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Chalk the Loop

Sat., June 23, 10 a.m.-4 p.m.

The Loop Arts Fest returns this weekend, and it features literary readings, concerts and the always popular Chalk the Loop contest. Everybody is welcome to register and then create their own artistic contributions on the sidewalk. The best designs will be awarded cash and bragging rights. Advanced artists and beginners alike are encouraged to join. Chalk the Loop takes place from 10 a.m. to 4 p.m. Saturday, June 23, in Ackert Walkway next to Chuck Berry Plaza (6555 Delmar Boulevard; Registration costs $6 to $10, and it's free to watch. $6-$10 for participating artists, free for spectators

Delmar Loop (map)
6200-6691 Delmar Blvd.
Delmar/ The Loop
phone 314-725-4466
Chalk the Loop


Sat., June 23, 11 a.m.-7 p.m.

Despite a decade of real progress for the LGBTQ community, this past year hasn't been great. We have an anti-gay vice president and a new, equally anti-gay governor. Those are just two of the many reasons why PrideFest matters in 2018. The community needs to stand as one to remind the homophobes that we're here and we're queer — even as allies need to stand up to say we love them for it. PrideFest returns to Soldiers Memorial Park (Fourteenth and Chestnut streets; this weekend, with a special, under-25 area for the youngsters and performances by Charis, the Gateway Men's Chorus, dance-pop mastermind Bonnie McKee (co-writer of most of Katy Perry's hits), '90s EDM hit machine La Bouche, with R&B singer Mýa headlining. The festival grounds are open from 11 a.m. to 7 p.m. Saturday and 11 a.m. to 6 p.m. (Saturday June 23 and 24). The parade starts at noon Sunday. Admission to the festival is free, but if you can afford a donation, $5 is the suggested amount. $5 suggested donation

Tower Grove Pride

Sat., June 23, 11 a.m.-8 p.m.

Tower Grove Pride continues to grow in size and influence. The community-centric celebration of LGBTQ people takes place from 11 a.m. to 8 p.m. Saturday, June 23, at Tower Grove Park (4256 Magnolia Avenue; and features more than 150 local artists and businesses selling their wares, food trucks and live entertainment, all under the leafy trees of one of the city's best parks. Admission is free, but if you buy the $15 backstage pass you can take advantage of the indoor Chill Out area and the outdoor amphitheater, which hosts musical, burlesque and drag performers. And don't forget to buy a pair of the exclusive Pride socks, designed by Stonebelt Supply and only available at Tower Grove Pride. free admission, $15 for backstage pass

Tower Grove Park (map)
4256 Magnolia Ave.
St. Louis - Tower Grove
phone 314-771-2679
Tower Grove Pride

Pig & Swig

Sat., June 23, 7 p.m.

St. Louisans don't live on barbecue alone, but that won't be a problem at the Pig & Swig, held from noon to 7 p.m. Saturday, June 23, at Ballpark Village (601 Clark Avenue; Sure, Salt + Smoke, Beast Craft BBQ Co., Bogarts and Sugarfire Smokehouse will be there cooking it up and laying it out for cash prizes, but there will also be many kinds of whiskey to purchase and premium cigars as well. For the non-smokers (read: children), a special kid's zone and live music are on offer all day long. Admission is free, and food and drink will be sold on site. free admission

Buy Tickets
Ballpark Village (map)
601 Clark Ave
St. Louis - Downtown
phone 314-345-9481
Pig & Swig

Urban Wanderers

Sat., June 23, 7-11 p.m.

Stray Rescue's annual arts-based fundraiser Urban Wanderers has become a summer tradition. The benefit consists of two parts. Step one, local artists make a piece in their chosen medium that is inspired by one of the animals Stray Rescue has saved from dangerous neglect, the streets and any number of bad situations. Step two, art-buying and animal-loving people show up and bid on the art, helping to further Stray Rescue's good works. Easy, peasy, puppy-pleasy.

