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Graphic Revolution: American Prints 1960 to Now

Fridays, 10 a.m.-9 p.m. and Tuesdays-Thursdays, Saturdays, Sundays, 10 a.m.-5 p.m. Continues through Feb. 3

The 1960s were a period of social upheaval and radical change in America, and no art form captured that churning spirit better than printmaking. Printmakers have always had one foot in the commercial art world and one in the realm of fine art, and that hybrid nature allows them to adapt to new technologies and new thinking more quickly than, say, sculptors. Graphic Revolution: American Prints 1960 to Now, the exhibition at the Saint Louis Art Museum (1 Fine Arts Drive; www.slam.org), is a treasure trove of startling images. Featuring more than 100 works drawn from the museum's holdings and local private collectors, Graphic Revolution includes landmark prints by the big names (Andy Warhol's Campbell's Soup II, Robert Rauschenberg's Signs) and less famous but no less astonishing pieces by modern masters such as Julie Mehretu and Edgar Heap of Birds. The show is open from Sunday, November 11, to February 3. Tickets are $6 to $14, but free to all on Friday. $6-$14, free on Friday

Printing Abstraction

Fridays, 10 a.m.-9 p.m. and Tuesdays-Thursdays, Saturdays, Sundays, 10 a.m.-5 p.m. Continues through March 31

Abstract art is a term that includes a wide variety of media: monochromatic color fields, hard-edged abstraction and its flat colors, and the sharply defined edges and optical illusions inherent in op-art's geometric forms. What links all of these styles together is that they are divorced from the traditional representation of physical objects. For its new exhibition Printing Abstraction, the Saint Louis Art Museum draws from its own holdings of abstract art created by printmakers. The show is something of an expansion of the museum's ongoing main exhibition, Graphic Revolution: American Prints 1960 to Now, in that it offers more examples of the printmakers' art and the key role it's played in the promulgation of abstract art. Printing Abstraction is on display from Tuesday through Sunday (November 30 to March 31) in galleries 234 and 235 of the Saint Louis Art Museum (1 Fine Arts Drive; www.slam.org). Admission is free. free admission

Current Profile

Sundays, 11 a.m.-5 p.m. and Tuesdays-Saturdays, 10 a.m.-6 p.m. Continues through March 17

Once reserved for the wealthy and the social elite, portraiture has been democratized down to the informal level of the selfie. Freed from its staid origins, the modern portrait can be heroic representation, transgressive, humorous or an act of wish fulfillment. Current Profile, the new exhibition at the Craft Alliance Center of Art + Design (6640 Delmar Boulevard, University City; www.craftalliance.org), explores contemporary portraiture in all media. The show features everything from Richard Wehrs' sculpted bust of an alien warrior to Cayce Zavaglia's embroidered image of a young woman in pigtails, and all points in between. Current Profile opens with a free reception from 6 to 8 p.m. Friday, January 11. The exhibition remains up through March 17. free admission

Kehinde Wiley: Saint Louis

Fridays and Tuesdays-Thursdays, Saturdays, Sundays. Continues through Feb. 10

Artist Kehinde Wiley leaped into the public consciousness when his presidential portrait of Barack Obama was unveiled in February, but he's been making vital work that explores the nexus of race and representation for years. In 2017 the New York City-based Wiley visited the Saint Louis Art Museum to review the collection with an eye toward a future exhibit inspired by the historic style of portraiture. While he was in St. Louis, Wiley went to north St. Louis and Ferguson to meet with people and find subjects for his own paintings. Kehinde Wiley: Saint Louis is an exhibition of eleven large-scale paintings of everyday black St. Louisans dressed in modern clothing, posed in the manner of kings, statesmen and other powerful figures. Wiley's new work will be on display in galleries 249 and 250 from October 19 to February 10 at the Saint Louis Art Museum (1 Fine Arts Drive; www.slam.org). Admission is free. free admission

Alabama Story

Tuesdays-Sundays. Continues through Jan. 27

What is it about books that makes some people so afraid? Senator E.W. Higgins is up in arms about Garth Williams' new book The Rabbits' Wedding, a children's story about two rabbits who marry. Higgins' main objection is that one of the rabbits is white and the other is black, and in Alabama in 1959, even the hint of miscegenation — and in a children's book, no less — is cause for alarm. Higgins demands it be removed from all Alabama libraries. One librarian, Emily Wheelock Reed, refuses to pull it. Books, and the ideas with their pages, are worth fighting for, Reed argues. Kenneth Jones' play Alabama Story is based on a true story. Williams, the illustrator of Stuart Little and the Little House on the Prairie books, had no idea his picture book about a rabbit wedding would spark a political fight that threatened the well-being of an entire state. The Repertory Theatre St. Louis presents Alabama Story to open the second half of its season. Performances are Tuesday through Sunday (January 2 to 27) at the Loretto-Hilton Center (130 Edgar Road; www.repstl.org). Tickets are $19 to $92. $19-$92

