when she was three years old, which gave her an American education and an immigrant's eye for our national blindspots. It's these blindspots that inform the art in her exhibition Stephanie Syjuco: Rogue States, which opens with a free reception at 7 p.m. Friday, September 6, at the Contemporary Art Museum St. Louis (3750 Washington Boulevard; www.camstl.org). The title of the show comes from her installation of 22 flags that were used to represent the flags of made-up nations in various American films. Also in the exhibit is her large-scale installation Neutral Calibration Studies (Ornament + Crime), which comprises artifacts representing both colonizer and colonized societies. Cultural objects such as wicker chairs and traditional rugs Syjuco purchased online, cardboard cutouts of people and actual artifacts are mixed together in a larger-than-life diorama. Nestled in the background is a color photograph of the "stone-age" tribe of the Tasaday, found on a remote island in the Philippines in the early 1970s, who were actually modern people posed by a photographer. Rogue States continues through December 29, and the museum is open Wednesday through Sunday. 314-535-4660

Soft Scrub

Fridays, Saturdays, 11 a.m.-5 p.m. and Wednesdays, Thursdays, 12-5 p.m. Continues through Oct. 26
The Luminary 2701 Cherokee St, St. Louis St. Louis - South City


The everyday black household is foreign territory to most of America. There have been a few TV shows (The Jeffersons at the richer end of the spectrum, Good Times at the more financially tenuous) that depicted fictionalized domestic situations, but even those can be considered non-standard families. They certainly weren't entirely relatable to Katherine Simóne Reynolds' own upbringing. Inspired by this dearth of representation, Reynolds asked black male artists to address the idea of black home life from a male perspective. The exhibition Soft Scrub challenges stereotypes and reveals lessons learned about cleanliness, division of labor and social expectations. Soft Scrub opens with a free reception from 7 to 10 p.m. Friday, September 13, at the Luminary (2701 Cherokee Street; www.theluminaryarts.com). Participating artists include Vaughn Davis Jr., Mitchell Squire, Cameron Granger and Keyon Gaskin. The exhibit remains up through October 26. 314-773-1533

Engeldark Art Exhibit

Wednesdays-Sundays, 10 a.m.-5 p.m. Continues through Nov. 8
Green Door Art Gallery 21 N. Gore Ave., Webster Groves Webster Groves


Green Door art gallery is proud to present “Engeldark: Because nobody’s bright and cheerful all the time…” Check out the shadier side of Mary Engelbreit in this exhibit of original black and white drawings paired with quotes that are snarky, straightforward and loaded with attitude! These works of art will be on display and available for sale from October 2 through November 8, 2019.The opening reception is Friday October 11, 2019 from 5:00-8:00 pm and is free and open to the public. Mary Engelbreit will be present at the reception. 314-202-4071

St. Louis, A Musical Gateway: Africa

Wednesdays-Fridays, 12-5 p.m. Continues through April 11
The Sheldon 3648 Washington Blvd., St. Louis St. Louis - Grand Center

Buy TicketsAdmission is Free


The second in a series that celebrates St. Louis’ multicultural communities, this exhibit features rare and beautiful African instruments drawn from The Sheldon’s Hartenberger World Music Collection. The product of a long aesthetic evolution, the rich tradition of African music is grounded in the function of preserving and passing on cultural histories. This exhibit will feature instruments from West Africa, Middle, South and Southeast Africa, and in January, instruments representing the Islamic faith. 314-533-9900

Big Splash 2019

Wednesdays-Saturdays, 12-5 p.m. Continues through Nov. 1


@ The Galleries at Heartland Art Club, 101A Argonne, Kirkwood,MO 63122
The Saint Louis Watercolor Society announces its 22nd Annual Member Awards Exhibit “Big Splash 2019,” an exhibit of more than 80 original watercolor paintings from artists in the metro St. Louis area. Exhibition and reception are free and open to the public. All paintings will be for sale and encompass a wide variety of subjects, styles, and prices. • Opening Reception – Friday, October 4, 6:30 - 8:30pm • Exhibit runs through Friday, November 1 Hours of operation are Wednesday-Saturday, 12pm – 5pm 3142660166

In Search of the Truth

Thu., Oct. 17, 11 a.m.-5 p.m.
Poelker Park Tucker and Chestnut, St. Louis St. Louis - Downtown


Everyone has their version of The Truth. What is yours? “In Search of the Truth” is a global, interactive public art installation that asks participants to share their Truth in a recording booth inside a 16-foot-high, iconic, inflatable speech bubble. This special event is being hosted in Downtown St. Louis for only three days on October 17, 18, and 19. As part of the Downtown STL Public Art Initiative, the Regional Arts Commission is excited to announce “In Search of the Truth,” aka “The Truth Booth,” will be touring Downtown St. Louis for three days in October. Inside the speech bubble lives a video recording booth where the public can record two-minute-long videos completing the statement, “The Truth is …” The videos are selected, edited, compiled, and filed on the website. View past videos at http://insearchofthetruth.net/. "In Search of the Truth" aims to represent and celebrate the world’s diverse people, cultures, and locations and capture as many definitions, representations, confessions, and thoughts on “The Truth” as possible. The project is a collaboration created by Ryan Alexiev, Jim Ricks, and Hank Willis Thomas, all members of Cause Collective. “In Search of the Truth” has toured the United States, Ireland, Afghanistan, and Mexico extensively and been to locations in South Africa and Australia. “In Search of the Truth” is part of the Downtown STL Public Art Initiative, a partnership among the Regional Arts Commission, Downtown STL, Inc., and Explore St. Louis 3148635811

Saint Louis to St. Louis: The City on the River meets River City

Thu., Oct. 17, 5-8 p.m.

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@ Barrett Barrera Projects, 4739 McPherson Ave
Barrett Barrera Projects and Blackpuffin are pleased to present Saint Louis to St. Louis: The City on the River meets River City curated by Modou Dieng, a major exhibition of contemporary art from Saint Louis, Senegal in St. Louis, MO. and the first exhibition at Barrett Barrera Projects’ new state-of-the-art project space. A show celebrating sister cities across the great Atlantic Ocean and global artistic exchange of diaspora and hybridity. Please join us for the opening reception on October 17 from 5:00pm to 8:00pm at Barrett Barrera Projects, which will include a presentation by fashion designer Rama Diaw. 314-696-8678

Textures

Thu., Oct. 17, 10 a.m.-5 p.m., Fri., Oct. 18, 10 a.m.-5 p.m. and Sat., Oct. 19, 10 a.m.-5 p.m.
Atrium Gallery 4814 Washington Ave., St. Louis St. Louis - Central West End


A group show featuring 11 artists who use texture in their work, the exhibition will offer an opportunity to examine how this variable practice is used to express their intentions. This is an extensive exhibition featuring work by Lore Bert, Leila Daw, Claudia DeMonte, Nicola López, Kirk Pedersen, John Schwartzkopf, Steven Sorman, Janet Sorokin, Katy Stone, Christopher Tanner and William Yonker. While mostly two-dimensional works with collage and textured surfaces, also included are sculpture by John Schwartzkopf and Katy Stone, as well as new earthenware pieces by William Yonker. The exhibition opens Friday August 16th with a Reception from 6-8 314-367-1076

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