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Kader Attia: Reason's Oxymorons

Mondays, Wednesdays-Sundays, 11 a.m.-5 p.m. Continues through Jan. 8, 2018

Human beings' adaptability is what allows people to gradually come to terms with catastrophic change and trauma. In the Western world, we consider it possible for someone who has experienced a tragedy to "heal," thereby erasing a wrong. But the non-Western world doesn't always believe that disaster can be plastered over. In some countries, the scars and imperfections are celebrated. These conflicting ideas of past damage are the inspiration for French-Algerian artist Kader Attia's exhibition Reason's Oxymorons. Attia interviewed and filmed historians, storytellers, philosophers and ethnographers from around the world discussing their cultural ideas of healing psychic damage. These films are then continuously played on an array of televisions placed throughout a maze of gray cubicles. The viewer can pass from cube to cube, gaining exposure to previously foreign worldviews. Kader Attia: Reason's Oxymorons opens with a free public reception from 7 to 9 p.m. tonight at the Mildred Lane Kemper Art Museum on the Washington University campus (1 Brookings Drive; www.kemperartmuseum.wustl.edu). The show remains up through January 8, and the museum is open every day except Tuesday. free admission

#1 in Civil Rights

Mondays, Wednesdays-Sundays, 10 a.m.-5 p.m. Continues through April 15, 2018

St. Louis' history as a wellspring of civil rights activism is deep and impressive. Dred and Harriet Scott's legal fight to be free, Mary Meachum's bold actions leading slaves to freedom across the Mississippi River, the Jefferson Bank protesters organizing to get access to better jobs, Percy Green and the daring VP Ball invaders who challenged St. Louis' powerful elite and the exclusionary nature of their private party — all of these people fought the good fight in St. Louis. #1 in Civil Rights, the new exhibition at the Missouri History Museum (Lindell Boulevard and DeBaliviere Avenue; www.mohistory.org) chronicles the history of the civil rights movement in the metro area through artifacts, historical photos, oral histories, art work and actors' performances. Every key moment in the black struggle for equality is covered up to the present day, with artifacts collected by the museum staff following the killing of Michael Brown and the resulting civil unrest in Ferguson playing a major role in the exhibit. #1 in Civil Rights opens on Saturday, March 11, and continues through April 15, 2018. Admission is free. free admission

Missouri History Museum (map)
Lindell Blvd. & DeBaliviere Ave.
St. Louis - Forest Park
phone 314-746-4599
#1 in Civil Rights

The Darkness

Thursdays, 7:30-10 p.m., Fridays, Saturdays, 6:30 p.m.-12:15 a.m., Mondays-Thursdays, Sundays, 7:30-10 p.m. and Tue., Oct. 31, 7-11:30 p.m. Continues through Oct. 30

St. Louis' most terrifying haunted house returns for another Halloween season. All scanners, props, animations and FX are new this year, as is the interactive Horror Escape Room and Zombie Laser Tag (every Thursday). $25

http://www.scarefest.com
The Darkness (map)
1525 S. Eighth St.
St. Louis - Soulard
phone 314-631-8000

Renaissance and Baroque Prints: Investigating the Collection

Mondays, Wednesdays-Saturdays, 11 a.m.-5 p.m. Continues through Jan. 8, 2018
phone 314-935-4523
kemperartmuseum@wustl.edu
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With its fine slashing lines and dark, inky shadows, Rembrandt’s “The Three Crosses” is mournful, majestic, and exemplifies the artist’s experimental approach to printmaking. This fall, the Mildred Lane Kemper Art Museum will present the historic etching, and more than 100 other prints, as part of “Renaissance and Baroque Prints: Investigating the Collection.” Free

https://source.wustl.edu/2017/09/renaissance-baroque-prints-investigating-collection/

Kader Attia: Reason’s Oxymorons

Mondays, Wednesdays-Sundays, 7-9 p.m. and Mondays, Wednesdays-Sundays, 11 a.m.-5 p.m. Continues through Jan. 8, 2018
phone 314-935-4523
kemperartmuseum@wustl.edu
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What is the nature of the self? How do conceptions differ in Western and non-Western cultures? Can individual and collective traumas ever be “fixed,” or do certain wounds defy the notion of repair? In “Reason’s Oxymorons,” French-Algerian artist Kader Attia surveys how different cultures, societies and disciplines grapple with questions of loss and damage. Free

http://www.kemperartmuseum.wustl.edu/exhibitions/11993

A Century of Japanese Prints

Fridays, 10 a.m.-9 p.m. and Tuesdays-Thursdays, Saturdays, Sundays, 10 a.m.-5 p.m. Continues through Jan. 28, 2018

