You searched for:

  • [X]Tomorrow
  • [X]Arts & Theater
Start over

Search Events…

Narrow Search

sponsored

ShowcaseSTL

@ The Grove

Fri., June 21 and Sat., June 22

13 total results

Schlafly's Art Outside

Sat., May 25, 11 a.m.-10 p.m. and Sun., May 26, 11 a.m.-4 p.m.
, ,

Way back in 2004, Schlafly's Art Outside started as a home-grown art festival full of local bands, local food and drink and local artists. Now it's in its sixteenth year, and everything remains the same. More than 65 artists who live within a 125-mile radius will be in tents on the parking lot in front of Schlafly Bottleworks (7260 Southwest Boulevard, Maplewood; www.schlafly.com), selling everything from William McKenney's scratch-built robots made from recycled materials to Sennit + Sauvage's handmade clothing and women's accessories. You'll find fine prints, ceramics, fine- and pop-art photography and even unkillable plants from the Happy Houseplant (they're made of felt). Local bands perform all three days, and Schlafly staff will be serving up select food and beer items right on the lot (the full menu is available inside). New this year is Schlafly's Uncaged Ale in cans, sales of which will benefit the Animal Protective Association of America. If your dog is friendly in large crowds, you can bring him along and get a "puppy pawtrait," made with his paws and non-toxic paint. Art Outside takes place from 5 to 10 p.m. Friday, 11 a.m. to 10 p.m. Saturday and 11 a.m. to 4 p.m. Sunday (May 24 to 26). Admission is free. free admission

Schlafly Bottleworks (map)
7260 Southwest Ave
Maplewood
phone 314-241-2337
Schlafly's Art Outside

Poetics of the Everyday: Amateur Photography 1890-1970

Fridays, 10 a.m.-9 p.m. and Tuesdays-Thursdays, Saturdays, Sundays, 10 a.m.-5 p.m. Continues through Aug. 25

Portable cameras democratized photography. Once anybody could carry a camera with them, photography became a hobby as well as an art. Poetics of the Everyday: Amateur Photography 1890-1970, the new exhibition at the Saint Louis Art Museum (1 Fine Arts Drive; www.slam.org), features 110 works by unknown moms and dads. They show children, landscapes, family gatherings and of course the family dog, with often unintentional effects such as the dreaded double exposure. Despite being made by strangers, the images of family vacations and candid shots have a familiarity that makes them universal. Poetics of the Everyday is on display in galleries 234 and 235 from Friday, April 26, to August 25. Admission is free. free admission

Currents 116: Oliver Laric

Tuesdays-Thursdays, Saturdays, Sundays, 10 a.m.-5 p.m. Continues through May 27

Austrian-born artist Oliver Laric creates work that explores image creation and repetition, which he displays on both the museum and gallery circuit and the online realm. For his new exhibition, Currents 116: Oliver Laric, he presents his video animation Betweenness, which features repurposed mushrooms, people, anime characters and some snippets of the CT scan of the Saint Louis Art Museum's mummy, Amen-Nestawy-Nakht, all morphing into animals. The cycle of looped video blurs all of these borrowed images together, which reveals their shared shapes and forms. Laric also sculpted his own version of Reclining Pan (long on display in the museum's gallery 236) using 3D scans of the original. He used the digital files to "print" sections of the sculpture in various materials on a 3D printer, which he then assembled. Currents 116: Oliver Laric is on display in galleries 249 and 250 from February 22 to May 27 at the Saint Louis Art Museum (1 Fine Arts Drive; www.slam.org). The museum is open Tuesday through Sunday, and admission is free. free admission

Rachel Whiteread

Fridays, 10 a.m.-9 p.m. and Tuesdays-Thursdays, Saturdays, Sundays, 10 a.m.-5 p.m. Continues through June 9

Rachel Whiteread emerged on the London art scene in the "cool Britannia" era of the late '80s and early '90s. The country was doing well financially and culturally, and people were ready to buy contemporary art made by contemporary British artists. Whiteread established herself as a leading light with her casts of everyday objects, which solidified the negative space in, under and/or around them in materials such as wax, plaster, concrete and resin. House, Whiteread's massive, freestanding concrete cast of the interior of an entire three-story Victorian house, earned her the prestigious Turner Prize in 1993, making her the first woman to win. Rachel Whiteread, the new exhibition at the Saint Louis Art Museum, is a retrospective of the artist's career that showcases 96 objects. They range from the small Untitled (Pink Torso), a voluptuous form of the inside of a hot water bottle cast in pink dental plaster, to the expansive Untitled (Twenty-Five Spaces), translucent resin casts of the underside of various chairs and stools arrayed on a game-board-like grid. The exhibit is on display Tuesday through Sunday (March 17 to June 9) at the Saint Louis Arts Museum (1 Fine Arts Drive; www.slam.org), and tickets are $6 to $12 (but free on Friday). $6-$12

How We See: Materiality and Color

Through June 29, 10 a.m.-4 p.m.

