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Chinese Buddhist Art, 10th-15th Centuries

Fridays, 10 a.m.-9 p.m. and Tuesdays-Thursdays, Saturdays, Sundays, 10 a.m.-5 p.m. Continues through Aug. 30

Very rarely does an art exhibition include the actual wall an artist worked on, but the Saint Louis Art Museum does so for Chinese Buddhist Art, 10th-15th Centuries. A six-foot-by-four-foot section of a temple wall that has a painting of the Bodhisattva Akalokiteśvara (Guanyin) on one side is the focal point of the exhibition, and an exceptionally rare object. The show also includes four hanging scrolls, and a never-before-displayed painted, wooden sculpture of a seated arhat, the Buddhist term for a person who has achieved enlightenment. Chinese Buddhist Art, 10th-15th Centuries is open Tuesday through Sunday (March 30 to August 30) in gallery 225 of the Saint Louis Art Museum (1 Fine Arts Drive; www.slam.org). Admission is free. free admission

Sunken Cities: Egypt's Lost World

Tuesdays-Sundays. Continues through Sept. 9

The ancient city of Thonis-Heracleion was Egypt's main Mediterranean port from 664 to 332 BC, or roughly 100 years longer than the country of America has existed. It was a thriving, international metropolis — and then a string of natural disasters wiped it off the map. Archeologist Franck Goddio and his team of underwater archeologists rediscoverd Thonis-Heracleion 1,000 years later, four miles off the coast of present-day Egypt. It was more than 30 feet below the surface of the sea, its colossal statues of gods, pharaohs and ritual animals resting in the ruins of a world long gone. Three of these massive statues comprise the heart of the new exhibition Sunken Cities: Egypt's Lost Worlds, which will be on display at the Saint Louis Art Museum (1 Fine Arts Drive; www.slam.org) Tuesday through Sunday (March 25 to September 9). Alongside the trio of statues are more than 200 ceremonial and commercial artifacts (bronze vessels, coins, jewelry) found both on the sea floor and on loan from museums in Cairo and Alexandria. Admission to the exhibit is $8 to $20, and free on Friday. $8-$20

Jeremy R. Brooks

Tuesdays-Saturdays, 10 a.m.-4 p.m. Continues through Aug. 31

Ceramicist Jeremy R. Brooks is currently based in Carbondale, Illinois, where he's teaching at Southern Illinois University. His own studies include an unusual type of clay with a rubber-like elasticity that sets up quickly. Working quickly, he extrudes paper-like slabs and long coils, which he can then use for knitting, weaving or crocheting. The resulting forms have a plasticity that seems nearly impossible. Knitted vessels made from delicate strands of clay, sinuous loops of loosely bunched clay-yarn, a rainbow skein of fibers wrapped around itself that approximates the whorls and shape of a brain — Brooks' work is both trompe l'oeil and trompe l'clay. A small exhibition of Brooks' ceramics go on display this weekend at the Duane Reed Gallery (4729 McPherson Avenue; www.duanereedgallery.com), along with Brian Smith's abstract paintings. The show opens with a free reception from 5 to 8 p.m. Friday, July 20, and remains on display 10 a.m. to 4 p.m.. Tuesday through Saturday through August 31. free admission

Duane Reed Gallery (map)
4729 McPherson Ave.
St. Louis - Central West End
phone 314-361-4100
Jeremy R. Brooks

Painted Pieces: Art Chess from Purling London

Mondays, Tuesdays, Saturdays, 10 a.m.-5 p.m., Sundays, 12-5 p.m. and Wednesdays-Fridays, 10 a.m.-9 p.m. Continues through Sept. 16

The standard chess set has been reimagined in multiple formats, using everything from Simpsons characters to loaded shot glasses. The new exhibition at the World Chess Hall of Fame sees regulation Staunton sets done up with a fresh coat of paint, which doesn't sound all that impressive. But when it's artists such as Caio Locke, Sophie Matisse and Thierry Noir wielding the brushes, the results are dazzling. Painted Pieces: Art Chess from Purling London features vibrant, hand-painted chess sets exploding with color and invention. Painted Pieces opens with a free reception from 5:30 to 7:30 p.m. Thursday, April 12, at the World Chess Hall of Fame (4652 Maryland Avenue; www.worldchesshof.org). The show remains up through September 16. free admission

Messages from Mercury

Through Aug. 31

Strongly influenced by the ideas of semiotics and sacred geometry, artist Benjamin Lowder creates works of deconstructed text that convey ideas about the hidden world that exists all around us. For his new show, Messages from Mercury, Lowder paints street signs, then breaks them apart and reassembles them so the familiar words become glyphs that bear a cautionary tale to our inner voices. Just as Mercury was the messenger from the gods in Roman theology, so Lowder's art carries a warning from the gods that we're on the wrong path. Benjamin Lowder: Messages from Mercury opens with a reception from 6 to 10 p.m. Friday, June 29, at the artist’s brand-new Cherokee Street Gallery (2617 Cherokee Street; www.cherokeestreetgallery.com). It remains up through the end of August. Also on display are new works by Jerald Ieans and Zack Smithey in conversation with one another. Admission is free. free admission

