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Panoramas of the City

Through March 24, 2019

In a year in which the Missouri History Museum exhibition team has given us the stories of St. Louis' greatest civil rights freedom fighters and returned us to the glory days of Route 66, it would take something truly spectacular for the museum to outdo itself — and yet somehow it's done just that. The museum's new exhibition, Panoramas of the City, is as close to time travel as you can get without involving Morlocks. The show comprises seven floor-to-ceiling size images of scenes such as Charles Lindbergh speaking to a crowd of 100,000 people on Art Hill at his "welcome home" party and a 1920 march on Olive Street by the League of Women Voters. These massive photographs are joined by props and interactive media displays that give viewers a better understanding of the historical context of each scene. More than 60 panoramas of various sizes round out the exhibit, which will be on display from September 2 to August 12, 2018, at the Missouri History Museum (Lindell Boulevard and DeBaliviere Avenue; www.mohistory.org). free admission

Missouri History Museum (map)
Lindell Blvd. & DeBaliviere Ave.
St. Louis - Forest Park
phone 314-746-4599
Panoramas of the City

Muny Memories: 100 Years on Stage

Through June 2, 2019

The Muny is just about to open its landmark 100th season, and its neighbor, the Missouri History Museum (Lindell Boulevard and DeBalivere Avenue; www.mohistory.org), celebrates the occasion with an exhibit dedicated to the history of America's largest outdoor theater. Muny Memories: 100 Years on Stage features exhibits that explain the founding of the theater, display favorite memories from stars and staff, and give a look back stage to see how the dedicated technical crew creates and rigs all those sets and lights. You can also take a look at programs from the Muny's long, storied past. Muny Memories opens on Saturday, June 9, and remains on display daily through June 2, 2019. Admission is free. free admission

Missouri History Museum (map)
Lindell Blvd. & DeBaliviere Ave.
St. Louis - Forest Park
phone 314-746-4599
Muny Memories: 100 Years on Stage

The Immigrants: Works by Master Photographers

Saturdays, 10 a.m.-2 p.m., Wednesdays-Fridays, 12-5 p.m. and Tuesdays, 12-8 p.m. Continues through Jan. 12, 2019

America's long history of welcoming new arrivals to Team USA is celebrated in the exhibition The Immigrants: Works by Master Photographers. From the earliest days of photography in the 1890s, when Ellis Island clerk Augustus Frederick Sherman began documenting immigrants with his camera, to today, when Italian photographer Alex Majoli captures the crisis of refugees trying to survive the ocean crossing from Africa to Greece, the exhibit shows the people who fled their homes in search of safety. The Immigrants doesn't shy away from the worst moments; Dorothea Lange's suppressed photograph of Japanese Americans in a U.S. internment camp during World War II is part of the show, as are more ennobling images made by Lewis Hine and Bob Gruen. The Immigrants opens with a free reception from 5 to 7 p.m. Friday, October 5, at the Sheldon (3648 Washington Boulevard; www.thesheldon.org). The show remains up through January 12. free admission

Buy Tickets
The Sheldon (map)
3648 Washington Blvd.
St. Louis - Grand Center
phone 314-533-9900
The Immigrants: Works by Master Photographers

A Doll's House, Part 2

Saturdays, 4 p.m., Thursdays, Fridays, 8 p.m., Tuesdays, Wednesdays, 7 p.m., Sundays, 2 p.m., Saturdays, 4 & 8 p.m., Wed., Oct. 31, 1:30 p.m. and Sun., Nov. 4, 2 & 7 p.m. Continues through Nov. 4

Henrik Ibsen's classic drama A Doll's House ends with Nora Helmer walking out on her husband and family so that she can live an independent life. This was a shocking, scandalous ending for a play in 1879, but it's less so in the modern era. In Lucas Hnath's A Doll's House, Part 2, Nora returns after fifteen years of traveling, affairs and work. But what does she want? Her dutiful and somewhat dull husband Torvald would certainly like to know. Their youngest child, Emmy, is recently engaged, and neither father nor daughter wants this reminder of a failed marriage around. Is it possible Nora didn't find the freedom she wanted? The Repertory Theatre St. Louis continues its season with A Doll's House, Part 2. Performances are Tuesday through Sunday (October 10 to November 4) at the Loretto-Hilton Center (130 Edgar Road; www.repstl.org). Tickets are $19 to $92. $19-$92

Lola Álvarez Bravo: Picturing Mexico

Wednesdays, Thursdays, Saturdays, 11 a.m.-5 p.m. and Fridays, 11 a.m.-8 p.m. Continues through Feb. 16, 2019

