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Arts & Theater Search – Image

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Graphic Revolution: American Prints 1960 to Now

Fridays, 10 a.m.-9 p.m. and Tuesdays-Thursdays, Saturdays, Sundays, 10 a.m.-5 p.m. Continues through Feb. 3

The 1960s were a period of social upheaval and radical change in America, and no art form captured that churning spirit better than printmaking. Printmakers have always had one foot in the commercial art world and one in the realm of fine art, and that hybrid nature allows them to adapt to new technologies and new thinking more quickly than, say, sculptors. Graphic Revolution: American Prints 1960 to Now, the exhibition at the Saint Louis Art Museum (1 Fine Arts Drive; www.slam.org), is a treasure trove of startling images. Featuring more than 100 works drawn from the museum's holdings and local private collectors, Graphic Revolution includes landmark prints by the big names (Andy Warhol's Campbell's Soup II, Robert Rauschenberg's Signs) and less famous but no less astonishing pieces by modern masters such as Julie Mehretu and Edgar Heap of Birds. The show is open from Sunday, November 11, to February 3. Tickets are $6 to $14, but free to all on Friday. $6-$14, free on Friday

Printing Abstraction

Fridays, 10 a.m.-9 p.m. and Tuesdays-Thursdays, Saturdays, Sundays, 10 a.m.-5 p.m. Continues through March 31

Abstract art is a term that includes a wide variety of media: monochromatic color fields, hard-edged abstraction and its flat colors, and the sharply defined edges and optical illusions inherent in op-art's geometric forms. What links all of these styles together is that they are divorced from the traditional representation of physical objects. For its new exhibition Printing Abstraction, the Saint Louis Art Museum draws from its own holdings of abstract art created by printmakers. The show is something of an expansion of the museum's ongoing main exhibition, Graphic Revolution: American Prints 1960 to Now, in that it offers more examples of the printmakers' art and the key role it's played in the promulgation of abstract art. Printing Abstraction is on display from Tuesday through Sunday (November 30 to March 31) in galleries 234 and 235 of the Saint Louis Art Museum (1 Fine Arts Drive; www.slam.org). Admission is free. free admission

Current Profile

Sundays, 11 a.m.-5 p.m. and Tuesdays-Saturdays, 10 a.m.-6 p.m. Continues through March 17

Once reserved for the wealthy and the social elite, portraiture has been democratized down to the informal level of the selfie. Freed from its staid origins, the modern portrait can be heroic representation, transgressive, humorous or an act of wish fulfillment. Current Profile, the new exhibition at the Craft Alliance Center of Art + Design (6640 Delmar Boulevard, University City; www.craftalliance.org), explores contemporary portraiture in all media. The show features everything from Richard Wehrs' sculpted bust of an alien warrior to Cayce Zavaglia's embroidered image of a young woman in pigtails, and all points in between. Current Profile opens with a free reception from 6 to 8 p.m. Friday, January 11. The exhibition remains up through March 17. free admission

Circus Harmony: Accelerando

Saturdays, 12 & 2 p.m. and Sundays, 2 & 7 p.m. Continues through Jan. 27

Circus Harmony's annual January performance has some new features this year. For starters, new acts have been incorporated into the show, including the Chinese Pole (acrobatics performed on a stationary pole ranging from ten to 30 feet tall) and Hoop Diving (increasingly complex tumbling runs performed while diving through a vertical hoop or series of hoops). Perhaps the largest noticeable change from previous years is the accompanying band, which is completely new and making its debut performance during Accelerando, a musical mystery. Two teams of young circus performers will attempt to find a top-secret envelope before their competitors. You can bet there will be many twists, turns and flips as the mystery unfolds. Accelerando is performed at noon and 2 p.m. Saturday and at 2 and 7 p.m. Sunday (19 to 27) at the City Museum (750 North Sixteenth Street; www.circusharmony.org). Tickets are $20. $20

City Museum (map)
750 N. 16th St.
St. Louis - Washington Avenue
phone 314-231-2489
Circus Harmony: Accelerando