But this year, there's a change to the tried-and-true formula. The show has moved from the Saint Louis University Museum of Art to the Four Seasons Hotel downtown. It turns out SLU's bicentennial celebration means its museum's doors are closed to outside groups for the year. But never fear: Natalie Thomson, Stray Rescue's marketing manager, says the organization just needed a space big enough to hold the throng that attends each year. The Four Seasons is just that, a good thing since this year looks to be a particularly big one — the auction includes more than 90 pieces of art.

"This is the most we've ever had," Thomson says. "Most of the artists did one piece, but we requested some of them do a couple. It's mostly paintings, but we also have some sculptures and mixed media, and a few photographers."

Some of the artists don't even see their animal subjects before beginning their piece.

"What we do is send them the animal's rescue story," explains Thomson. That includes how and where Stray Rescue found the animal, its condition at the time, its general temperament and often some basic medical facts about injuries or emotional states.

For a handful of the artists, that's enough to get started.

"Some of them don't want to see a photo," Thomson marvels. "They read that rescue story and create something about how they feel instead."

One of Urban Wanderers' traditional highlights in the past has been that a number of adoptable dogs come to the show for the opening. The Four Seasons has agreed to welcome one or two canine guests this year, but Thomson isn't sure if it will happen.

"We're still discussing it right now," she says. "We think we'll bring a dog that night. We're thinking about bringing Jumping Bean, whose story went viral. She's our most famous dog." Jumping Bean was discovered when a new homeowner called the rescue to say that a pit bull was chained up in the basement. Her story was picked up by more than 30 other organizations from the U.K. to Australia. Today, as her name suggests, she's a bundle of joyous energy.

Even if she doesn't show up, another special guest is scheduled to attend. Stray Rescue founder Randy Grim had a thoracic aortic aneurysm in February and has been recuperating for the past four months. If he does attend, this will be his first public appearance since his emergency surgery.

But if Grim doesn't make it, that doesn't excuse you. As Thomson notes, "It's free to get in, and there will be lots of free food. So bring friends and dress up fancy if you like. A lot of the art has starting bids under $100, and 100 percent of the proceeds go the medical fund." And hey, you might get to meet Jumping Bean as well.

Urban Wanderers takes place from 7 to 11 p.m. Saturday, June 23, at the Four Seasons Hotel (999 North Second Street; Admission is free.

free admission

La traviata

Sat., June 23, 8 p.m.

Late May in St. Louis means the return of Opera Theatre St. Louis, and here the company is, right on time with Giuseppe Verdi's wildly popular La traviata. It's the story of the queen of Paris courtesans, Violetta. She keeps things light, joyful and decidedly impersonal — "don't fall in love" is the rule she never flouts. But then she meets young idealist Alfredo at a party and contemplates breaking her own iron rule. To make matters worse, her nagging cough seems to be back, just as she believed she had beaten it. La traviata is performed at 8 p.m. Saturday, May 19, at the Loretto-Hilton Center (130 Edgar Road; and then seven more times in repertory through June 23. Tickets are $25 to $127. $25-$127

Orfeo and Eurydice

Sat., June 23, 1 p.m.

Christoph Willibald Glück's opera Orfeo and Eurydice begins with Eurydice's funeral, as Orfeo laments the death of his beloved wife. Amore (more commonly known as Cupid) arrives to tell the bereaved that he may go recover Eurydice from Hades and bring her back to life, but there's a catch: If Orfeo looks back, Eurydice will die permanently. He makes the long journey to the realm of the dead, but neglects to mention to his beloved the conditions of her return. Opera Theatre St. Louis presents Orfeo and Eurydice at 8 p.m. Saturday, June 9, at the Loretto-Hilton Center (130 Edgar Road;, with Missouri native Jennifer Johnson Cano in the role of Orfeo and the Big Muddy Dance Company as the dance corps. The show is performed five more times in repertory through June 23. Tickets are $27 to $132. $27-$132

New Media Series: Cyprien Gaillard

Fridays, 10 a.m.-9 p.m. and Tuesdays-Thursdays, Saturdays, Sundays, 10 a.m.-5 p.m. Continues through July 15