Great Rivers Biennial

Wednesdays, Saturdays, Sundays, 10 a.m.-5 p.m. and Thursdays, Fridays, 10 a.m.-8 p.m. Continues through Aug. 19

As part of its mission to present work by modern artists, the Contemporary Art Museum supports local artists through the Great Rivers Biennial. A team of esteemed jurors from the art world work through more than 150 applications to select three artists who live in the metro area for a high-profile exhibition at the museum. Addoley Dzegede, Sarah Paulsen and Jacob Stanley are the recipients of the eighth installment, and all three should be well-known to gallery habitues. In Ballast, Dzegede uses patterned textiles, sculpture and video to explore the hidden and forgotten history that creates a sense of "unified" identity. Paulsen combines consumer campaigns, immigrant narratives and stop-motion animation in an installation of single-channel videos to create a multi-part story about the invisible framework that supports and reinforces racial oppression. Stanley's sculptures are constructed to explore the nature and passage of time. His piece Accretion is a quarter-inch thick steel sheet; visitors can each place one sheet on top of it. As time passes and the weight increases, the steel will bend. The Great Rivers Biennial opens with a free reception from 7 to 9 p.m. Friday, May 11, at Contemporary Art Museum St. Louis (3750 Washington Boulevard; www.camstl.org). The artists and jurors will hold a panel discussion at 11 a.m. Saturday, May 12. The show continues through Sunday, August 19, and admission is free. free admission

Flora Borealis

Through Aug. 26, 7 p.m., Thursdays-Saturdays, 6 p.m., Thursdays-Saturdays, 6 p.m. and Thursdays-Saturdays, 6 p.m. Continues through Oct. 20
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Summers in St. Louis are no picnic, what with the brutal heat and oppressive humidity. At night conditions improve a bit, and that's the time to get outside and experience the city. The Missouri Botanical Garden (4344 Shaw Boulevard; www.mobot.org) takes full advantage of the nocturnal respite with Flora Borealis, a nighttime-only special exhibition. Thanks to the artistic and technical brilliance of AVI Systems Inc., a section of the garden is temporarily transformed into a new experience with active lights, moving images and sounds that alter and enhance the familiar landscape. Tickets for Flora Borealis are $10 to $25 and are sold for specific time slots each night (Thursday through Tuesday through August 26). While you're waiting for your scheduled time you can take advantage of MoBOT’s new tented biergarten, which features live entertainment on select nights. $10-$25

Amy Sherald

Wednesdays, Saturdays, Sundays, 10 a.m.-5 p.m. and Thursdays, Fridays, 10 a.m.-8 p.m. Continues through Aug. 19

If you think you aren't familiar with Amy Sherald's work, you're wrong. Sherald painted Michelle Obama's official portrait, and that image was broadcast around the world and back. Sherald's portraits are of everyday black people (Mrs. Obama excepted, of course) with serene expression standing against featureless monotone backgrounds, and done in the large-size format once reserved for royalty and the wealthy elite. By portraying her subjects realistically and in vibrant color, Sherald liberates the black image from the traditional narrative; there are no sociological clues that hint at the status of her people. They are their own context, their eyes taking in the viewer with majestic calm. Amy Sherald, an exhibition of the artist's paintings, opens with a free reception from 7 to 9 p.m. Friday, May 11, at the Contemporary Art Museum St. Louis (3750 Washington Boulevard); www.camstl.org). The exhibit remains up through August 19, and admission is free. free admission

Edo Rosenblith: Let Me Help You Make A Mural

Through Aug. 25, 9 a.m.-5 p.m.
phone 314-561-4866

Israeli born, St. Louis-based artist Edo Rosenblith will guide COCA visitors of all ages in creating a site-specific mural, blurring the distinction between artist and audience. Inspired by Rosenblith’s signature black and white wall drawings, the mural will reflect the thoughts, ideas, opinions and expectations expressed through collective visual impressions on COCA’s Millstone Gallery walls. Let Me Help You Make A Mural serves as a visual call and response that evolves over time, where the audience is invited to join the artist in creating a mural. The exhibition marks Rosenblith’s first time-based and community-collaborative work. Curated by Yvonne Osei. Free

http://www.cocastl.org/event/edo-rosenblith-let-me-help-you-make-a-mural/
The Millstone Gallery at COCA (map)
524 Trinity Ave.
University City
phone 314-725-6555
Edo Rosenblith: Let Me Help You Make A Mural

Water Water Everywhere

Wednesdays-Sundays, 10 a.m.-5 p.m. Continues through Aug. 29
phone 314-402-1959
Greendoorartgallery@aol.com