Ann Metzger National Biennial Exhibition

Tuesdays-Sundays. Continues through Feb. 23

The Ann Metzger National Biennial Exhibition is the St. Louis Artists Guild's commitment to contemporary art made real. Metzger was a longtime member of the Artists Guild, and she bequeathed money to the institution to fund cash prizes for working artists. The exhibition features art in all media by more than 50 artists from across the country. This year's show opens with a free reception from 5 to 8 p.m. Friday, January 11, at the St. Louis Artists Guild (12 North Jackson Avenue, Clayton; www.stlouisartistsguild.org), and includes abstract art, figurative painting, sculpture and digital media. The Biennial remains on display through February 23. free admission

St. Louis Artists' Guild (map)
12 N Jackson Ave
Clayton
phone 314-727-6266
Ann Metzger National Biennial Exhibition

The Wolves

Tuesdays-Sundays. Continues through Feb. 3

Sarah DeLappe's play The Wolves will appear to be familiar territory for many parents in the Repertory Theatre St. Louis' audience. In it a team of teenage girls stretch before an indoor soccer game. But the only parent nearby is the team coach, who is too hungover to pay much attention to his athletes, and the girls are free to speak honestly to each other, and about each other. As the season progresses, a new teammate, growing resentments, discussions of various boyfriends and the flashes of unexpected cruelty reveal that behind their confidence on the field, each of them is still a young woman finding her way toward adulthood. The Repertory Theatre St. Louis presents The Wolves Tuesday through Sunday (January 18 to February 3) at the Loretto-Hilton Center (130 Edgar Road; www.repstl.org). Tickets are $46 to $71. $46-$71

Christine Corday: Relative Points

Wednesdays-Sundays. Continues through April 21

Space is deep, to quote Hawkwind, and yet scientists believe all living creatures on Earth contain stellar elements within their genetic makeup. Artist Christine Corday explores this union of humans and the stars in her new exhibition Relative Points, which was commissioned by the Contemporary Art Museum St. Louis. Eleven of Corday's large sculptural forms, which are each made of more than 10,000 pounds of elemental metals and metalloid grit, will be arranged within the museum in a pattern of Corday's choosing. The sculptures, which resemble slightly squashed black marshmallows more than four feet high, are intended to be touched; they're essentially the same base elements as humans, after all. During the course of the exhibit, the shapes will change gradually from repeated contact and the inexorable force of universal gravitational attraction. You'll have your first opportunity to get close and personal with Corday's work at the opening reception, which takes place from 7 to 9 p.m. Friday, January 18, at Contemporary Art Museum St. Louis (3750 Washington Boulevard; www.camstl.org). Christine Corday: Relative Points remains fixed in space through April 21. free admission

Love, Linda

Thursdays, 7:30 p.m., Fridays, Saturdays, 8 p.m. and Sundays, 3 p.m. Continues through Jan. 27

Cole Porter was a tough man to stay married to; he liked glamorous parties, the nightlife and being the center of attention. His homosexuality could have been another dealbreaker, but not for Linda Lee Thomas. The Southern heiress had already had one rough marriage when she met Porter, and the two got along so well that they soon married. Despite their sexual incompatibility, they shared a genuine affection, and Porter had no greater champion than his loving wife. Stevie Holland and Gary William Friedman's one-woman musical Love, Linda recounts the story of Mrs. Cole Porter woven through innovative arrangements of her husband's most beloved songs. Max & Louie Productions presents Love, Linda at 7:30 p.m. Thursday, 8 p.m. Friday and Saturday and 3 p.m. Sunday (January 17 to 27) at the Marcelle Theater (3310 Samuel Shepard Drive; www.maxandlouie.com). Tickets are $40 to $45. $40-$45

Marcelle Theater (map)
3310 Samuel Shepard Dr
St. Louis - Grand Center
phone 314-533-0367
Love, Linda

Canfield Drive

Fridays, Saturdays, 8 p.m., Sundays, 3 p.m. and Wednesdays, Thursdays, 7 p.m. Continues through Jan. 27

The civic protests following the killing of Michael Brown by a police officer will enter St. Louis history as an event as momentous as the Jefferson Bank Protests of the 1960s and the Dred Scott trial of the 1850s. But in the days after Brown's death, a long view of history wasn't possible. As international media crowded into Ferguson and tried to make sense of the region's troubled history with race, equal opportunity and community policing, it felt as if the facts changed daily. It's this tangle of news personalities and deadlines that informs Kristen Adele Calhoun and Michael Thomas Walker's new play, Canfield Drive. Two reporters with very different views of the story try to piece together the truth about what happened on a hot August day on a suburban street, while also trying to keep their own pasts from becoming part of the narrative. Calhoun and Thomas have spent four years working on the script with the St. Louis Black Repertory Company, which commissioned the play alongside the National Performance Network and 651 Arts. Canfield Drive is informed by first-person interviews with people from the metro area and from around the world, and it seeks to start conversations about race, culture, history, privilege and healing. The Black Rep presents the world-premiere production of Canfield Drive at Washington University's Edison Theatre (6445 Forsyth Boulevard; www.theblackrep.org). Performances are at 7 p.m. Wednesday and Thursday, 8 p.m. Friday and Saturday and 3 p.m. Sunday (January 9 to 27), and tickets are $15 to $45. $15-$45

