Events starting Oct. 29 in St. Louis - Downtown/ Midtown

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Pulitzer Prize Photographs and In Focus: St. Louis Post-Dispatch Photographs

Through Jan. 20, 2020
Missouri History Museum 5700 Lindell Blvd., St. Louis St. Louis - Forest Park

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Photographs are a key element of narrative storytelling, which is why it's so baffling that newspapers have deemed staff photographers an expendable luxury. You probably recognize many of the photographs that won Pulitzer Prizes, from Joe Rosenthal's shot Raising the Flag on Iwo Jima, to Alan Diaz's memorable photo of U.S. federal agents seizing Elian Gonzalez, to St. Louis Post-Dispatch photographer Robert Cohen's 2014 image of a protestor throwing a tear-gas canister back at police while protesting the killing of Michael Brown. These photographs shock us, inspire feelings of pride and anger, and inform us, just as great written journalism does. The Newseum in Washington created a traveling exhibit of some of the most beautiful images to win the Pulitzer, and it's a show that will make its St. Louis debut on Saturday, August 3, at the Missouri History Museum (5700 Lindell Boulevard; www.mohistory.org). A second exhibition organized by the Missouri History Museum collected 75 photos of everyday life in St. Louis from the Post-Dispatch archives. Pulitzer Prize Photographs and In Focus: St. Louis Post-Dispatch Photographs remain on display through January 20, and admission is free. Parents are cautioned that some of the photographs are intense and may be too much for younger children. 314-746-4599

Printing the Pastoral: Visions of the Countryside in 18th-Century Europe

Tuesdays-Thursdays, Saturdays, Sundays, 10 a.m.-5 p.m. Continues through Dec. 1


The consumers of middle- and upper-class society in the eighteenth century developed a passion for rural scenes of traditional country life, just as the introduction of copperplate printing to the textile industry made it possible to produce fabrics with intricately detailed scenes printed upon them. Textile factories began churning out yards of fabric with shepherds, village fêtes and strolling couples for a market that could afford to buy them as furniture coverings, bedding and curtains. Printing the Pastoral: Visions of the Countryside in 18th-Century Europe, an exhibition at the Saint Louis Art Museum, includes numerous examples of the craft, several of which have never before been shown at the museum. The centerpiece of the exhibit is a reconstructed bed with printed bedding and curtains. Printing the Pastoral continues through December 1 in gallery 100 at the Saint Louis Art Museum (1 Fine Arts Drive; www.slam.org). Admission is free. 314-721-0072

The Shape Of Abstraction: Selections from the Ollie Collection

Tuesdays-Sundays. Continues through March 22


The Thelma and Bert Ollie Memorial Collection of abstract art officially went on display Tuesday, September 17, at the Saint Louis Art Museum (1 Fine Arts Drive; www.slam.org). The collection was gifted to the museum in 2017 by New Jersey-based art collector Ronald Maurice Ollie and his wife, Monique McRipley Ollie, in honor of Ronald's parents. The elder Ollies often visited the Saint Louis Art Museum with their children, instilling a lifelong passion for art. Ronald and Monique Ollie together collected art for many years, particularly work by contemporary black artists. Among the treasures in the exhibit, The Shape Of Abstraction: Selections from the Ollie Collection, are important works such as Robert Blackburn's lithograph Faux Pas, Mary Lovelace O'Neal's City Lights and Frank Bowling's Fishes, Wishes and Star Apple Blue, which demonstrates Bowling's innovative painting technique. In all, 40 works are displayed in the show, which draws its title from a poem by Quincy Troupe. The St. Louis native was inspired by the artworks in the Ollie Collection and wrote "The Shape of Abstraction; for Ron Ollie" in response. Troupe's poem is included in the exhibit catalog. 314-721-0072

The Shape of Abstraction: Selections from the Ollie Collection

Through March 8, 2020, 10 a.m.-5 p.m.