Alabama Story

Tuesdays-Sundays. Continues through Jan. 27

What is it about books that makes some people so afraid? Senator E.W. Higgins is up in arms about Garth Williams' new book The Rabbits' Wedding, a children's story about two rabbits who marry. Higgins' main objection is that one of the rabbits is white and the other is black, and in Alabama in 1959, even the hint of miscegenation — and in a children's book, no less — is cause for alarm. Higgins demands it be removed from all Alabama libraries. One librarian, Emily Wheelock Reed, refuses to pull it. Books, and the ideas with their pages, are worth fighting for, Reed argues. Kenneth Jones' play Alabama Story is based on a true story. Williams, the illustrator of Stuart Little and the Little House on the Prairie books, had no idea his picture book about a rabbit wedding would spark a political fight that threatened the well-being of an entire state. The Repertory Theatre St. Louis presents Alabama Story to open the second half of its season. Performances are Tuesday through Sunday (January 2 to 27) at the Loretto-Hilton Center (130 Edgar Road; www.repstl.org). Tickets are $19 to $92. $19-$92

Ann Metzger National Biennial Exhibition

Tuesdays-Sundays. Continues through Feb. 23

The Ann Metzger National Biennial Exhibition is the St. Louis Artists Guild's commitment to contemporary art made real. Metzger was a longtime member of the Artists Guild, and she bequeathed money to the institution to fund cash prizes for working artists. The exhibition features art in all media by more than 50 artists from across the country. This year's show opens with a free reception from 5 to 8 p.m. Friday, January 11, at the St. Louis Artists Guild (12 North Jackson Avenue, Clayton; www.stlouisartistsguild.org), and includes abstract art, figurative painting, sculpture and digital media. The Biennial remains on display through February 23. free admission

St. Louis Artists' Guild (map)
12 N Jackson Ave
Clayton
phone 314-727-6266
Ann Metzger National Biennial Exhibition

Kehinde Wiley: Saint Louis

Fridays and Tuesdays-Thursdays, Saturdays, Sundays. Continues through Feb. 10

Artist Kehinde Wiley leaped into the public consciousness when his presidential portrait of Barack Obama was unveiled in February, but he's been making vital work that explores the nexus of race and representation for years. In 2017 the New York City-based Wiley visited the Saint Louis Art Museum to review the collection with an eye toward a future exhibit inspired by the historic style of portraiture. While he was in St. Louis, Wiley went to north St. Louis and Ferguson to meet with people and find subjects for his own paintings. Kehinde Wiley: Saint Louis is an exhibition of eleven large-scale paintings of everyday black St. Louisans dressed in modern clothing, posed in the manner of kings, statesmen and other powerful figures. Wiley's new work will be on display in galleries 249 and 250 from October 19 to February 10 at the Saint Louis Art Museum (1 Fine Arts Drive; www.slam.org). Admission is free. free admission

The Wolves

Tuesdays-Sundays. Continues through Feb. 3

Sarah DeLappe's play The Wolves will appear to be familiar territory for many parents in the Repertory Theatre St. Louis' audience. In it a team of teenage girls stretch before an indoor soccer game. But the only parent nearby is the team coach, who is too hungover to pay much attention to his athletes, and the girls are free to speak honestly to each other, and about each other. As the season progresses, a new teammate, growing resentments, discussions of various boyfriends and the flashes of unexpected cruelty reveal that behind their confidence on the field, each of them is still a young woman finding her way toward adulthood. The Repertory Theatre St. Louis presents The Wolves Tuesday through Sunday (January 18 to February 3) at the Loretto-Hilton Center (130 Edgar Road; www.repstl.org). Tickets are $46 to $71. $46-$71

Lola Álvarez Bravo: Picturing Mexico

Wednesdays, Thursdays, Saturdays, 11 a.m.-5 p.m. Continues through Feb. 16

Lola Álvarez Bravo was a Mexican artist, educator and curator whose life spanned nearly the entire twentieth century. From the 1930s to the 1970s, Álvarez Bravo crisscrossed her way across the country with camera in hand, creating portraits of other working artists. Always shooting, she also made images of regular people and the architecture — both old and new — at a time when Mexico was rapidly growing and transforming. Lola Álvarez Bravo: Picturing Mexico, the new exhibition at the Pulitzer Arts Foundation (3716 Washington Boulevard; www.pulitzerarts.org), features more than 40 of her black-and-white photographs in all their glory. Picturing Mexico opens with a free reception from 6 to 9 p.m. on Friday, September 14. Also debuting the same night are more than 60 sculptures by Ruth Asawa, who often worked with wire. Both shows remain on display through February 16. The Pulitzer is open Wednesday through Saturday. free admission