Lola Álvarez Bravo was a Mexican artist, educator and curator whose life spanned nearly the entire twentieth century. From the 1930s to the 1970s, Álvarez Bravo crisscrossed her way across the country with camera in hand, creating portraits of other working artists. Always shooting, she also made images of regular people and the architecture — both old and new — at a time when Mexico was rapidly growing and transforming. Lola Álvarez Bravo: Picturing Mexico, the new exhibition at the Pulitzer Arts Foundation (3716 Washington Boulevard; www.pulitzerarts.org), features more than 40 of her black-and-white photographs in all their glory. Picturing Mexico opens with a free reception from 6 to 9 p.m. on Friday, September 14. Also debuting the same night are more than 60 sculptures by Ruth Asawa, who often worked with wire. Both shows remain on display through February 16. The Pulitzer is open Wednesday through Saturday. free admission

Pulitzer Arts Foundation (map)
3716 Washington Blvd.
St. Louis - Grand Center
phone 314-754-1850
Lola Álvarez Bravo: Picturing Mexico

Sanford Biggers and Basquiat Before Basquiat: East 12th Street, 1979-1980

Wednesdays-Sundays. Continues through Dec. 30

The Contemporary Art Museum St. Louis opens some of the most ambitious and vital shows in its history this month, with a series of exhibitions by, and about, black artists and the black experience. Sanford Biggers works directly with the materials of his forebearers — quilts and African sculptures — only he reshapes and repurposes them as contemporary statements about black identity, history and trauma. Biggers gives found quilts new life with new handwork, encoding personal messages into their original pattern. The fact that the work of an anonymous black craftsman or woman now appears in galleries and museums around the world, even in Biggers' modified form, is both subversive and celebratory. With wooden sculptures, some of which are copies, he dips them in wax and then works them over with firearms. What begins as a statue of a human or human-shaped supernatural being becomes obscured, disfigured and unrecognizable through the violence wrought upon it.

In addition to Biggers' work, CAM presents a show of the private photos of Jean-Michel Basquiat. Basquiat emerged from the New York City hip-hop/punk/graffiti scenes in the 1970s as one-half of the graffiti duo SAMO, along with Al Diaz. The pair together tagged buildings with cryptic phrases denouncing the establishment, politics and religion, always signed "SAMO" (an acronym for "Same Old Shit"). When the duo broke up, Basquiat performed in the noise rock band Test Pattern (later named "Gray") with Vincent Gallo and Michael Holman. He lived on the streets, sold drugs and experimented with Xerox art, painting and drawing. Basquiat Before Basquiat: East 12th Street, 1979-1980 will showcase everything the artist made while living in a small East Village apartment with his friend Alexis Adler before he hit the big time. It's a treasure trove of paintings, sculptures and works on paper, as well as Adler's photographs of his friend.

Both exhibitions open with a free reception from 7 to 9 p.m. Friday, September 7, at the Contemporary Art Museum St. Louis (3750 Washington Boulevard; www.camstl.org). The shows continue through December 30.

free admission

The Raging Skillet

Wednesdays, Thursdays, 7:30 p.m., Saturdays, 8 p.m. and Sundays, 2 p.m. Continues through Oct. 21

The chef and food writer known only as Rossi has come a long way to get to the launch of her first book, The Raging Skillet: The True Life Story of Chef Rossi. Her "memoir with recipes" will debut at a combination book talk/cooking demonstration that will put the cherry on top of her arduous climb through the kitchens of NYC and also serve as a stick in the eye to all the chauvinist restaurateurs who told her she'd never make it. The only trouble comes when her mother crashes the party, which is quite a feat for a dead woman. Mom — who never approved of Rossi's lesbianism, her rejection of her Orthodox Jewish heritage for punk rock or her foul mouth — becomes the counterpoint to her big day in Jacques Lemarre's play about food and family, Raging Skillet. Inspired by the true story of caterer Chef Rossi, the play opens the new season for the New Jewish Theatre, the first with new artistic director Edward Coffield. Performances are at 7:30 p.m. Wednesday and Thursday, 8 p.m. Saturday and 2 p.m. Sunday (October 4 to 21) at the Wool Studio Theatre at the Jewish Community Center (2 Millstone Campus Drive, Creve Coeur; www.newjewishtheatre.org). Tickets are $42 to $45. $42-$45

The Last Days of Judas Iscariot

Sundays, 2 p.m. and Wednesdays, Thursdays, Saturdays, 8 p.m. Continues through Oct. 28

