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Printing Abstraction

Fridays, 10 a.m.-9 p.m. and Tuesdays-Thursdays, Saturdays, Sundays, 10 a.m.-5 p.m. Continues through March 31

Abstract art is a term that includes a wide variety of media: monochromatic color fields, hard-edged abstraction and its flat colors, and the sharply defined edges and optical illusions inherent in op-art's geometric forms. What links all of these styles together is that they are divorced from the traditional representation of physical objects. For its new exhibition Printing Abstraction, the Saint Louis Art Museum draws from its own holdings of abstract art created by printmakers. The show is something of an expansion of the museum's ongoing main exhibition, Graphic Revolution: American Prints 1960 to Now, in that it offers more examples of the printmakers' art and the key role it's played in the promulgation of abstract art. Printing Abstraction is on display from Tuesday through Sunday (November 30 to March 31) in galleries 234 and 235 of the Saint Louis Art Museum (1 Fine Arts Drive; www.slam.org). Admission is free. free admission

Current Profile

Sundays, 11 a.m.-5 p.m. and Tuesdays-Saturdays, 10 a.m.-6 p.m. Continues through March 17

Once reserved for the wealthy and the social elite, portraiture has been democratized down to the informal level of the selfie. Freed from its staid origins, the modern portrait can be heroic representation, transgressive, humorous or an act of wish fulfillment. Current Profile, the new exhibition at the Craft Alliance Center of Art + Design (6640 Delmar Boulevard, University City; www.craftalliance.org), explores contemporary portraiture in all media. The show features everything from Richard Wehrs' sculpted bust of an alien warrior to Cayce Zavaglia's embroidered image of a young woman in pigtails, and all points in between. Current Profile opens with a free reception from 6 to 8 p.m. Friday, January 11. The exhibition remains up through March 17. free admission

Currents 116: Oliver Laric

Fridays, 10 a.m.-9 p.m. and Tuesdays-Thursdays, Saturdays, Sundays, 10 a.m.-5 p.m. Continues through May 27

Austrian-born artist Oliver Laric creates work that explores image creation and repetition, which he displays on both the museum and gallery circuit and the online realm. For his new exhibition, Currents 116: Oliver Laric, he presents his video animation Betweenness, which features repurposed mushrooms, people, anime characters and some snippets of the CT scan of the Saint Louis Art Museum's mummy, Amen-Nestawy-Nakht, all morphing into animals. The cycle of looped video blurs all of these borrowed images together, which reveals their shared shapes and forms. Laric also sculpted his own version of Reclining Pan (long on display in the museum's gallery 236) using 3D scans of the original. He used the digital files to "print" sections of the sculpture in various materials on a 3D printer, which he then assembled. Currents 116: Oliver Laric is on display in galleries 249 and 250 from February 22 to May 27 at the Saint Louis Art Museum (1 Fine Arts Drive; www.slam.org). The museum is open Tuesday through Sunday, and admission is free. free admission

Christine Corday: Relative Points

Wednesdays-Sundays. Continues through April 21

Space is deep, to quote Hawkwind, and yet scientists believe all living creatures on Earth contain stellar elements within their genetic makeup. Artist Christine Corday explores this union of humans and the stars in her new exhibition Relative Points, which was commissioned by the Contemporary Art Museum St. Louis. Eleven of Corday's large sculptural forms, which are each made of more than 10,000 pounds of elemental metals and metalloid grit, will be arranged within the museum in a pattern of Corday's choosing. The sculptures, which resemble slightly squashed black marshmallows more than four feet high, are intended to be touched; they're essentially the same base elements as humans, after all. During the course of the exhibit, the shapes will change gradually from repeated contact and the inexorable force of universal gravitational attraction. You'll have your first opportunity to get close and personal with Corday's work at the opening reception, which takes place from 7 to 9 p.m. Friday, January 18, at Contemporary Art Museum St. Louis (3750 Washington Boulevard; www.camstl.org). Christine Corday: Relative Points remains fixed in space through April 21. free admission

Figurative Works II

Through April 5, 5:30-8 p.m.
phone 636-255-0270
exhibitions@foundryartcentre.org
,

The Foundry Art Centre is excited to present "Figurative Works II", a multimedia international juried exhibition, to the community this February 22, 2019. Alex Folla, an Italian born and residing artist who exhibits his figurative paintings internationally, curated this exhibition. The show will include 49 artworks by 29 artists from thirteen states. Craftsmanship and personality shine through this collection of works depicting the human form. Two accompanying solo exhibitions will also be on view. "Island Beauty", by photographer Zuania Muñiz-Meléndez, and "Real Unreality" by painter Voytek will compliment the figurative theme of "Figurative Works II".

http://www.foundryartcentre.org/
Buy Tickets
Foundry Art Centre (map)
520 N. Main Center
St. Charles
phone 636-255-0270

Fredrick Nelson: Random Occurrences

Through April 13, 6 p.m.
phone 314-367-1076
info@atriumgallery.net

Atrium Gallery announces an upcoming exhibition of new work by Fredrick Nelson. “Random Occurrences” is a very full, and dramatic body of work featuring paintings and also works on paper.

http://www.atriumgallery.net/future-exhibiton
Atrium Gallery (map)
4814 Washington Ave.
St. Louis - Central West End
phone 314-367-1076

The Abstract Expressionism of Ty de LaVenta

Through March 29, 9 a.m.-5 p.m.
phone 314-229-7949
tdlaventa@gmail.com

@ Y.E.H.S., 1924 S. 12th St. in Soulard
Exhibit features 11 new large size expressionism paintings by local St. Louis artist. Free

http://www.delaventastudio.com
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