Events in St. Louis

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Dutch Paintings in the Age of Rembrandt

Fridays, 10 a.m.-9 p.m. and Tuesdays-Thursdays, Saturdays, Sundays, 10 a.m.-5 p.m. Continues through Jan. 12


The Netherlands gained independence from Spain during the brutal and grueling 80 Years War, which was followed by the Dutch Golden Age. Its ports, wind power and sailing prowess kindled a financial engine that powered the new country into the forefront of banking and trade; and with that windfall of money came the rise of the Dutch school of portrait painters. Rembrandt van Rijn, Frans Hals and Aeltje Uylenburgh all created masterpieces in this period of prosperity. Dutch Paintings in the Age of Rembrandt, the new exhibition at the Saint Louis Art Museum (1 Fine Arts Drive; www.slam.org), showcases 70 paintings on loan from the Museum of Fine Arts, Boston, that demonstrate the Dutch mastery of portraiture, landscape and genre painting (paintings depicting stories with a moral). The exhibit opens Sunday, October 20, and remains on display through January 12. Tickets are $6 to $15 (but free on Friday), and the museum is open every day except Monday and major holidays. 314-721-0072

Printing the Pastoral: Visions of the Countryside in 18th-Century Europe

Tuesdays-Thursdays, Saturdays, Sundays, 10 a.m.-5 p.m. Continues through Dec. 1


The consumers of middle- and upper-class society in the eighteenth century developed a passion for rural scenes of traditional country life, just as the introduction of copperplate printing to the textile industry made it possible to produce fabrics with intricately detailed scenes printed upon them. Textile factories began churning out yards of fabric with shepherds, village fêtes and strolling couples for a market that could afford to buy them as furniture coverings, bedding and curtains. Printing the Pastoral: Visions of the Countryside in 18th-Century Europe, an exhibition at the Saint Louis Art Museum, includes numerous examples of the craft, several of which have never before been shown at the museum. The centerpiece of the exhibit is a reconstructed bed with printed bedding and curtains. Printing the Pastoral continues through December 1 in gallery 100 at the Saint Louis Art Museum (1 Fine Arts Drive; www.slam.org). Admission is free. 314-721-0072

Sam Falls: Conception

Through Dec. 22, 11 a.m.-1 p.m.


Sam Falls' artworks are inspired by, and at least in part created by, nature. For his exhibition at Laumeier Sculpture Park, Falls laid a canvas covered with dry pigments on ground in the park's woodland. Left there for several days, the dew, whatever rain fell and the sunlight that passed through the leaves overhead and onto the canvas made a record of the local flora. In addition to his large-scale nature paintings, Falls has also mosaicked a pair of steel I-beams with tiles featuring native plants grown especially by Laumeier's master gardener at Falls' request. The finished beams are placed standing upright in the forest, reflecting and refracting the natural landscape that surrounds them. Sam Falls: Conception opens with a free public reception from 11 a.m. to 1 p.m. on Saturday, August 24, at the Aronson Fine Arts Center in Laumeier Sculpture Park (12580 Rott Road, Sunset Hills; www.laumeier.org). Falls' work remains on display through December 22. 314-615-5278

The Lifespan of a Fact

Tuesdays-Sundays. Continues through Nov. 10
Loretto-Hilton Center 130 Edgar Road, Webster Groves Webster Groves


John D'Agata is a literary essayist whose latest piece is a magazine article — more of a classicist's rumination, perhaps — on the Las Vegas suicide of a teenager. The problem is his fact-checker, Jim Fingal, who insists on precision of language and detail. D'Agata's not interested in details; he's trying to convey the sweep of symbolism inherent in the death of a young man in Sin City. Through emails and eventually in person, both men wage what is increasingly a very personal war over language, intention and fact. Can facts be molded to better get at D'Agata's meaning? Is the truth of anything in fact quantifiable — and can it be done on a very tight deadline? Jeremy Kareken, David Murrell and Gordon Farrell's comic play The Lifespan of a Fact is about the struggle to get the truth in print, a feat made more difficult by that peculiar habit of men, taking all criticism as an attack. The Repertory Theatre St. Louis presents The Lifespan of a Fact Tuesday through Sunday (October 18 to November 10) at the Loretto-Hilton Center (130 Edgar Road; www.repstl.org). Tickets are $20 to $94.50.

