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1968: A Portrait of Rock & Roll

Mondays-Fridays, 9 a.m.-5 p.m. Continues through Feb. 20
phone 314-993-4040
dallison@jburroughs.org

The Bonsack Gallery opens 1968: A Portrait of Rock & Roll with a reception on Friday, January 18 from 5:30 to 7:30 pm. The exhibition includes vintage rock posters from the collection of Ted L. and Maryanne Ellison Simmons; vintage photographs by Baron Wolman, Rolling Stone magazine’s chief photographer between 1967 and 1971; display pages from vintage Rolling Stone magazines loaned by J. Appel Photographs; and a collection of record albums from 1968. Visitors to the gallery will also hear a curated playlist from that year. For more info: https://www.facebook.com/events/240363213548363/ Free

http://www.jburroughs.org
Bonsack Gallery (map)
755 S. Price Road
Ladue
phone 314-993-4040

Christine Corday: Relative Points

Wednesdays-Sundays. Continues through April 21

Space is deep, to quote Hawkwind, and yet scientists believe all living creatures on Earth contain stellar elements within their genetic makeup. Artist Christine Corday explores this union of humans and the stars in her new exhibition Relative Points, which was commissioned by the Contemporary Art Museum St. Louis. Eleven of Corday's large sculptural forms, which are each made of more than 10,000 pounds of elemental metals and metalloid grit, will be arranged within the museum in a pattern of Corday's choosing. The sculptures, which resemble slightly squashed black marshmallows more than four feet high, are intended to be touched; they're essentially the same base elements as humans, after all. During the course of the exhibit, the shapes will change gradually from repeated contact and the inexorable force of universal gravitational attraction. You'll have your first opportunity to get close and personal with Corday's work at the opening reception, which takes place from 7 to 9 p.m. Friday, January 18, at Contemporary Art Museum St. Louis (3750 Washington Boulevard; www.camstl.org). Christine Corday: Relative Points remains fixed in space through April 21. free admission

Current Profile

Sundays, 11 a.m.-5 p.m. and Tuesdays-Saturdays, 10 a.m.-6 p.m. Continues through March 17

Once reserved for the wealthy and the social elite, portraiture has been democratized down to the informal level of the selfie. Freed from its staid origins, the modern portrait can be heroic representation, transgressive, humorous or an act of wish fulfillment. Current Profile, the new exhibition at the Craft Alliance Center of Art + Design (6640 Delmar Boulevard, University City; www.craftalliance.org), explores contemporary portraiture in all media. The show features everything from Richard Wehrs' sculpted bust of an alien warrior to Cayce Zavaglia's embroidered image of a young woman in pigtails, and all points in between. Current Profile opens with a free reception from 6 to 8 p.m. Friday, January 11. The exhibition remains up through March 17. free admission

Milk Like Sugar

Sundays, 3 p.m., Fridays, Saturdays, 8 p.m. and Wednesdays, Thursdays, 7 p.m. Continues through March 3

Annie Desmond is turning sixteen, and she and her friends plan to celebrate in a big way — tattoos may be involved. They're like many black teenagers, dreaming big but surrounded by little that offers hope of something better. Annie's mother works herself near to death to support them, but when Annie's friend Margie tells the group she's pregnant, they hatch a plan that's shortsighted at best. Kirsten Greenidge's play Milk Like Sugar has been praised for the poetry and honesty of its dialogue and its unflinching look at the future being created for black youth. The Black Rep presents Milk Like Sugar at 7 p.m. Wednesday and Thursday, 8 p.m. Friday and Saturday and 3 p.m. Sunday at Washington University's Hotchner Studio Theatre inside the Edison Center (6445 Forsyth Boulevard; www.theblackrep.org). Tickets are $15 to $40. $15-$40

Buy Tickets
Edison Theatre (map)
6445 Forsyth Blvd.
Clayton
phone 314-935-6543
Milk Like Sugar

Finding Common Ground: The Photography of Oraien Catledge and Jay Stock

Wednesdays-Saturdays, 11 a.m.-5 p.m. Continues through March 16
phone 314-535-1999
,

