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Global Moves: Americans in Chess Olympiads

Mondays, Tuesdays, Saturdays, 10 a.m.-5 p.m., Sundays, 12-5 p.m. and Wednesdays-Fridays, 10 a.m.-9 p.m. Continues through April 1, 2018

The Chess Olympiad is a biennial competition in which national teams compete for the title. America is the current holder, triumphing against 180 other nations to achieve the victory. It was our first win since 1976, and so the World Chess Hall of Fame takes this golden opportunity to honor the reigning champions. The exhibition Global Moves: Americans in Chess Olympiads is a celebration of America's current and past glories, with numerous historic chess artifacts being displayed — among them, a gold medal from the 2016 team. Grandmasters Fabiano Caruana, Hikaru Nakamura, Wesley So, Ray Robson and Sam Shankland, who all played for the 2016 American team, will attend the opening reception, which takes place from 6 to 8 p.m. tonight at the World Chess Hall of Fame (4652 Maryland Avenue; www.worldchesshof.org). Also on display is the Hamilton-Russell Cup, the trophy granted to the Olympiad's winning team. Global Moves continues through April 1. $3-$5 suggested donation

Kader Attia: Reason's Oxymorons

Mondays, Wednesdays-Sundays, 11 a.m.-5 p.m. Continues through Jan. 8, 2018

Human beings' adaptability is what allows people to gradually come to terms with catastrophic change and trauma. In the Western world, we consider it possible for someone who has experienced a tragedy to "heal," thereby erasing a wrong. But the non-Western world doesn't always believe that disaster can be plastered over. In some countries, the scars and imperfections are celebrated. These conflicting ideas of past damage are the inspiration for French-Algerian artist Kader Attia's exhibition Reason's Oxymorons. Attia interviewed and filmed historians, storytellers, philosophers and ethnographers from around the world discussing their cultural ideas of healing psychic damage. These films are then continuously played on an array of televisions placed throughout a maze of gray cubicles. The viewer can pass from cube to cube, gaining exposure to previously foreign worldviews. Kader Attia: Reason's Oxymorons opens with a free public reception from 7 to 9 p.m. tonight at the Mildred Lane Kemper Art Museum on the Washington University campus (1 Brookings Drive; www.kemperartmuseum.wustl.edu). The show remains up through January 8, and the museum is open every day except Tuesday. free admission

#1 in Civil Rights

Mondays, Wednesdays-Sundays, 10 a.m.-5 p.m. Continues through April 15, 2018

St. Louis' history as a wellspring of civil rights activism is deep and impressive. Dred and Harriet Scott's legal fight to be free, Mary Meachum's bold actions leading slaves to freedom across the Mississippi River, the Jefferson Bank protesters organizing to get access to better jobs, Percy Green and the daring VP Ball invaders who challenged St. Louis' powerful elite and the exclusionary nature of their private party — all of these people fought the good fight in St. Louis. #1 in Civil Rights, the new exhibition at the Missouri History Museum (Lindell Boulevard and DeBaliviere Avenue; www.mohistory.org) chronicles the history of the civil rights movement in the metro area through artifacts, historical photos, oral histories, art work and actors' performances. Every key moment in the black struggle for equality is covered up to the present day, with artifacts collected by the museum staff following the killing of Michael Brown and the resulting civil unrest in Ferguson playing a major role in the exhibit. #1 in Civil Rights opens on Saturday, March 11, and continues through April 15, 2018. Admission is free. free admission

Missouri History Museum (map)
Lindell Blvd. & DeBaliviere Ave.
St. Louis - Forest Park
phone 314-746-4599
#1 in Civil Rights

Yvonne Osei: Tailored Landscapes

Mondays-Wednesdays, Fridays-Sundays, 10 a.m.-4 p.m. and Thursdays, 10 a.m.-8 p.m. Continues through March 4, 2018

Yvonne Osei takes over the Adam Aronson Fine Arts Center for her exhibition Tailored Landscapes — literally. Her large-scale photo installation occupies the length and breadth of the gallery, the two-year-old indoor gallery located at Laumeier Sculpture Park. The German-born artist has been photographing Laumeier throughout the past year; these images are then manipulated to create patterns reminiscent of the brightly patterned textiles of her Ghanian culture. Osei's manufactured figures comprise people observing the park’s sculptures, roads and the backdrop of greenery that surrounds Laumeier, but these elements only become apparent at close range. free admission