Wild rose-ringed parakeets are found in Africa and India — and also in Düsseldorf, Germany. The German variety arrived as pets and then either were released or escaped into the city. The birds have made a home for themselves on one of the city's upscale streets, roosting happily in building façades. Artist Cyprien Gaillard followed the parakeets with a camera as they winged home at twilight. His short film KOE shows flocks of them as they fly past concrete and steel, thousands of miles away from their tropical ancestral lands. The silent film is a commentary on how humanity interferes with nature, and how animals are forced to adapt to a rapidly urbanizing world. KOE is shown on a loop in gallery 301 at the Saint Louis Art Museum (1 Fine Arts Drive; as part of the New Media Series. It remains on display Tuesday through Sunday (April 20 to July 15), and admission is free. free admission

Chinese Buddhist Art, 10th-15th Centuries

Fridays, 10 a.m.-9 p.m. and Tuesdays-Thursdays, Saturdays, Sundays, 10 a.m.-5 p.m. Continues through Aug. 30

Very rarely does an art exhibition include the actual wall an artist worked on, but the Saint Louis Art Museum does so for Chinese Buddhist Art, 10th-15th Centuries. A six-foot-by-four-foot section of a temple wall that has a painting of the Bodhisattva Akalokiteśvara (Guanyin) on one side is the focal point of the exhibition, and an exceptionally rare object. The show also includes four hanging scrolls, and a never-before-displayed painted, wooden sculpture of a seated arhat, the Buddhist term for a person who has achieved enlightenment. Chinese Buddhist Art, 10th-15th Centuries is open Tuesday through Sunday (March 30 to August 30) in gallery 225 of the Saint Louis Art Museum (1 Fine Arts Drive; Admission is free. free admission

Sunken Cities: Egypt's Lost World

Tuesdays-Sundays. Continues through Sept. 9

The ancient city of Thonis-Heracleion was Egypt's main Mediterranean port from 664 to 332 BC, or roughly 100 years longer than the country of America has existed. It was a thriving, international metropolis — and then a string of natural disasters wiped it off the map. Archeologist Franck Goddio and his team of underwater archeologists rediscoverd Thonis-Heracleion 1,000 years later, four miles off the coast of present-day Egypt. It was more than 30 feet below the surface of the sea, its colossal statues of gods, pharaohs and ritual animals resting in the ruins of a world long gone. Three of these massive statues comprise the heart of the new exhibition Sunken Cities: Egypt's Lost Worlds, which will be on display at the Saint Louis Art Museum (1 Fine Arts Drive; Tuesday through Sunday (March 25 to September 9). Alongside the trio of statues are more than 200 ceremonial and commercial artifacts (bronze vessels, coins, jewelry) found both on the sea floor and on loan from museums in Cairo and Alexandria. Admission to the exhibit is $8 to $20, and free on Friday. $8-$20

Panoramas of the City

Through Aug. 12

In a year in which the Missouri History Museum exhibition team has given us the stories of St. Louis' greatest civil rights freedom fighters and returned us to the glory days of Route 66, it would take something truly spectacular for the museum to outdo itself — and yet somehow it's done just that. The museum's new exhibition, Panoramas of the City, is as close to time travel as you can get without involving Morlocks. The show comprises seven floor-to-ceiling-size images of scenes such as Charles Lindbergh speaking to a crowd of 100,000 people on Art Hill at his "welcome home" party and a 1920 march on Olive Street by the League of Women Voters. These massive photographs are joined by props and interactive media displays that give viewers a better understanding of the historical context of each scene. More than 60 panoramas of various sizes round out the exhibit, which will be on display from September 2 to August 12, 2018, at the Missouri History Museum (Lindell Boulevard and DeBaliviere Avenue; Admission is free. free admission

Missouri History Museum (map)
Lindell Blvd. & DeBaliviere Ave.
St. Louis - Forest Park
phone 314-746-4599
Panoramas of the City