Japan had a long history of woodblock printing (ukiyo-e) that, although now recognized for their artistic qualities, were at the time purely commercial works. That began to change in the mid-nineteenth century, as Japanese artists were exposed to Western printmaking. These early modern artists began the creative print movement, which was motivated by a desire to explore the artistic possibilities of Japan's traditional hand-carved woodblock printing methods. Artists such as Kobayakawa Kiyoshi and Hashiguchi Goyō created portraits of modern Japanese society in prints that are both beautiful works of art and incredible documents of an era. The Saint Louis Art Museum displays a treasure trove of them in the new exhibit, A Century of Japanese Prints. The show opens on Friday, August 11, and remains up through January 28. Admission is free. free admission

New Media Series: Amy Granat

Fridays, 10 a.m.-9 p.m. and Tuesdays-Thursdays, Saturdays, Sundays, 10 a.m.-5 p.m. Continues through Nov. 12

In the nineteenth century the American Dream was tied up in Manifest Destiny. We would spread across the continent from the East to the West on foot, by wagon or train. Once the West was won, the dream changed and became nice home, a fast car and an open road. But what is the American Dream today, when we cover the land from to sea to sea and all frontiers are gone? Amy Granat's Cars, Trees, Houses, Beaches is a silent 16mm film loop of Hawaiian beaches, muscle cars and modernist homes, among them Kirkwood's own Russell and Ruth Goetz Krauss house, which was designed by Frank Lloyd Wright. The film ruminates on these conquered frontiers, many of which are once again the stuff of dreams for Americans. The Saint Louis Art Museum (1 Fine Arts Drive; www.slam.org) presents Granat's film as part of its long-running New Media Series. It shows on an endless loop from July 14 to November 12 in gallery 301. Admission is free, and the museum is open every day except Monday. free admission

Steve McCurry: The Importance of Elsewhere

Tuesdays-Saturdays. Continues through Feb. 3, 2018

Photographer Steve McCurry created an iconic image with his portrait of a young Afghani girl and her haunting, bottomless eyes, which stared down his lens and seemingly into the innermost chamber of your heart. But that photograph isn't the extent of McCurry's work. For almost 40 years he has been traveling the world, photographing people in India, the temples of Angkor Wat, burning oil fields in Kuwait, and indeed, even an entire series on the striking eyes he spots in people's faces the world over. Steve McCurry: The Importance of Elsewhere, the new exhibition of his work at the Sheldon (3648 Washington Boulevard; www.thesheldon.org), features 37 photographs made by McCurry during his journey. The exhibit opens with a free reception from 5 to 7 p.m. Friday, October 6. The show continues through February 3, 2018, and the gallery is open Tuesday through Saturday. Admission is free. free admission

Buy Tickets
The Sheldon (map)
3648 Washington Blvd.
St. Louis - Grand Center
phone 314-533-9900
Steve McCurry: The Importance of Elsewhere

Hamlet

Thursdays, Fridays, 8 p.m., Tuesdays, 7 p.m., Wed., Oct. 25, 7 p.m., Saturdays, 4 & 8 p.m., Sun., Oct. 29, 2 p.m., Wed., Nov. 1, 1:30 p.m. and Sun., Nov. 5, 2 & 7 p.m. Continues through Nov. 5

In its 50 years of operation, the Repertory Theatre St. Louis has somehow never mounted a production of William Shakespeare's Hamlet. That all changes this year — the company's 51st season. Prince Hamlet mopes around castle Elsinore, trying to figure out what to do with his life now that his father the king is dead and his Uncle Claudius has assumed both the throne and the heart of his sister-in-law, Hamlet's mother. When his father's ghost tells Hamlet that Claudius is a murderous usurper, the young man finds his bloody purpose in life. Will he throw away everything to avenge his father? The Repertory Theatre St. Louis presents its first-ever Hamlet Tuesday through Sunday (October 12 to November 5) at Webster University's Loretto-Hilton Center (130 Edgar Road, Webster Groves; www.repstl.org). Tickets are $18.50 to $89. $18.50-$89

Exposure 19: Jumbled Time

Tuesdays-Saturdays, 11 a.m.-5 p.m. Continues through Dec. 2

Gallery 210's long-running Exposure series brings together local artists who work in the same media or pursue the same ideas in their work. In the case of Exposure 19: Jumbled Time, Stan Chisholm, Lizzy Martinez and Adam Turl all share an interest in narrative art, whether that's the sometimes enigmatic phrases Chisholm stamps out on bricks and other building materials, or Turl's set-like assemblages of objects and paint that hint at the personality of their subject. Jumbled Time opens with a free artists' reception from 5 to 7 p.m. Saturday, August 26, at Gallery 210 on the University of Missouri-St. Louis campus (1 University Drive at Natural Bridge Road; 314-516-5976). The show remains up through December 2, and the gallery is open from 11 a.m. to 5 p.m., Tuesday through Saturday. free admission