The Shape Of Abstraction: Selections from the Ollie Collection

Tuesdays-Sundays. Continues through March 22


The Thelma and Bert Ollie Memorial Collection of abstract art officially went on display Tuesday, September 17, at the Saint Louis Art Museum (1 Fine Arts Drive; www.slam.org). The collection was gifted to the museum in 2017 by New Jersey-based art collector Ronald Maurice Ollie and his wife, Monique McRipley Ollie, in honor of Ronald's parents. The elder Ollies often visited the Saint Louis Art Museum with their children, instilling a lifelong passion for art. Ronald and Monique Ollie together collected art for many years, particularly work by contemporary black artists. Among the treasures in the exhibit, The Shape Of Abstraction: Selections from the Ollie Collection, are important works such as Robert Blackburn's lithograph Faux Pas, Mary Lovelace O'Neal's City Lights and Frank Bowling's Fishes, Wishes and Star Apple Blue, which demonstrates Bowling's innovative painting technique. In all, 40 works are displayed in the show, which draws its title from a poem by Quincy Troupe. The St. Louis native was inspired by the artworks in the Ollie Collection and wrote "The Shape of Abstraction; for Ron Ollie" in response. Troupe's poem is included in the exhibit catalog. 314-721-0072

Carlos Zamora: cART

Through Dec. 22


Art is something to be appreciated, and St. Louis-based illustrator/graphic designer Carlos Zamora's cART exhibition at Laumeier Sculpture Park is one of those examples. Zamora transformed three golf carts into kinetic sculptures by installing his oversized paper boat sculptures on top and wrapping the bodies with printed vinyl slogans. A fourth large paper boat sculpture will be placed in a creek on the Laumeier grounds. The Cuban native drew inspiration for the project from his heritage, specifically the song "Baraquio de papel" — "Little Paper Boat" — as well as Cuban car culture, nursery rhymes and politics.

Carlos Zamora: cART opens with a free reception from 6 to 8 p.m. Thursday, July 25, at Laumeier Sculpture Park (12580 Rott Road; www.laumeier.org). The following night a Havana Night celebration takes place in the park's Aronson Fine Arts Center from 6:30 to 9:30 p.m., with mojitos, snacks, "Casino" dance lessons and a screenprinted poster station. Tickets are $25, but admission to the park and Zamora's boat sculptures is free. The exhibition continues through December 22, and the park is open daily from 8 a.m. to 30 minutes past sunset.

314-615-5278

Pulitzer Prize Photographs and In Focus: St. Louis Post-Dispatch Photographs

Through Jan. 20, 2020
Missouri History Museum 5700 Lindell Blvd., St. Louis St. Louis - Forest Park

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Photographs are a key element of narrative storytelling, which is why it's so baffling that newspapers have deemed staff photographers an expendable luxury. You probably recognize many of the photographs that won Pulitzer Prizes, from Joe Rosenthal's shot Raising the Flag on Iwo Jima, to Alan Diaz's memorable photo of U.S. federal agents seizing Elian Gonzalez, to St. Louis Post-Dispatch photographer Robert Cohen's 2014 image of a protestor throwing a tear-gas canister back at police while protesting the killing of Michael Brown. These photographs shock us, inspire feelings of pride and anger, and inform us, just as great written journalism does. The Newseum in Washington created a traveling exhibit of some of the most beautiful images to win the Pulitzer, and it's a show that will make its St. Louis debut on Saturday, August 3, at the Missouri History Museum (5700 Lindell Boulevard; www.mohistory.org). A second exhibition organized by the Missouri History Museum collected 75 photos of everyday life in St. Louis from the Post-Dispatch archives. Pulitzer Prize Photographs and In Focus: St. Louis Post-Dispatch Photographs remain on display through January 20, and admission is free. Parents are cautioned that some of the photographs are intense and may be too much for younger children. 314-746-4599

Howard Barry: Inertia

Tuesdays-Saturdays. Continues through Dec. 9
University of Missouri-St. Louis-Gallery 210 1 University Dr at Natural Bridge Road, Normandy North St. Louis County


Local artist Howard Barry has gained significant attention for his illustrations inspired by the Ferguson protests, but he's not just an activist artist. Barry's drawings are a form of physical therapy and mental therapy. He creates to relieve his frustration with the world and his own pain. Using ink, coffee and various computer programs for effects, Barry creates images of artists, musicians, civil rights pioneers and modern-day protesters, all with an eye for gesture and a gift for imbuing something of his subject's character. James Baldwin's luminous eyes reveal his hurt and anger with the country that rejected him for his blackness and homosexuality, while a barefoot child pushing his way through cotton emerges from a page of sheet music for Billie Holiday's "God Bless the Child." Inertia, an exhibition of Barry's artwork, opens with a free reception from 4 to 7 p.m. Saturday, September 14, at Gallery 210 on the University of Missouri-St. Louis campus (1 University Drive at Natural Bridge Road; www. gallery210.umsl.edu). The show remains on display through December 9. 314-516-5976

Cayce Zavaglia: Unseen

Tuesdays-Saturdays. Continues through Nov. 27
William Shearburn Gallery 665 S Skinker Blvd, Clayton Clayton