Humans can perceive a wide palette of colors, but we don't see as many hues as nature contains. The limitations of human vision are stretched in the Laumeier Sculpture Park's new exhibition How We See: Materiality and Color. Six artists who combine modern art practices with a keen observation of the natural world explore the possibilities of color manipulation and perception. Claire Ashley's specially commissioned, large-scale inflatable Ruddy Udder Dance is painted in neon colors. Volunteers will get inside it and perform a series of choreographed routines that allow you to see how its various shades change with movement and daylight. Ann Lindberg's graphite-and-colored-pencil piece as though air could turn to honey features a closely packed array of thin lines of pure pigment that become subtly darker toward the bottom. From a distance those tints blend and fade, and the piece appears to have a more uniform golden hue. How We See opens with a free reception at 11 a.m. Saturday, March 2, at Laumeier's Aronson Fine Arts Center (12580 Rott Road, Sunset Hill; www.laumeier.org). The exhibit continues through June 29, and admission is free. free admission

Striking Power: Iconoclasm in Ancient Egypt

Fridays, 10 a.m.-8 p.m. and Thursdays, Saturdays, Sundays, 10 a.m.-5 p.m. Continues through Aug. 11

In his sonnet "Ozymandias," Percy Bysshe Shelley describes the legs of an epic statue in the desert wastelands, its ruined face lying "half sunk" in the sand. The inscription on the pedestal reads, "My name is Ozymandias, King of Kings; Look on my Works, ye Mighty, and despair!" The poem is a meditation on time wearing away the memory of even the mightiest, and a reminder that death means forgetfulness. In truth, it may have been Ozymandias' successor who destroyed the statue upon assuming the title of pharaoh. Statues and memorial inscriptions held ritual power for the Egyptians, and it behooved the new ruler to sweep away all remnant of his or her predecessor. In the Pulitzer Arts Foundation's (3716 Washington Boulevard; www.pulitzerarts.org) new exhibition, Striking Power: Iconoclasm in Ancient Egypt, the legacies of the pharaohs Hatshepsut and Akhenaten are examined through almost 40 historical objects that are both defaced and whole. Memory and visual culture are intertwined, and the destruction of the latter can easily erase the former. Striking Power opens with a free reception from 6 to 9 p.m. Friday, March 22. The work remains on display through August 11. free admission

Pulitzer Arts Foundation (map)
3716 Washington Blvd.
St. Louis - Grand Center
phone 314-754-1850
Striking Power: Iconoclasm in Ancient Egypt

Contemporary Art Museum St. Louis' Summer Exhibitions

Thursdays, Fridays, 10 a.m.-8 p.m. and Wednesdays, Saturdays, Sundays, 10 a.m.-5 p.m. Continues through Aug. 18

The Contemporary Art Museum St. Louis' summer exhibitions open at 7 p.m. Friday, May 17, and there are some heavy hitters involved. Lawrence Abu Hamdan is a finalist for this year's Turner Prize for his exhibition Earwitness Theatre (which CAM co-commissioned with several other institutions), which incorporates the artist's audio analysis of Saydnaya prison in Syria, site of numerous humanitarian abuses, a soundbooth and groups of objects Abu Hamdan uses as mnemonic devices to facilitate reenactments of crimes. Photographer Paul Mgapi Sepuya receives his first major museum survey thanks to CAM. Sepuya's images jumble and reorder the human body, while also revealing the mechanics of photography. Cameras are often a central figure in his work, while tripods, backdrops and lighting show up in his collages. Avoiding digital manipulation, Sepuya's work is about the importance of touch and contact, both between his subjects and his materials. Both shows remain on display at CAM (3750 Washington Boulevard; www.camstl.org) through August 18, and admission is free. free admission

Nina Simone: Four Women

Sundays, 3 p.m., Fridays, Saturdays, 8 p.m. and Thursdays, 7 p.m. Continues through June 2

In recent years, the mainstream media began reassessing the career and impact of musician Nina Simone, with documentaries exploring her personal life and rereleases of her works. Playwright Christina Ham knew there was more to Simone than her musicianship – after the bombing of the 16th Street Baptist Church and the assassination of Medgar Evers, Simone gave voice to the shared anger and outrage of the black community in her surprisingly jaunty song "Mississippi Goddamn." Ham's play Nina Simone: Four Women (inspired by Simone's namesake song about the plight of black women in a racist society) explores how the arts helped drive and inspire the civil rights moment, as well as the ways women were shunted to the side of that same movement. The Black Rep closes its season with Nina Simone: Four Women. Performances are at 7 p.m. Thursday, 8 p.m. Friday and Saturday and 3 p.m. Sunday (May 17 to June 2) at Washington University's Edison Theatre (6465 Forsyth Boulevard; www.theblackrep.org). Tickets are $15 to $45. $15-$45