Green Door art gallery proudly presents “Water, Water Everywhere” featuring Steve McAlevey’s detailed pencil drawings, Michael Aaron McAllister’s embroider portraits, the fiber art of Ana Sumner, Tar Art by Barbara Marshall and the sensitive watercolor animals by Mary Burns along with 30 other artists will be available from July 5 thru August 29, 2018. - 21 Reception Friday July 13 5-8:30 PM. N. Gore, Webster Groves near St. Louis. Hours are Wednesday thru Sunday 10:00 am to 5:00 pm- Closed Monday and Tuesday www. Greendoorartgallery.com (314) 402-1959 Free

http://www.greendoorartgallery.com/
Green Door Art Gallery (map)
21 N. Gore Ave.
Webster Groves
phone 314-402-1959
Water Water Everywhere

Sunken Cities: Egypt's Lost Worlds

Through Sept. 9, 10 a.m.-5 p.m.
phone 314.721.0072
learn@slam.org
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The story is captivating. Two Ancient Egyptian cities and the artifacts of their civilizations lay hidden beneath the Mediterranean Sea for more than 1,200 years. Now you can experience this epic discovery, unveiled first in North America at the Saint Louis Art Museum in Sunken Cities: Egypt's Lost Worlds. Tickets now on sale. Members see it free! slam.org/sunkencities 0-23

http://www.slam.org/exhibitions/sunkencities.php
Buy Tickets

Work/Play: Color-ism

Mondays-Sundays, 11 a.m.-6 p.m. Continues through Sept. 3

Opening reception July 20th, 6-9 PM On display from July 20th, 2018 through September 3rd, 2018, ‘Color-ism’ explores the internal discrimination against dark-skinned people within the black community dating back to the 18th century. With shades varying from a very light complexion, nearly white where one can pass, to the deepest, darkest, rich browns that are nearly black, the artists explore the love and hatred of color. Free

http://www.kranzbergartsfoundation.org/calendar/
Buy Tickets
Kranzberg Arts Center (map)
501 N Grand Blvd
St. Louis - Grand Center
phone 314-533-0367
Work/Play: Color-ism

Watershed Cairns: Libby Reuter and Joshua Rowan

Tuesdays-Fridays, 12-8 p.m., Saturdays, 10 a.m.-3 p.m. and Sundays, 11 a.m.-4 p.m. Continues through Sept. 23
phone 314-533-9900

Libby Reuter and collaborator, the photographer Joshua Rowan, temporarily place site-specific cairns in the landscape to mark watersheds around the area. The exhibition features seven cairns in the sculpture garden and photographs by Rowan on a video monitor alongside the installation. Featured in the Lucy and Stanley Lopata Sculpture Garden. Free

http://thesheldon.org/current-exhibits.php
Buy Tickets
The Sheldon (map)
3648 Washington Blvd.
St. Louis - Grand Center
phone 314-533-9900

Colorism

Thursdays, Fridays, 11 a.m.-6 p.m., Saturdays, 10 a.m.-5 p.m., Sundays, 12-5 p.m. and Fridays, 11 a.m.-9 p.m. Continues through Sept. 3

Racism is an undeniable fact of American life, and for black Americans there is an extra dimension to the problem. Black skin includes a spectrum of hues, from so light you can pass for white to exceptionally dark brown. The lighter tones are considered more desirable, even within the black community; the darker your skin, the more likely you are to face a particularly cruel form of prejudice that comes from within. Dark-skinned kids grow up without seeing themselves in mainstream media (with a very few notable exceptions) and must endure a barrage of insults and slurs. Interdisciplinary art duo WORK/PLAY (Danielle and Kevin McCoy) examine this insular form of racism in their new show, Colorism. Using experimental printmaking and minimal contemporary design, WORK/PLAY shows how our perception of color shapes our aesthetic sense and influences what we accept and reject. Colorism opens with a free reception from 6 to 9 p.m. Friday, July 20 at the Kranzberg Arts Center Gallery (501 North Grand Boulevard; www.kranzbergartsfoundation.org). The show remains on display through September 3. free admission

Buy Tickets
Kranzberg Arts Center (map)
501 N Grand Blvd
St. Louis - Grand Center
phone 314-533-0367
Colorism

Tara McPherson/The Cotton Candy Machine

Fri., Aug. 17, 7-9 p.m.
phone 314-231-2489 x 127
stephanie@citymuseum.org
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Join us in this opportunity to meet Tara McPherson and shop her traveling selection of art prints, rock posters, books, stickers, enamel pins, buttons, postcards and more fun merchandise! included with museum admission, $12 after 5pm

https://www.facebook.com/events/408121916332539/
City Museum (map)
750 N. 16th St.
St. Louis - Washington Avenue
phone 314-231-2489
Tara McPherson/The Cotton Candy Machine
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