Karaoke, Long Island, & Margarita Mondays

Mondays, 5 p.m.-2:30 a.m. Continues through May 30, 2018
phone 314-669-9076
info@voodoosaintlouis.com
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Mondays can be the worst, which is why VooDoo offers $1 Margaritas, $3 Long Islands, and Karaoke 8pm-close. Beat those Monday blues at VooDoo Saint Louis! Free

https://www.voodoosaintlouis.com/

The Comedy Shipwreck Stand Up Open Mic

Mondays, 9:30-11:30 p.m. Continues through April 9, 2018
phone 314-352-5226
theheavyanchor@gmail.com

The Comedy Shipwreck open mic Weekly open mic, each and every Monday. The Heavy Anchor, 5226 Gravois St. Louis, MO 63116 Free show, and $1.00 PBR's! Show starts at 10 pm If you want to try your hand at telling jokes, sign up at 9:30 pm Free

https://www.facebook.com/pg/theheavyanchor/about/?ref=page_internal
The Heavy Anchor (map)
5226 Gravois Ave.
St. Louis - South City
phone 314-352-5226
The Comedy Shipwreck Stand Up Open Mic

Karaoke at VooDoo

Mondays-Thursdays, 8 p.m.-2:30 a.m. Continues through April 12, 2018
phone 314-669-9076
info@VooDooSaintLouis.com
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@ VooDoo Saint Louis, 1229 Washington Avenue Saint Louis, MO 63103
Sing on a real stage, with the best in Saint Louis lighting and sound! Hosted by a former touring cast member of Rent and more its karaoke like no other! 100,000 songs to choose from! The BEST in Saint Louis! NO COVER

http://www.facebook.com/CajunSpiritsSTL
Buy Tickets
Karaoke at VooDoo

Renaissance and Baroque Prints: Investigating the Collection

Mondays, Wednesdays-Saturdays, 11 a.m.-5 p.m. Continues through Jan. 8, 2018
phone 314-935-4523
kemperartmuseum@wustl.edu
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With its fine slashing lines and dark, inky shadows, Rembrandt’s “The Three Crosses” is mournful, majestic, and exemplifies the artist’s experimental approach to printmaking. This fall, the Mildred Lane Kemper Art Museum will present the historic etching, and more than 100 other prints, as part of “Renaissance and Baroque Prints: Investigating the Collection.” Free

https://source.wustl.edu/2017/09/renaissance-baroque-prints-investigating-collection/

Magic of Lights

Mondays-Sundays, 6-10 p.m. Continues through Jan. 1, 2018
info@magicoflights.com

Magic of Lights is a dazzling 1.5-mile drive-through holiday lights show featuring more than 300 spectacular displays using the latest LED technology and digital animations. Experience Magic of Lights from the comfort of your own car as you wind through the sparkling path of St. Louis's newest favorite holiday tradition. One carload, one price. Magic of Lights is a great family entertainment value, and every ticket to Magic of Lights benefits Cardinals Care. Vary

http://magicoflights.com/stlouis/

Kader Attia: Reason’s Oxymorons

Mondays, Wednesdays-Sundays, 7-9 p.m. and Mondays, Wednesdays-Sundays, 11 a.m.-5 p.m. Continues through Jan. 8, 2018
phone 314-935-4523
kemperartmuseum@wustl.edu
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What is the nature of the self? How do conceptions differ in Western and non-Western cultures? Can individual and collective traumas ever be “fixed,” or do certain wounds defy the notion of repair? In “Reason’s Oxymorons,” French-Algerian artist Kader Attia surveys how different cultures, societies and disciplines grapple with questions of loss and damage. Free

http://www.kemperartmuseum.wustl.edu/exhibitions/11993

Rudolph the Red-Nosed Reindeer the Musical

Tue., Nov. 21, 7:30 p.m. and Wed., Nov. 22, 1 & 7:30 p.m.
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The greatest debate of our time is not about politics, sports or even if a hot dog is a sandwich — it's which Christmas special is better, the Peanuts one or Rudolph the Red-Nosed Reindeer? In one hand, Linus van Pelt schools everyone on what the true meaning of Christmas is; in the other, Hermey the Elf uses dentistry for good. They both have their merits, but only one show is being presented live on-stage this week. Rudolph the Red-Nosed Reindeer the Musical brings the stop-motion classic to life, with Rudolph, Hermey, Yukon Cornelius and the ever-lovin' Bumble all learning that it's our differences that make us unique. Rudolph is performed at 7:30 p.m. Tuesday and 1 and 7:30 p.m. Wednesday (November 21 and 22) at the Fox Theatre (527 North Grand Boulevard; www.fabulousfox.com). Tickets are $23.50 to $68.50. $23.50-$68.50

