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School of Rock the Musical

Tuesdays-Fridays, 7:30 p.m., Sat., Jan. 20, 1 & 6:30 p.m., Saturdays, 2 & 7:30 p.m. and Sun., Jan. 21, 1 & 6:30 p.m. Continues through Jan. 28
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Dewey Finn is having a rough week. His band kicked him out for upstaging the singer one too many times, his roommate's girlfriend is demanding he pay the rent or hit the bricks, and he has no job. What's a frustrated rocker to do? Salvation comes from an unlikely source: A tony private school offers him a job as a substitute teacher. Technically, the offer was extended to his roommate, Ned, but Dewey took the phone call, so he also takes the job. Once at the school, Dewey discovers that some of "his" pupils are quite talented as musicians. All they need is some coaching and they could win the upcoming battle of the bands. The only catch? They'll need to believe in themselves as much as Dewey believes in himself. Andrew Lloyd Webber, Glenn Slater and Downton Abbey creator Julian Fellowes translated the hit Jack Black film School of Rock into a big-budget musical, which plays the Fox Theatre (527 North Grand Boulevard; www.fabulousfox.com) in mid-January. School of Rock the Musical is performed Tuesday through Sunday (January 16 to 28), and tickets are $35 to $115. $35-$115

Buy Tickets
The Fox Theatre (map)
527 N. Grand Blvd.
St. Louis - Grand Center
phone 314-534-1111
School of Rock the Musical

Fences

Sundays, 3 p.m., Fridays, Saturdays, 8 p.m. and Thursdays, 7 p.m. Continues through Jan. 21

Troy Maxson is finally seeing real progress at age 53. The former Negro Leaguer great is on the verge of becoming the first black garbage truck driver in Pittsburgh. It's a small achievement, but it's one of the few allowed to a black man in the 1950s. His life is not all smooth sailing, though. He and his son keep fighting over the boy's future, and Troy can't get him to understand the value of a steady paycheck over the possibility of a career in football — but maybe that's just Troy's own deferred dreams talking. August Wilson's Pulitzer Prize-winning drama Fences is about a man who has grown embittered over the years, becoming a cold and distant tyrant in his own home. The Black Rep performs Fences at 7 p.m. Thursday, 8 p.m. Friday and Saturday and 3 p.m. Sunday (January 4 to 21) at Washington University's Edison Theatre (6445 Forsyth Boulevard; www.theblackrep.org). Tickets are $15 to $45. $15-$45

Buy Tickets
Edison Theatre (map)
6445 Forsyth Blvd.
Clayton
phone 314-935-6543
Fences

A Century of Japanese Prints

Tuesdays-Thursdays, Saturdays, Sundays, 10 a.m.-5 p.m. Continues through Jan. 28

Japan had a long history of woodblock printing (ukiyo-e) that, although now recognized for their artistic qualities, were at the time purely commercial works. That began to change in the mid-nineteenth century, as Japanese artists were exposed to Western printmaking. These early modern artists began the creative print movement, which was motivated by a desire to explore the artistic possibilities of Japan's traditional hand-carved woodblock printing methods. Artists such as Kobayakawa Kiyoshi and Hashiguchi Goyō created portraits of modern Japanese society in prints that are both beautiful works of art and incredible documents of an era. The Saint Louis Art Museum displays a treasure trove of them in the new exhibit, A Century of Japanese Prints. The show opens on Friday, August 11, and remains up through January 28. Admission is free. free admission

Currents 114: Matt Saunders

Fridays, 10 a.m.-9 p.m. and Tuesdays-Thursdays, Saturdays, Sundays, 10 a.m.-5 p.m. Continues through Feb. 4

American artist Matt Saunders is interested in the way an image can be altered with the passage of time. He pursues that interest through photography and animation, with a particular emphasis on avoiding cameras. Instead he captures light that has passed through oil paintings on linen, or through printed-on plastic, to create the shadows of images; his photograms are almost dark reflections of the intervening material. Saunders has created all-new work for Currents 114: Matt Saunders, his new exhibition at the Saint Louis Art Museum in Forest Park (1 Fine Arts Drive; www.slam.org). Among these new works are large-scale copper-plate etchings and a video installation that plays across multiple screens in two galleries. The mutable images of Matt Saunders are on display Tuesday through Sunday (November 17 to February 4) in gallery 249 and 250. Admission is free. free admission