Judas Iscariot's crime is well known, and his fate of eternal damnation was decreed long ago. An enterprising defense attorney believes he's being unjustly punished, however; if the essential tenets of the Christian faith are love and forgiveness, isn't the former apostle entitled to them? This legal argument brings about a trial that sees Pontius Pilate, Sigmund Freud, Mary Magdalene and Satan himself called to the stand to testify either for or against Judas' plight. Mustard Seed Theatre opens its twelfth season with Stephen Adly Guirgis' courtroom black comedy The Last Days of Judas Iscariot. Performances are at 8 p.m. Wednesday, Thursday and Saturday and at 2 p.m. Sunday (October 10 to 28) at the Fontbonne Fine Arts Theatre (6800 Wydown Boulevard; www.mustardseedthreatre.com). Tickets are $15 to $30. $15-$30

Fontbonne University Fine Arts Theatre (map)
6800 Wydown Blvd.
Clayton
phone 314-862-3456
The Last Days of Judas Iscariot

Mark Dew:

Wednesdays, Fridays-Sundays, 8 p.m.

To walk into the Hideaway is to enter a place that seems frozen in time, where the dozen or so seats around the piano are packed with your grandparents' friends, decked out in chunky jewelry and tilted fedora hats. Ostensibly, they're here to listen to Mark Dew play — he's here Wednesday, Friday, Saturday and Sunday nights — but you're just as likely to hear one of those old-timers sitting around the piano trill Charlie Rich's "The Most Beautiful Girl." And when Dew finally has his turn at the mic, he'll say something humble, like, "I apologize; it should have been in the key of F." No matter. Dew is the conductor of this time-traveling train, and everyone's on board. Dew, who is blind, has been the piano man here for nearly a quarter-century and jokes that the best part about working here is, well, getting paid. He marvels at the younger set trickling in and its knowledge of the Cash and Sinatra songbooks: "The more the crowd gets into it, the more I play," Dew says. And that's enough to keep him around. "I'm not quite ready to be out to pasture," he says. "Yet." free

Days of Reparations to African People

Wed., Oct. 17, 6-8 p.m.
phone 314-200-5028
stlouis@uhurusolidarity.org

@ Akwaaba Hall, 4101 West Florissant Ave, St. Louis, Mo. 63115
The Days of Reparations to African People is an annual, international speaking tour to raise white reparations to African (black) people and discuss how we as white people can be in genuine solidarity with African liberation. It is a campaign by the African Peoples Solidarity Committee and its mass organization, the Uhuru Solidarity Movement, both founded and led by the African People’s Socialist Party. Keynote Speaker: Chairman Omali Yeshitela of the African People's Socialist Party Also speaking: Penny Hess, Chairwoman of the African People's Solidarity Committee Jesse Nevel, Chair of the Uhuru Solidarity Movement Building Unity Through Reparations! not charity free

http://uhurusolidarity.org
Buy Tickets
Days of Reparations to African People

Dutchtown Karneval of Curiosities

Wed., Oct. 17, 6:30-10:30 p.m.

A Magical Evening of Curious Amusements... thrilling theater, lavish costumes, beautiful art & music... Old time Burlesque, slightly saucy Cabaret, silly Drag, and mysterious Circus Sideshow! Jugglers, Firespinners, Midway Games run by Blatant Hucksters, The Tattooed Gentleman, Fortune Tellers & more! 4 Hours of Open Bar & Sumptuous Appetizers and Desserts! 100% of the proceeds benefit Dutchtown's Community Improvement District Safety & Security Fund. Tickets are $55 in advance or $60 at the door. $55

https://www.facebook.com/events/271981336930325/
Buy Tickets
The Bluffs on Broadway (map)
4708 S. Broadway
St. Louis - South City
phone 314-231-4808
Dutchtown Karneval of Curiosities
BB's Jazz, Blues & Soups (map)
700 S. Broadway
St. Louis - Downtown
phone 314-436-5222

Desert Noises

Wed., Oct. 17, 8 p.m.

w/ Zach Sullentrup & Fears, Morning Teleportation $8-$10

Foam Coffee & Beer (map)
3359 Jefferson Ave.
St. Louis - South City
phone 314-772-2100

Thunderpussy

Wed., Oct. 17, 8 p.m.

$15-$18

The Ready Room (map)
4195 Manchester Ave
St. Louis - Tower Grove
phone 314-833-3929

Nosferat II

Wed., Oct. 17, 8 p.m.

w/ Bastard Squad, Fight Back Mountain $7

The Sinkhole (map)
7423 South Broadway
St. Louis - South City
phone 314-328-2309
thesinkholebooking@gmail.com
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