Buy Tickets
The Fox Theatre (map)
527 N. Grand Blvd.
St. Louis - Grand Center
phone 314-534-1111
Rudolph the Red-Nosed Reindeer the Musical

A Century of Japanese Prints

Fridays, 10 a.m.-9 p.m. and Tuesdays-Thursdays, Saturdays, Sundays, 10 a.m.-5 p.m. Continues through Jan. 28, 2018

Japan had a long history of woodblock printing (ukiyo-e) that, although now recognized for their artistic qualities, were at the time purely commercial works. That began to change in the mid-nineteenth century, as Japanese artists were exposed to Western printmaking. These early modern artists began the creative print movement, which was motivated by a desire to explore the artistic possibilities of Japan's traditional hand-carved woodblock printing methods. Artists such as Kobayakawa Kiyoshi and Hashiguchi Goyō created portraits of modern Japanese society in prints that are both beautiful works of art and incredible documents of an era. The Saint Louis Art Museum displays a treasure trove of them in the new exhibit, A Century of Japanese Prints. The show opens on Friday, August 11, and remains up through January 28. Admission is free. free admission

Currents 114: Matt Saunders

Fridays, 10 a.m.-9 p.m. and Tuesdays-Thursdays, Saturdays, Sundays, 10 a.m.-5 p.m. Continues through Feb. 4, 2018

American artist Matt Saunders is interested in the way an image can be altered with the passage of time. He pursues that interest through photography and animation, with a particular emphasis on avoiding cameras. Instead he captures light that has passed through oil paintings on linen, or through printed-on plastic, to create the shadows of images; his photograms are almost dark reflections of the intervening material. Saunders has created all-new work for Currents 114: Matt Saunders, his new exhibition at the Saint Louis Art Museum in Forest Park (1 Fine Arts Drive; www.slam.org). Among these new works are large-scale copper-plate etchings and a video installation that plays across multiple screens in two galleries. The mutable images of Matt Saunders are on display Tuesday through Sunday (November 17 to February 4) in gallery 249 and 250. Admission is free. free admission

Steve McCurry: The Importance of Elsewhere

Tuesdays-Saturdays. Continues through Feb. 3, 2018

Photographer Steve McCurry created an iconic image with his portrait of a young Afghani girl and her haunting, bottomless eyes, which stared down his lens and seemingly into the innermost chamber of your heart. But that photograph isn't the extent of McCurry's work. For almost 40 years he has been traveling the world, photographing people in India, the temples of Angkor Wat, burning oil fields in Kuwait, and indeed, even an entire series on the striking eyes he spots in people's faces the world over. Steve McCurry: The Importance of Elsewhere, the new exhibition of his work at the Sheldon (3648 Washington Boulevard; www.thesheldon.org), features 37 photographs made by McCurry during his journey. The exhibit opens with a free reception from 5 to 7 p.m. Friday, October 6. The show continues through February 3, 2018, and the gallery is open Tuesday through Saturday. Admission is free. free admission

Buy Tickets
The Sheldon (map)
3648 Washington Blvd.
St. Louis - Grand Center
phone 314-533-9900
Steve McCurry: The Importance of Elsewhere

Exposure 19: Jumbled Time

Tuesdays-Saturdays, 11 a.m.-5 p.m. Continues through Dec. 2

Gallery 210's long-running Exposure series brings together local artists who work in the same media or pursue the same ideas in their work. In the case of Exposure 19: Jumbled Time, Stan Chisholm, Lizzy Martinez and Adam Turl all share an interest in narrative art, whether that's the sometimes enigmatic phrases Chisholm stamps out on bricks and other building materials, or Turl's set-like assemblages of objects and paint that hint at the personality of their subject. Jumbled Time opens with a free artists' reception from 5 to 7 p.m. Saturday, August 26, at Gallery 210 on the University of Missouri-St. Louis campus (1 University Drive at Natural Bridge Road; 314-516-5976). The show remains up through December 2, and the gallery is open from 11 a.m. to 5 p.m., Tuesday through Saturday. free admission

University of Missouri-St. Louis-Gallery 210 (map)
1 University Dr at Natural Bridge Road
North St. Louis County
phone 314-516-5976
Exposure 19: Jumbled Time
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