The International Photography Hall of Fame and Museum is pleased to present two exhibitions presenting the photographs of Oraien Catledge and Jay Stock. Both were outsiders to the communities they engaged with. One delved almost exclusively in a single impoverished, overlooked city neighborhood examining the lives of those that lived on the margins of society. The other traveled the world creating photographic essays of the people he met and their varied customs and traditions. Together they shared a profound respect and insistent fascination for the people they photographed. Adults $10 Students, Seniors $5, Children under 5 Free

http://iphf.org/exhibitions/oraien-catledge-cabbagetown/

Oslo

Tuesdays-Sundays. Continues through March 3

Back in the days before Twitter, diplomacy was a face-to-face business. Representatives from two nations or groups would meet together to discuss the issue at hand like adults and try to come to some sort of agreeable compromise. In the early 1990s, these quaint methods enabled leaders of the Palestine Liberation Organization and Israeli government to meet, however reluctantly. Norwegian diplomat Mona Juul and her husband Terje Rød-Larsen used back-channel relationships to very quietly establish connections with Israeli Prime Minister Yitzahk Rabin and PLO Chairman Yasser Arafat, and encouraged them to sit down and talk about building a road to peace. In a room supplied with food and drink, the leaders of two warring parties engaged with one another as people and found the spark of a human connection. J.T. Rogers' Tony Award-winning play Oslo dramatizes those meetings and that fleeting moment when two enemies shook hands and agreed to make peace. The Repertory Theatre St. Louis presents Oslo Tuesday through Sunday (February 8 to March 3) at the Loretto-Hilton Center (130 Edgar Road; www.repstl.org). Tickets are $19 to $92. $19-$92

Printing Abstraction

Fridays, 10 a.m.-9 p.m. and Tuesdays-Thursdays, Saturdays, Sundays, 10 a.m.-5 p.m. Continues through March 31

Abstract art is a term that includes a wide variety of media: monochromatic color fields, hard-edged abstraction and its flat colors, and the sharply defined edges and optical illusions inherent in op-art's geometric forms. What links all of these styles together is that they are divorced from the traditional representation of physical objects. For its new exhibition Printing Abstraction, the Saint Louis Art Museum draws from its own holdings of abstract art created by printmakers. The show is something of an expansion of the museum's ongoing main exhibition, Graphic Revolution: American Prints 1960 to Now, in that it offers more examples of the printmakers' art and the key role it's played in the promulgation of abstract art. Printing Abstraction is on display from Tuesday through Sunday (November 30 to March 31) in galleries 234 and 235 of the Saint Louis Art Museum (1 Fine Arts Drive; www.slam.org). Admission is free. free admission

Ann Metzger National Biennial Exhibition

Tuesdays-Sundays. Continues through Feb. 23

The Ann Metzger National Biennial Exhibition is the St. Louis Artists Guild's commitment to contemporary art made real. Metzger was a longtime member of the Artists Guild, and she bequeathed money to the institution to fund cash prizes for working artists. The exhibition features art in all media by more than 50 artists from across the country. This year's show opens with a free reception from 5 to 8 p.m. Friday, January 11, at the St. Louis Artists Guild (12 North Jackson Avenue, Clayton; www.stlouisartistsguild.org), and includes abstract art, figurative painting, sculpture and digital media. The Biennial remains on display through February 23. free admission

St. Louis Artists' Guild (map)
12 N Jackson Ave
Clayton
phone 314-727-6266
Ann Metzger National Biennial Exhibition

Margaret Keller: The Space Between

Mondays-Fridays, 9 a.m.-5 p.m. Continues through Feb. 21
phone 618-222-5278
nicole.dutton@swic.edu

The Space Between includes laser-cut sculpture, mixed media, and a 52-foot installation of unique round paintings of nature that are not obviously trees, sky, and mountains. Focused on the spaces between, these round paintings could be views through a microscope of cells or through a telescope of outer space. Keller looks at nature and questions how we see, now that the virtual/online world of nature photographs and videos have become more real than reality for so many. Her art redirects the soft focus of nature photographs so that the human eye intervenes with the camera's eye and takes priority. Free

http://www.swic.edu/theschmidt
William & Florence Schmidt Art Center (map)
Southwestern Illinois College
Belleville/ Fairview Heights
phone 618-222-5278

The Abstract Expressionism of Ty de LaVenta

Through March 29, 9 a.m.-5 p.m.
phone 314-229-7949
tdlaventa@gmail.com

@ Y.E.H.S., 1924 S. 12th St. in Soulard
Exhibit features 11 new large size expressionism paintings by local St. Louis artist. Free

http://www.delaventastudio.com
Showing 1-10 of 10 total results in this search.

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