Living Proof: The Art of Japanese Draftsmanship in the 19th Century

Thursdays, Fridays, 10 a.m.-8 p.m. and Wednesdays, Saturdays, 10 a.m.-5 p.m. Continues through March 3

As strange as it seems to us in the West, Japanese artists in the nineteenth century did not view their own drawings as individual works of art. They were "thinking on paper" or creating visual aids for wood carvers and printers who would create the actual work of art: the woodblock print. But despite their creators' misgivings about the artistry, drawings by master woodblock printers such as Utagawa Kuniyoshi and Katsushika Hokusai are indeed works of art. Living Proof: The Art of Japanese Draftsmanship in the 19th Century, the new exhibition at the Pulitzer Arts Foundation (3716 Washington Boulevard; www.pulitzerarts.org), collects more than 80 such "throwaway" drawings that capture the artists' work in their own hands, with corrections and alterations that demonstrate how they thought about and edited their projects "in camera." Living Proof is on display November 3 through March 3. free admission

Pulitzer Arts Foundation (map)
3716 Washington Blvd.
St. Louis - Grand Center
phone 314-754-1850
Living Proof: The Art of Japanese Draftsmanship in the 19th Century

Steve McCurry: The Importance of Elsewhere

Tuesdays-Saturdays. Continues through Feb. 3

Photographer Steve McCurry created an iconic image with his portrait of a young Afghani girl and her haunting, bottomless eyes, which stared down his lens and seemingly into the innermost chamber of your heart. But that photograph isn't the extent of McCurry's work. For almost 40 years he has been traveling the world, photographing people in India, the temples of Angkor Wat, burning oil fields in Kuwait, and indeed, even an entire series on the striking eyes he spots in people's faces the world over. Steve McCurry: The Importance of Elsewhere, the new exhibition of his work at the Sheldon (3648 Washington Boulevard; www.thesheldon.org), features 37 photographs made by McCurry during his journey. The exhibit opens with a free reception from 5 to 7 p.m. Friday, October 6. The show continues through February 3, 2018, and the gallery is open Tuesday through Saturday. Admission is free. free admission

Buy Tickets
The Sheldon (map)
3648 Washington Blvd.
St. Louis - Grand Center
phone 314-533-9900
Steve McCurry: The Importance of Elsewhere

Global Moves: Americans in Chess Olympiads

Mondays, Tuesdays, Saturdays, 10 a.m.-5 p.m., Sundays, 12-5 p.m. and Wednesdays-Fridays, 10 a.m.-9 p.m. Continues through April 1

The Chess Olympiad is a biennial competition in which national teams compete for the title. America is the current holder, triumphing against 180 other nations to achieve the victory. It was our first win since 1976, and so the World Chess Hall of Fame takes this golden opportunity to honor the reigning champions. The exhibition Global Moves: Americans in Chess Olympiads is a celebration of America's current and past glories, with numerous historic chess artifacts being displayed — among them, a gold medal from the 2016 team. Grandmasters Fabiano Caruana, Hikaru Nakamura, Wesley So, Ray Robson and Sam Shankland, who all played for the 2016 American team, will attend the opening reception, which takes place from 6 to 8 p.m. tonight at the World Chess Hall of Fame (4652 Maryland Avenue; www.worldchesshof.org). Also on display is the Hamilton-Russell Cup, the trophy granted to the Olympiad's winning team. Global Moves continues through April 1. $3-$5 suggested donation