University of Missouri-St. Louis-Gallery 210 (map)
1 University Dr at Natural Bridge Road
North St. Louis County
phone 314-516-5976
Exposure 19: Jumbled Time

Quilt National 2017

Tuesdays-Sundays, 10 a.m.-5 p.m. Continues through Dec. 1
phone 636-255-0270
melissa@foundryartcentre.org
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The internationally-juried exhibition Quilt National 2017, curated by The Dairy Barn Arts Center in Athens, Ohio, joins the Foundry Art Centre once again for its renowned biennial collection of Art Quilts by contemporary fiber artists. The Foundry Art Centre is the only venue that will host the exhibition in its entirety aside from its original run at The Dairy Barn Arts Center. Quilt National 2017 opens at the Foundry Art Centre on Friday, October 6, 2017 and runs through Friday, December 1, 2017. Admission to the exhibitions is $5 per person. $5/person

http://www.foundryartcentre.org/2017-quilt-national/
Buy Tickets
Foundry Art Centre (map)
520 N. Main Center
St. Charles
phone 636-255-0270
Quilt National 2017

Carl Safe: The Architecture of Buildings, Furniture and Photographs

Saturdays, 10 a.m.-2 p.m., Wednesdays-Fridays, 12-5 p.m. and Tuesdays, 12-8 p.m. Continues through Feb. 17, 2018
phone 314-533-9900
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The career of Carl Safe, Professor Emeritus in the Department of Architecture, Sam Fox School of Design and Art at Washington University in St. Louis, is celebrated in this exhibit of furniture, architectural designs and photographs. Safe has been a member of the faculty there since 1970, where he has taught design studios and support courses. In addition to his status as Professor Emeritus, Safe is Principal at Carl Safe Design Consultants. Free

http://thesheldon.org/upcoming-exhibits.php
Buy Tickets
The Sheldon (map)
3648 Washington Blvd.
St. Louis - Grand Center
phone 314-533-9900

Invent a Musical Instrument: Selections From The Sheldon's Hartenberger World Music Collection

Saturdays, 10 a.m.-2 p.m., Wednesdays-Fridays, 12-5 p.m. and Tuesdays, 12-8 p.m. Continues through Jan. 27, 2018
phone 314-533-9900
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This exhibit features a selection of inventive musical instruments by students from area schools made during The Sheldon’s SOLID (Science of Learning Instrument Design) program in 2016 and 2017. A collaboration between The Sheldon, the St. Louis Science Center, St. Louis Public Schools, St. Louis Archdiocesan Schools, Grand Center Arts Academy and Boeing scientists, the STEAM (Science, Technology, Engineering, Art and Math) program, funded by Boeing, takes students through a design and build process using found objects and recyclables. Free

http://thesheldon.org/upcoming-exhibits.php
Buy Tickets
The Sheldon (map)
3648 Washington Blvd.
St. Louis - Grand Center
phone 314-533-9900

Jill Evans Petzall: Still Lives with Stories

Wednesdays-Fridays, 12-5 p.m., Saturdays, 10 a.m.-2 p.m. and Tuesdays, 12-8 p.m. Continues through Jan. 20, 2018
phone 314-533-9900
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Emmy award-winning filmmaker and media-artist Jill Evans Petzall’s innovative exhibit explores how Western biases are promoted across cultures through stereotypes in travel photography. Her photographs shot in Southeast Asia of strangely static human bodies become metaphorical “still lives.” Visitors can record their own stories with the artist on selected days. A selection of the recordings will become a lasting part of the artwork. This interactive exhibit asks us to discover what our snapshots reveal beyond ourselves and our “selfies.” Free

http://thesheldon.org/upcoming-exhibits.php
Buy Tickets
The Sheldon (map)
3648 Washington Blvd.
St. Louis - Grand Center
phone 314-533-9900

Steve McCurry: The Importance of Elsewhere

Saturdays, 10 a.m.-2 p.m., Wednesdays-Fridays, 12-5 p.m. and Tuesdays, 12-8 p.m. Continues through Feb. 3, 2018
phone 314-533-9900
,

Documentary photographer and storyteller Steve McCurry has been one of the most iconic voices in contemporary photography for almost 40 years. His work spans conflicts, ancient traditions and contemporary culture from six continents - yet always retains the human element that made his celebrated image of a young Afghan girl, published on the cover of National Geographic Magazine, so powerful. Free

http://thesheldon.org/upcoming-exhibits.php
Buy Tickets
The Sheldon (map)
3648 Washington Blvd.
St. Louis - Grand Center
phone 314-533-9900
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