Pulitzer Arts Foundation (map)
3716 Washington Blvd.
St. Louis - Grand Center
phone 314-754-1850
Lola Álvarez Bravo: Picturing Mexico

Christine Corday: Relative Points

Wednesdays-Sundays. Continues through April 21

Space is deep, to quote Hawkwind, and yet scientists believe all living creatures on Earth contain stellar elements within their genetic makeup. Artist Christine Corday explores this union of humans and the stars in her new exhibition Relative Points, which was commissioned by the Contemporary Art Museum St. Louis. Eleven of Corday's large sculptural forms, which are each made of more than 10,000 pounds of elemental metals and metalloid grit, will be arranged within the museum in a pattern of Corday's choosing. The sculptures, which resemble slightly squashed black marshmallows more than four feet high, are intended to be touched; they're essentially the same base elements as humans, after all. During the course of the exhibit, the shapes will change gradually from repeated contact and the inexorable force of universal gravitational attraction. You'll have your first opportunity to get close and personal with Corday's work at the opening reception, which takes place from 7 to 9 p.m. Friday, January 18, at Contemporary Art Museum St. Louis (3750 Washington Boulevard; www.camstl.org). Christine Corday: Relative Points remains fixed in space through April 21. free admission

Love, Linda

Thursdays, 7:30 p.m., Fridays, Saturdays, 8 p.m. and Sundays, 3 p.m. Continues through Jan. 27

Cole Porter was a tough man to stay married to; he liked glamorous parties, the nightlife and being the center of attention. His homosexuality could have been another dealbreaker, but not for Linda Lee Thomas. The Southern heiress had already had one rough marriage when she met Porter, and the two got along so well that they soon married. Despite their sexual incompatibility, they shared a genuine affection, and Porter had no greater champion than his loving wife. Stevie Holland and Gary William Friedman's one-woman musical Love, Linda recounts the story of Mrs. Cole Porter woven through innovative arrangements of her husband's most beloved songs. Max & Louie Productions presents Love, Linda at 7:30 p.m. Thursday, 8 p.m. Friday and Saturday and 3 p.m. Sunday (January 17 to 27) at the Marcelle Theater (3310 Samuel Shepard Drive; www.maxandlouie.com). Tickets are $40 to $45. $40-$45

Marcelle Theater (map)
3310 Samuel Shepard Dr
St. Louis - Grand Center
phone 314-533-0367
Love, Linda

Canfield Drive

Fridays, Saturdays, 8 p.m., Sundays, 3 p.m. and Wednesdays, Thursdays, 7 p.m. Continues through Jan. 27

The civic protests following the killing of Michael Brown by a police officer will enter St. Louis history as an event as momentous as the Jefferson Bank Protests of the 1960s and the Dred Scott trial of the 1850s. But in the days after Brown's death, a long view of history wasn't possible. As international media crowded into Ferguson and tried to make sense of the region's troubled history with race, equal opportunity and community policing, it felt as if the facts changed daily. It's this tangle of news personalities and deadlines that informs Kristen Adele Calhoun and Michael Thomas Walker's new play, Canfield Drive. Two reporters with very different views of the story try to piece together the truth about what happened on a hot August day on a suburban street, while also trying to keep their own pasts from becoming part of the narrative. Calhoun and Thomas have spent four years working on the script with the St. Louis Black Repertory Company, which commissioned the play alongside the National Performance Network and 651 Arts. Canfield Drive is informed by first-person interviews with people from the metro area and from around the world, and it seeks to start conversations about race, culture, history, privilege and healing. The Black Rep presents the world-premiere production of Canfield Drive at Washington University's Edison Theatre (6445 Forsyth Boulevard; www.theblackrep.org). Performances are at 7 p.m. Wednesday and Thursday, 8 p.m. Friday and Saturday and 3 p.m. Sunday (January 9 to 27), and tickets are $15 to $45. $15-$45

Buy Tickets
Edison Theatre (map)
6445 Forsyth Blvd.
Clayton
phone 314-935-6543
Canfield Drive
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