#1 in Civil Rights

Mondays, Wednesdays-Sundays, 10 a.m.-5 p.m. Continues through April 15

St. Louis' history as a wellspring of civil rights activism is deep and impressive. Dred and Harriet Scott's legal fight to be free, Mary Meachum's bold actions leading slaves to freedom across the Mississippi River, the Jefferson Bank protesters organizing to get access to better jobs, Percy Green and the daring VP Ball invaders who challenged St. Louis' powerful elite and the exclusionary nature of their private party — all of these people fought the good fight in St. Louis. #1 in Civil Rights, the new exhibition at the Missouri History Museum (Lindell Boulevard and DeBaliviere Avenue; www.mohistory.org) chronicles the history of the civil rights movement in the metro area through artifacts, historical photos, oral histories, art work and actors' performances. Every key moment in the black struggle for equality is covered up to the present day, with artifacts collected by the museum staff following the killing of Michael Brown and the resulting civil unrest in Ferguson playing a major role in the exhibit. #1 in Civil Rights opens on Saturday, March 11, and continues through April 15, 2018. Admission is free. free admission

Missouri History Museum (map)
Lindell Blvd. & DeBaliviere Ave.
St. Louis - Forest Park
phone 314-746-4599
#1 in Civil Rights

Yvonne Osei: Tailored Landscapes

Mondays-Wednesdays, Fridays-Sundays, 10 a.m.-4 p.m. and Thursdays, 10 a.m.-8 p.m. Continues through March 4

Yvonne Osei takes over the Adam Aronson Fine Arts Center for her exhibition Tailored Landscapes — literally. Her large-scale photo installation occupies the length and breadth of the gallery, the two-year-old indoor gallery located at Laumeier Sculpture Park. The German-born artist has been photographing Laumeier throughout the past year; these images are then manipulated to create patterns reminiscent of the brightly patterned textiles of her Ghanian culture. Osei's manufactured figures comprise people observing the park’s sculptures, roads and the backdrop of greenery that surrounds Laumeier, but these elements only become apparent at close range. free admission

Thomas Struth: Nature & Politics

Fridays, 10 a.m.-9 p.m. and Tuesdays-Thursdays, Saturdays, Sundays, 10 a.m.-5 p.m. Continues through Jan. 21

We live in a high-tech world in which we can communicate instantly with someone on the other side of the globe — or even orbiting in space on the International Space Station — without really understanding how such technological marvels occur. We may as well be victims of Arthur C. Clarke's Third Law: "Any sufficiently advanced technology is indistinguishable from magic." German artist Thomas Struth reveals how scientists and engineers perform their magic tricks simply by showing you where the magic happens. His monumental photographs reveal the research spaces and installations where science reshapes our world every day. Thirty-five of Struth's visually dense photographs make up the new exhibition Thomas Struth: Nature & Politics at Saint Louis Art Museum (1 Fine Arts Drive; www.slam.org). The show features robotics laboratories and aeronautical centers that appear to be sets from a big-budget sci-fi movie, but they're really just office spaces for some of the most intelligent people on earth. Thomas Struth: Nature & Politics will be on display November 5 through January 21. Admission is $6 to $12. $6-$12, free on Friday

Nate Lowery

Thu., Jan. 18, 4-7 p.m.
phone 314-773-5565
lhammerstone@earthlink.net

Live Music is Better free

http://www.hammerstones.net
Hammerstone's (map)
2028 S. 9th St.
St. Louis - Soulard
phone 314-773-5565

Nate Lowery

Thu., Jan. 18, 4 p.m.

free

Hammerstone's (map)
2028 S. 9th St.
St. Louis - Soulard
phone 314-773-5565

Harry Benson: Shoot First

Thu., Jan. 18, 6:30-8:30 p.m.
phone 314-535-1999
info@iphf.org
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Join us at IPHF for a documentary film chronicling the career of photographer Harry Benson, who earned global renown with his candid shots of the Beatles and other celebrities. Starring: Harry Benson Runtime: 1 hour, 29 minutes Doors open at 6:30 p.m. Movie will begin at 7 p.m. Event cost: IPHF Members\$3, Non-Members\$5 Extra chair cushions are available to rent for $2. IPHF Members\$3, Non-Members\$5

http://iphf.org/education/harry-benson-shoot-first/
BB's Jazz, Blues & Soups (map)
700 S. Broadway
St. Louis - Downtown
phone 314-436-5222

Mobile Deathcamp

Thu., Jan. 18, 7 p.m.

w/ Nethersphere, Dead and Devoured $12

Buy Tickets
Fubar (map)
3108 Locust St
St. Louis - Midtown
phone 314-289-9050
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