You searched for:

  • [X]Tomorrow
  • [X]Arts & Theater
  • [X]Staff Pick
Start over

Search Events…

Narrow Search

Arts & Theater Tomorrow – Staff Pick

8 total results

Printing Abstraction

Fridays, 10 a.m.-9 p.m. and Tuesdays-Thursdays, Saturdays, Sundays, 10 a.m.-5 p.m. Continues through March 31

Abstract art is a term that includes a wide variety of media: monochromatic color fields, hard-edged abstraction and its flat colors, and the sharply defined edges and optical illusions inherent in op-art's geometric forms. What links all of these styles together is that they are divorced from the traditional representation of physical objects. For its new exhibition Printing Abstraction, the Saint Louis Art Museum draws from its own holdings of abstract art created by printmakers. The show is something of an expansion of the museum's ongoing main exhibition, Graphic Revolution: American Prints 1960 to Now, in that it offers more examples of the printmakers' art and the key role it's played in the promulgation of abstract art. Printing Abstraction is on display from Tuesday through Sunday (November 30 to March 31) in galleries 234 and 235 of the Saint Louis Art Museum (1 Fine Arts Drive; www.slam.org). Admission is free. free admission

Current Profile

Sundays, 11 a.m.-5 p.m. and Tuesdays-Saturdays, 10 a.m.-6 p.m. Continues through March 17

Once reserved for the wealthy and the social elite, portraiture has been democratized down to the informal level of the selfie. Freed from its staid origins, the modern portrait can be heroic representation, transgressive, humorous or an act of wish fulfillment. Current Profile, the new exhibition at the Craft Alliance Center of Art + Design (6640 Delmar Boulevard, University City; www.craftalliance.org), explores contemporary portraiture in all media. The show features everything from Richard Wehrs' sculpted bust of an alien warrior to Cayce Zavaglia's embroidered image of a young woman in pigtails, and all points in between. Current Profile opens with a free reception from 6 to 8 p.m. Friday, January 11. The exhibition remains up through March 17. free admission

Currents 116: Oliver Laric

Fridays, 10 a.m.-9 p.m. and Tuesdays-Thursdays, Saturdays, Sundays, 10 a.m.-5 p.m. Continues through May 27

Austrian-born artist Oliver Laric creates work that explores image creation and repetition, which he displays on both the museum and gallery circuit and the online realm. For his new exhibition, Currents 116: Oliver Laric, he presents his video animation Betweenness, which features repurposed mushrooms, people, anime characters and some snippets of the CT scan of the Saint Louis Art Museum's mummy, Amen-Nestawy-Nakht, all morphing into animals. The cycle of looped video blurs all of these borrowed images together, which reveals their shared shapes and forms. Laric also sculpted his own version of Reclining Pan (long on display in the museum's gallery 236) using 3D scans of the original. He used the digital files to "print" sections of the sculpture in various materials on a 3D printer, which he then assembled. Currents 116: Oliver Laric is on display in galleries 249 and 250 from February 22 to May 27 at the Saint Louis Art Museum (1 Fine Arts Drive; www.slam.org). The museum is open Tuesday through Sunday, and admission is free. free admission

Oslo

Tuesdays-Sundays. Continues through March 3

Back in the days before Twitter, diplomacy was a face-to-face business. Representatives from two nations or groups would meet together to discuss the issue at hand like adults and try to come to some sort of agreeable compromise. In the early 1990s, these quaint methods enabled leaders of the Palestine Liberation Organization and Israeli government to meet, however reluctantly. Norwegian diplomat Mona Juul and her husband Terje Rød-Larsen used back-channel relationships to very quietly establish connections with Israeli Prime Minister Yitzahk Rabin and PLO Chairman Yasser Arafat, and encouraged them to sit down and talk about building a road to peace. In a room supplied with food and drink, the leaders of two warring parties engaged with one another as people and found the spark of a human connection. J.T. Rogers' Tony Award-winning play Oslo dramatizes those meetings and that fleeting moment when two enemies shook hands and agreed to make peace. The Repertory Theatre St. Louis presents Oslo Tuesday through Sunday (February 8 to March 3) at the Loretto-Hilton Center (130 Edgar Road; www.repstl.org). Tickets are $19 to $92. $19-$92