Muny Memories: 100 Years on Stage

Through June 2, 2019

The Muny is just about to open its landmark 100th season, and its neighbor, the Missouri History Museum (Lindell Boulevard and DeBalivere Avenue;, celebrates the occasion with an exhibit dedicated to the history of America's largest outdoor theater. Muny Memories: 100 Years on Stage features exhibits that explain the founding of the theater, display favorite memories from stars and staff, and give a look back stage to see how the dedicated technical crew creates and rigs all those sets and lights. You can also take a look at programs from the Muny's long, storied past. Muny Memories opens on Saturday, June 9, and remains on display daily through June 2, 2019. Admission is free. free admission

Missouri History Museum (map)
Lindell Blvd. & DeBaliviere Ave.
St. Louis - Forest Park
phone 314-746-4599
Muny Memories: 100 Years on Stage

Golf the Galleries

Saturdays, 10 a.m.-3 p.m. and Tuesdays-Fridays, 12-8 p.m. Continues through Aug. 12

Miniature golf courses are part sport, part pop-art installation, with an emphasis on big, colorful distractions and obstacles surrounding the final hole. The galleries at the Sheldon (3648 Washington Boulevard; embrace the art portion of the set-up with their summer exhibition, Golf the Galleries. Local artists and institutions were given the chance to design their own creative hole on a nine-hole course that fills the galleries. B.J. Vogt crafted a volcano-themed hole; sink your ball and it erupts in a cloud of packing peanuts. Justin King's Serengeti Park hole mimics an urban park, but with beautifully detailed, anthropomorphic cardboard animals sitting on the benches and strolling the paths. There's an Alice in Wonderland hole courtesy of Natalie Pinson, and design firm Arcturis used lighting and mirrors to create a simple-looking green that will bedevil duffers with optic distortions and tricky slopes. Golf the Galleries officially opens with a public viewing from 5 to 9 p.m. Friday, June 1, but tee times start at 11 a.m. Sunday, June 3. The course is open noon to 8 p.m. Tuesday through Friday, 10 a.m. to 3 p.m. Saturday and 11 a.m. to 4 p.m. Sunday through August 12. Greens fees are $6 to $12. $6-$12

Buy Tickets
The Sheldon (map)
3648 Washington Blvd.
St. Louis - Grand Center
phone 314-533-9900
Golf the Galleries

Painted Pieces: Art Chess from Purling London

Sundays, 12-5 p.m., Wednesdays-Fridays, 10 a.m.-9 p.m. and Mondays, Tuesdays, Saturdays, 10 a.m.-5 p.m. Continues through Sept. 16

The standard chess set has been reimagined in multiple formats, using everything from Simpsons characters to loaded shot glasses. The new exhibition at the World Chess Hall of Fame sees regulation Staunton sets done up with a fresh coat of paint, which doesn't sound all that impressive. But when it's artists such as Caio Locke, Sophie Matisse and Thierry Noir wielding the brushes, the results are dazzling. Painted Pieces: Art Chess from Purling London features vibrant, hand-painted chess sets exploding with color and invention. Painted Pieces opens with a free reception from 5:30 to 7:30 p.m. Thursday, April 12, at the World Chess Hall of Fame (4652 Maryland Avenue; The show remains up through September 16. free admission

Mona Hatoum: Terra Infirma

Fridays, 10 a.m.-8 p.m. and Wednesdays, Thursdays, Saturdays, 10 a.m.-5 p.m. Continues through Aug. 11

Palestinian-born installation artist Mona Hatoum brings together more than 30 of her works for Terra Infirma, her first exhibition in America in more than two decades. Hatoum's sculptures and installations often evoke domestic settings, but subvert the attendant ideas of comfort and safety into something more menacing. Dormiente takes the shape of a seven-foot-long cot, but one made from an upsized cheese grater. Misbah appears to be the sort of high-end light projector you might install in a nursery so that bears and bunnies dance on the walls at night; instead armed figures stalk each other through the darkness. The vocabulary of her work is minimalism and surrealism, but it's filtered through her feminist perspective, further shaped by her own sense of dislocation in a world that doesn’t recognize her native country. Hatoum discusses her work at the museum at 2 p.m. Saturday, April 7. free admission

Pulitzer Arts Foundation (map)
3716 Washington Blvd.
St. Louis - Grand Center
phone 314-754-1850
Mona Hatoum: Terra Infirma
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