The Shape of Abstraction: Selections from the Ollie Collection presents 40 abstract paintings, drawings, and prints by acclaimed black artists drawn from and celebrating the transformative gift of the Thelma and Bert Ollie Memorial Art Collection. In 2017, Ollie and his wife Monique gifted the Museum with 81 abstract works in honor of his parents, a collection that has added depth and breadth to the Museum’s holdings of works by black artists. 314.721.0072

Kristen Peterson - Visual Delights: Photographs and Altered Books

Wednesdays-Fridays, 12-5 p.m., Sundays, 10 a.m.-2 p.m. and Tuesdays, 12-8 p.m. Continues through Feb. 1
The Sheldon 3648 Washington Blvd., St. Louis St. Louis - Grand Center

Buy TicketsAdmission is Free


Incorporating Xerox transfers, gel, paint, various forms of photography, and ephemera such as tickets, ribbon, feathers, jewels, glitter and more, Kristen Peterson’s journals, altered books and photographs give the viewer an intimate look at her life experiences. Peterson’s photos have been published in Esquire, People, Time and Actual, and she has exhibited at The National Museum of Women in the Arts in Washington D.C. The exhibition is sponsored by Mr. Ryan C. Easley. 314-533-9900

Bea Nettles: Harvest of Memory

Tuesdays, 12-8 p.m., Saturdays, 10 a.m.-2 p.m. and Wednesdays-Fridays, 12-5 p.m. Continues through Dec. 28
The Sheldon 3648 Washington Blvd., St. Louis St. Louis - Grand Center

Buy TicketsAdmission is Free


Bea Nettles: Harvest of Memory is co-organized by the George Eastman Museum and the Sheldon Art Galleries, St. Louis. Internationally recognized for her experimental approaches to art-making that combine craft with alternative photographic processes, Bea Nettles explores the narrative potential of photography. Often incorporating autobiographical and metaphorical elements, Nettles’s imagery references key stages of a woman’s life. Her work examines place, nature, dreams, mythology, and the passage of time. The first exhibition to survey Nettles’s fifty-year career, Bea Nettles: Harvest of Memory provides a comprehensive look at the work of an artist who profoundly illuminates our inner worlds. 314-533-9900

Invent A Musical Instrument - Selections from The Sheldon's SOLID Program

Saturdays, 10 a.m.-2 p.m., Wednesdays-Fridays, 12-5 p.m. and Tuesdays, 12-8 p.m. Continues through Jan. 21
The Sheldon 3648 Washington Blvd., St. Louis St. Louis - Grand Center

Buy TicketsAdmission is Free


A selection of inventive musical instruments by students from over 30 area schools are featured in this exhibition. Created during the 2018 and 2019 school years, the instruments represent the results of The Sheldon’s SOLID (Science of Learning Instrument Design) program, through which students use the Engineering Cycle to build instruments out of recycled materials. SOLID is a STEAM-based program, supported by the St. Louis Science Center. 314-533-9900

It's Not You, It's Me: A Declaration of Independence

Wednesdays-Fridays, 12-5 p.m. and Tuesdays, 12-8 p.m. Continues through Nov. 26
The Sheldon 3648 Washington Blvd., St. Louis St. Louis - Grand Center

Buy TicketsAdmission is Free


Organized in conjunction with the citywide Innovations in Textiles 2019, the exhibition showcases contemporary works in fashion, photography and performance art by local and regional artists who investigate the narrative possibilities within fashion idioms and fiber art as they intersect with issues of identity and power. Curated by fashion designer Michael Drummond, the exhibit will feature the work of Mary Collins, Yasi Fayal, Nina Ganci, Nasheli Juliana, Larry Krone, Qun Yiyao Liu, Yvonne Osei Oppong, Kat Reynolds, Chloë Simmons and others. The exhibition is sponsored by Ms. Susan Barrett and Mr. Chris Poehler. 314-533-9900

It’s Not You, It’s Me: A Declaration of Independence

Tuesdays-Sundays. Continues through Oct. 30
The Sheldon 3648 Washington Blvd., St. Louis St. Louis - Grand Center

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For the exhibition It's Not You, It's Me: A Declaration of Independence, curator and fashion designer Michael Drummond selected fiber artists who use their art to address issues of gender and identity through the media of fashion. Body-disguising fabrics, masks, gender-bending and other similar ideas are explored in the show, which opens with a free reception from 5 to 7 p.m. Friday, October 4, at the Sheldon (3648 Washington Boulevard; www.thesheldon.org). The show is presented in conjunction with the citywide show Innovations in Textiles and features work by Nina Ganci, Larry Krone and Yvonne Osei, among others. It's Not You, It's Me remains on display through November 30, and the gallery is open Tuesday through Saturday. 314-533-9900

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