Angels in America, Part One: Millennium Approaches

Sundays, 2 p.m. and Fridays, Saturdays, 7 p.m. Continues through March 3
,

Tony Kushner's monumental drama Angels in America, Part One: Millennium Approaches refracts the early days of the AIDS crisis through the prism of politics, religion, sex, the Red Scare, drugs and Antarctica. All of the characters and places are created by a smallish cast that must play young and old, dying and dead, and fantasy and reality. At the heart of all of this is a series of love stories that smash into the cold philosophy of its 1980s setting. "It's everyone for themselves" is a horrible way to live and a worse way to die. The Washington University Performing Arts Department presents Millennium Approaches at 7 p.m. Friday and Saturday and 2 p.m. Sunday (February 22 to March 3) at Washington University's Edison Theatre (6445 Forsyth Boulevard; www.edison.wustl.edu). Tickets are $15 to $20. $15-$20

Buy Tickets
Edison Theatre (map)
6445 Forsyth Blvd.
Clayton
phone 314-935-6543
Angels in America, Part One: Millennium Approaches

Milk Like Sugar

Sundays, 3 p.m., Fridays, Saturdays, 8 p.m. and Wednesdays, Thursdays, 7 p.m. Continues through March 3

Annie Desmond is turning sixteen, and she and her friends plan to celebrate in a big way — tattoos may be involved. They're like many black teenagers, dreaming big but surrounded by little that offers hope of something better. Annie's mother works herself near to death to support them, but when Annie's friend Margie tells the group she's pregnant, they hatch a plan that's shortsighted at best. Kirsten Greenidge's play Milk Like Sugar has been praised for the poetry and honesty of its dialogue and its unflinching look at the future being created for black youth. The Black Rep presents Milk Like Sugar at 7 p.m. Wednesday and Thursday, 8 p.m. Friday and Saturday and 3 p.m. Sunday at Washington University's Hotchner Studio Theatre inside the Edison Center (6445 Forsyth Boulevard; www.theblackrep.org). Tickets are $15 to $40. $15-$40

Buy Tickets
Edison Theatre (map)
6445 Forsyth Blvd.
Clayton
phone 314-935-6543
Milk Like Sugar

Christine Corday: Relative Points

Wednesdays-Sundays. Continues through April 21

Space is deep, to quote Hawkwind, and yet scientists believe all living creatures on Earth contain stellar elements within their genetic makeup. Artist Christine Corday explores this union of humans and the stars in her new exhibition Relative Points, which was commissioned by the Contemporary Art Museum St. Louis. Eleven of Corday's large sculptural forms, which are each made of more than 10,000 pounds of elemental metals and metalloid grit, will be arranged within the museum in a pattern of Corday's choosing. The sculptures, which resemble slightly squashed black marshmallows more than four feet high, are intended to be touched; they're essentially the same base elements as humans, after all. During the course of the exhibit, the shapes will change gradually from repeated contact and the inexorable force of universal gravitational attraction. You'll have your first opportunity to get close and personal with Corday's work at the opening reception, which takes place from 7 to 9 p.m. Friday, January 18, at Contemporary Art Museum St. Louis (3750 Washington Boulevard; www.camstl.org). Christine Corday: Relative Points remains fixed in space through April 21. free admission

Farragut North

Sundays, 3 p.m. and Thursdays-Saturdays, 8 p.m. Continues through Feb. 24

Stephen is an up-and-coming press secretary for a surprising presidential candidate. Or maybe that's just Stephen's spin in action. He's constantly spinning something, whether in a "candid" interview with a New York Times reporter or while regaling a backroom audience with stunning tales of his political acumen. He's young and handsome, and with his candidate's impending move to the Oval Office, there's no height he can't metaphorically scale. Of course the higher you rise, the harder the fall. House of Cards creator Beau Willimon wrote his politics 'n' power drama Farragut North after years of working on other people's campaigns, most notably Howard Dean's failed presidential run in 2004. St. Louis Actors Studio presents Farragut North at 8 p.m. Thursday through Saturday and 3 p.m. Sunday (February 8 to 24) at the Gaslight Theater (358 North Boyle Avenue; www.stlas.org). Tickets are $30 to $35. $30-$35

Showing 1-8 of 8 total results in this search.

Best Things to Do In St. Louis

Newsletters

Never miss a beat

Sign Up Now

Subscribe now to get the latest news delivered right to your inbox.


© 2019 Riverfront Times

Website powered by Foundation