Buy Tickets
Edison Theatre (map)
6445 Forsyth Blvd.
Clayton
phone 314-935-6543

I Now Pronounce

Sundays, 2 p.m., Saturdays, 8 p.m. and Wednesdays, Thursdays, 7:30 p.m. Continues through June 1

Nicole and Adam are finally taking the matrimonial plunge, but it seems like fate – and a friend or two – is against them. When a key member of the wedding party keels over dead, the ceremony is halted before completion. Adam's groomsman Dave uses this respite to convince Adam that monogamy and marriage is a trap that's not worth the trouble. Nicole's bridesmaid Michelle, who's going stag, figures this would be a good time to find a date before the end of the night, while the other bridesmaid tries to get this trainwreck back on schedule. Tasha Gordon-Solmon's I Now Pronounce is a good old-fashioned farce. New Jewish Theatre ends its current season with the comedy. Performances are at 7:30 p.m. Wednesday and Thursday, 8 p.m. Saturday and 2 p.m. Sunday (May 18 to June 1) in the Jewish Community Center's Wool Studio Theatre (2 Millstone Campus Drive, Creve Coeur; www.newjewishtheatre.org). Tickets are $42 to $45. $42-$45

Exit Laughing

Sat., May 25, 7:30-9:30 p.m. and Sun., May 26, 2-4 p.m.
phone 314-921-5678

Join us for a single night in the lives of three middle-aged women who meet weekly for a game of cards. When their fourth player, Mary, passes away, the ladies borrow her ashes from the funeral parlor for one last game. Surprisingly Mary still has a lot to say and she unleashes it upon them through after-life messages and gifts - setting into motion a new path for her friends. This is a feel-good comedy that will appeal to anyone who is part of a group of old friends. $18-Adults, $16-Seniors/students, Call for group rates.

https://www.facebook.com/events/2206156766328237/
Buy Tickets
Florissant Civic Center (map)
Parker Road & Waterford Drive
Florissant
phone 314-921-5678

I Now Pronounce

Sat., May 25, 8 p.m., Sun., May 26, 2 p.m., Thu., May 30, 7:30 p.m., Fri., May 31, 8 p.m., Sat., June 1, 8 p.m. and Sun., June 2, 2 p.m.
phone 314-442-3283
info@newjewishtheatre.org

Written by Tasha Gordon-Solmon. A play that mines disconnections. After Adam and Nicole’s wedding culminates in an awkwardly timed fatality, the reception spins into an increasingly strange evening that leaves the bride and groom questioning just what it is they’re celebrating. But there’s no stopping the festivities: the flower girls are running amuck, the bridal party members are preoccupied with their own flailing relationships, and everyone needs to stop ordering the blue drinks. Comedies end in marriage. Tragedies end in death. This play begins with both. 42-45

https://jccstl.com/arts-ideas/new-jewish-theatre/current-productions/
Buy Tickets

New Arrivals

Wednesdays-Sundays, 10 a.m.-5 p.m. Continues through June 28
phone 314-402-1959
GreenDoorartgallery@aol.com
,

Green Door art gallery presents “New Arrivals”. Reception Friday, May 17, from 5-8 pm free and open to the public. Featuring New Originals Drawings by Mary Engelbreit, Terri Shay’s mixed media pieces, sensitive watercolor animals by Jan Helton, pastels by Amy Jamison and including 30 other artists. Available from May 1, thru June 28. 21 N. Gore, www.GreenDoorartgallerycom/events -314-402-1959 Free

http://www.greendoorartgallery.com/events.html
Green Door Art Gallery (map)
21 N. Gore Ave.
Webster Groves
phone 314-402-1959

Burlesque Brunch

Sundays, 12-3 p.m. Continues through June 13
phone 314-436-7000
theboomboomroomstl@gmail.com
,

Brunch!!! Who doesn’t love brunch? It’s the best meal of the day and here at The Boom Boom Room, it’s even better with our burlesque show. Join us this Sunday for the ultimate brunch buffet with entertainment featuring the world renowned Boom Boom Bombshells! $35/person for brunch and the show

https://theboomboomroomstl.com/sundayburlesquebrunch/
Buy Tickets
Showing 1-13 of 13 total results in this search.

Best Things to Do In St. Louis

Newsletters

Never miss a beat

Sign Up Now

Subscribe now to get the latest news delivered right to your inbox.


© 2019 Riverfront Times

Website powered by Foundation