Events starting Sep. 20 in St. Louis - Forest Park

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Printing the Pastoral: Visions of the Countryside in 18th-Century Europe

Tuesdays-Thursdays, Saturdays, Sundays, 10 a.m.-5 p.m. Continues through Dec. 1


The consumers of middle- and upper-class society in the eighteenth century developed a passion for rural scenes of traditional country life, just as the introduction of copperplate printing to the textile industry made it possible to produce fabrics with intricately detailed scenes printed upon them. Textile factories began churning out yards of fabric with shepherds, village fêtes and strolling couples for a market that could afford to buy them as furniture coverings, bedding and curtains. Printing the Pastoral: Visions of the Countryside in 18th-Century Europe, an exhibition at the Saint Louis Art Museum, includes numerous examples of the craft, several of which have never before been shown at the museum. The centerpiece of the exhibit is a reconstructed bed with printed bedding and curtains. Printing the Pastoral continues through December 1 in gallery 100 at the Saint Louis Art Museum (1 Fine Arts Drive; www.slam.org). Admission is free. 314-721-0072

The Shape Of Abstraction: Selections from the Ollie Collection

Tuesdays-Sundays. Continues through March 22


The Thelma and Bert Ollie Memorial Collection of abstract art officially went on display Tuesday, September 17, at the Saint Louis Art Museum (1 Fine Arts Drive; www.slam.org). The collection was gifted to the museum in 2017 by New Jersey-based art collector Ronald Maurice Ollie and his wife, Monique McRipley Ollie, in honor of Ronald's parents. The elder Ollies often visited the Saint Louis Art Museum with their children, instilling a lifelong passion for art. Ronald and Monique Ollie together collected art for many years, particularly work by contemporary black artists. Among the treasures in the exhibit, The Shape Of Abstraction: Selections from the Ollie Collection, are important works such as Robert Blackburn's lithograph Faux Pas, Mary Lovelace O'Neal's City Lights and Frank Bowling's Fishes, Wishes and Star Apple Blue, which demonstrates Bowling's innovative painting technique. In all, 40 works are displayed in the show, which draws its title from a poem by Quincy Troupe. The St. Louis native was inspired by the artworks in the Ollie Collection and wrote "The Shape of Abstraction; for Ron Ollie" in response. Troupe's poem is included in the exhibit catalog. 314-721-0072

Pulitzer Prize Photographs and In Focus: St. Louis Post-Dispatch Photographs

Through Jan. 20, 2020
Missouri History Museum 5700 Lindell Blvd., St. Louis St. Louis - Forest Park

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Photographs are a key element of narrative storytelling, which is why it's so baffling that newspapers have deemed staff photographers an expendable luxury. You probably recognize many of the photographs that won Pulitzer Prizes, from Joe Rosenthal's shot Raising the Flag on Iwo Jima, to Alan Diaz's memorable photo of U.S. federal agents seizing Elian Gonzalez, to St. Louis Post-Dispatch photographer Robert Cohen's 2014 image of a protestor throwing a tear-gas canister back at police while protesting the killing of Michael Brown. These photographs shock us, inspire feelings of pride and anger, and inform us, just as great written journalism does. The Newseum in Washington created a traveling exhibit of some of the most beautiful images to win the Pulitzer, and it's a show that will make its St. Louis debut on Saturday, August 3, at the Missouri History Museum (5700 Lindell Boulevard; www.mohistory.org). A second exhibition organized by the Missouri History Museum collected 75 photos of everyday life in St. Louis from the Post-Dispatch archives. Pulitzer Prize Photographs and In Focus: St. Louis Post-Dispatch Photographs remain on display through January 20, and admission is free. Parents are cautioned that some of the photographs are intense and may be too much for younger children. 314-746-4599

The Shape of Abstraction: Selections from the Ollie Collection

Through March 8, 2020, 10 a.m.-5 p.m.


The Shape of Abstraction: Selections from the Ollie Collection presents 40 abstract paintings, drawings, and prints by acclaimed black artists drawn from and celebrating the transformative gift of the Thelma and Bert Ollie Memorial Art Collection. In 2017, Ollie and his wife Monique gifted the Museum with 81 abstract works in honor of his parents, a collection that has added depth and breadth to the Museum’s holdings of works by black artists. 314.721.0072

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