Buy Tickets
Edison Theatre (map)
6445 Forsyth Blvd.
Clayton
phone 314-935-6543
Canfield Drive

The Motherf*cker with the Hat

Starts Jan. 25. Sundays, 7 p.m. and Fridays, Saturdays, 8 p.m. Continues through Feb. 10

Jackie's back, baby. Returning home after a stretch in jail for drug dealing, Jackie just wants to stay out of trouble and see his girlfriend Veronica. She's still using, and even worse, Jackie spots a hat in her apartment that isn't his — can she be double-timing him? Falling back into bad habits, Jackie gets a gun and goes to talk to his parole counselor Ralph, looking for moral support. Ralph, who has his own relationship problems, urges Jackie to get rid of his gun. You can't live with 'em, but you can't shoot 'em either, right? Stephen Adly Guirgis' seriocomedy The Motherf*cker with the Hat is rife with morally questionable characters all advising one another how to be a better person. But can anyone in this soiled world actually be good? R-S Theatrics opens its new season with The Motherf*cker with the Hat. Performances are at 8 p.m. Friday and Saturday and 7 p.m. Sunday (January 25 to February 10) at The .Zack (3224 Locust Street; www.r-stheatrics.org). Tickets are $18 to $20. $18-$20

.Zack (map)
3224 Locust St
St. Louis - Grand Center
phone 314-533-0367
The Motherf*cker with the Hat

Wittenberg

Starts Jan. 25. Sundays, 7 p.m., Thursdays-Saturdays, 8 p.m. and Sun., Feb. 10, 2 p.m. Continues through Feb. 9

The Hamlet we know from Elsinore — dour, broody and downright uncertain — wasn't always that way. Back in his glory days at the University of Wittenberg, Hamlet was a dedicated student focused on his studies and working steadily toward graduation. Yet in the fall of 1517 he returns to the university after spending his summer studying astronomy, armed with the knowledge of something that's shaken him to his core. He's not alone in his unease. Hamlet's priest, Martin Luther, is finding it increasingly difficult to downplay what he sees as the failings of his fellow churchmen. Only Hamlet's mentor, good old John Faustus, is happy now that he's decided to marry his beloved Helen. David Davalos throws together some of the great troublemakers of fiction and reality in his comic play Wittenberg, which also incorporates witty repartee, duels on the tennis court and a sixteenth-century hit parade. Upstream Theater performs Wittenberg at 8 p.m. Thursday through Saturday and 7 p.m. Sunday (January 25 to February 9) and 2 p.m. Sunday, February 10, at the Kranzberg Arts Center (501 North Grand Boulevard; www.upstreamtheater.org). Tickets are $25 to $35. $25-$35

Buy Tickets
Kranzberg Arts Center (map)
501 N Grand Blvd
St. Louis - Grand Center
phone 314-533-0367
Wittenberg

Central Print Open House

Fri., Jan. 25, 6-10 p.m.
phone 314-241-1346
Director@centralprint.org

Open House on Friday, January 25th, 6:00-10:00pm. We’ll have refreshments and a prize raffle, and a few techniques you can try out for yourself. Central Print 2624 North 14th Street St. Louis, Missouri 6310 314-241-1346 Director@centralprint.org https://www.centralprint.org Free

https://www.centralprint.org
Central Print (map)
2624 N 14th St
St. Louis - North Downtown
phone 314-241-5030

Avenue Q

Fri., Jan. 25, 7:30-10 p.m.
phone 314-534-1111

Part flesh, part felt and packed with heart, Avenue Q is a laugh-out-loud musical telling the timeless story of a bright-eyed college grad named Princeton. When he arrives in the city with big dreams and a tiny bank account, he has to move into a shabby apartment all the way out on Avenue Q. There, he meets Kate (the girl next door), Lucy (the slut), Rod (the Republican), Trekkie (the internet entrepreneur), superintendent Gary Coleman (yes, that Gary Coleman) and other new friends! Together, they struggle to find jobs, dates, and their ever-elusive purpose in life. $50-$75

http://www.playhouseatwestport.com
Buy Tickets
The Playhouse at Westport Plaza (map)
635 Westport Plaza
Maryland Heights
phone 314-469-7529

Love Linda

Thu., Jan. 24, 7:30 p.m., Fri., Jan. 25, 8 p.m., Sat., Jan. 26, 8 p.m. and Sun., Jan. 27, 3 p.m.

“Love, Linda” the one woman musical tour de force about the life of Mrs. Cole Porter runs January 17th through January 27th at the Marcelle Theater in The Grand Center Arts District. Linda Lee Thomas was the Southern beauty who married and was the driving force behind legendary song writer Cole Porter at the dawn of the roaring twenties. Though Cole Porter was gay, their companionship and love lasted through 35 years of marriage and a spectacular, glamour-filled life. With innovative jazz arrangements, the timeless music and lyrics of Cole Porter weave through “Love, Linda” examining the darker sides of 40-45

https://maxandlouie.com/
Buy Tickets
Marcelle Theater (map)
3310 Samuel Shepard Dr
St. Louis - Grand Center
phone 314-533-0367
Showing 1-15 of 27 total results in this search.

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