Cayce Zavaglia's artworks appear to be hyper-realistic painted portraits when viewed from a distance; it's only when you move closer that you realize that they're embroidered. Zavaglia eventually noticed that the backside of each work contained a second portrait, one whose knotted and blurred features were just as beautiful and perhaps more psychologically interesting than the front. Recently she's returned to her roots as a painter by recreating these "hidden faces" in painted portraits. Unseen, a solo exhibition of Zavaglia's work in both paint and embroidery, goes on display at the William Shearburn Gallery (665 South Skinker Boulevard; www.shearburngallery.com) on Friday, October 18. The show opens with a free reception from 5 to 7 p.m. Unseen remains on display through November 27. 314-367-8020

Dear Evan Hansen

Sundays, 1 p.m., Saturdays, 2 & 7:30 p.m. and Tuesdays-Fridays, 7:30 p.m. Continues through Nov. 3
The Fox Theatre 527 N. Grand Blvd., St. Louis St. Louis - Grand Center

Buy Tickets$45-$105


Benj Pasek and Justin Paul's musical Dear Evan Hansen caused a national stir on Broadway, thanks to its ultra-contemporary plot. Evan Hansen is a high schooler with social anxiety being raised by his working mom, who's rarely at home. When a pep-talk letter he wrote to himself ends up in the pocket of a fellow student who commits suicide, Evan becomes involved with the grieving family. This gets him closer to Zoe, his longtime crush who's also the younger sister of the deceased. A white lie he tells to comfort the boy's parents spins out of control but also brings him closer to Zoe. Of course, Evan also is throwing out more lies all the time to keep his story afloat, and he's doomed to come back to the truth eventually. The Fox Theatre (527 North Grand Boulevard; www.fabulousfox.com) presents Dear Evan Hansen at 7:30 p.m. Tuesday through Friday, 2 and 7:30 p.m. Saturday and 1 p.m. Sunday (October 22 to November 3). Tickets are $45 to $150. 314-534-1111

Talking Transit: 2019 Transit Impact Study Findings

Tue., Oct. 22, 8:30 a.m.-12 p.m.

Buy Tickets$10


@ St. Louis Regional Chamber’s Collaboration Center, One Metropolitan Square
Citizens for Modern Transit (CMT) will reveal the findings of its 2019 Economic Impact of Public Transit Services in the State of Missouri study at the “Talking Transit” event. A panel of local stakeholders will then weigh in on the outcomes and discuss how the information can be utilized to build the case for more state and federal funding for transit. Registration can be completed online or by arriving early to the event. The cost is free for CMT members and $10 for non-members. A limited number of scholarships are available to those with personal financial constraints. 314-231-7272

Abolish the Police: A Community Discussion

Tue., Oct. 22, 6-7:30 p.m.
St. Louis Public Library 3309 S. Grand Blvd., St. Louis St. Louis - South Grand


The Coalition Against Police Crimes & Repression (CAPCR) has invited outspoken police abolitionist, Derecka Purnell, to lead a discussion this Oct. 22 National Day Against Police Brutality. Derecka is a human rights lawyer, writer, and organizer who works to sustain social movements who regularly provides legal assistance and trainings to community organizations working to end police violence or close prisons through an abolitionist framework. Derecka served on the founding steering committee for Law for Black Lives, a growing network 5,000 law students, lawyers, and legal workers to support social movements. Derecka is Deputy Director of the Spirit of Justice Center. 314-413-0454

ComedySportz St Louis Audition

Tue., Oct. 22, 7-9 p.m.

Buy TicketsFree, you just need to register


@ Discovery Comedy Theater, 524 S Main Street. St Louis, MO 63301
Auditions for ComedySportz will be Tuesday, Oct 22nd @ 7 pm at 524 S Main St, St Charles, MO. 63301 Click on the link to register: https://www.cszstlouis.com/auditions (AGES: 18 OR OLDER) What to expect at the audition: Participants will play some improv games and do some scene work and learn about ComedySportz. We play and practice 100 percent clean. Major and Minor league ComedySportz practices will be at 7 pm on the 1st & 3rd Tuesdays at our new theater, 524 S Main St., St Charles, Mo., 63301 Check out our website: www.CSzStLouis.com

Closet Witch

Tue., Oct. 22, 7 p.m.
Foam 3359 Jefferson Ave., St. Louis St. Louis - South City


w/ Dryad, Redbait 314-772-2100

Jacqui Germain, Clayton Adam Clark, Rebecca Ellis, and Jamie Wendt

Tue., Oct. 22, 7:30-8:30 p.m.
The Focal Point 2720 Sutton Blvd, St. Louis Maplewood

Buy TicketsFree


Poetry at the Point on October 22 will feature poets Jacqui Germain, Clayton Adam Clark, Rebecca Ellis, and Jamie Wendt. Poetry at the Point is held at the Focal Point in Maplewood on the 4th Tuesday of the month. This reading series invites local and regional poets, and established and up-and-coming poets to share their words. The event is free. 314-560-2778

Amigo the Devil

Tue., Oct. 22, 8 p.m.
Blueberry Hill - The Duck Room 6504 Delmar Blvd., University City Delmar/ The Loop


w/ Twin Temple, King Dude 314-727-4444

Jesse Gannon Quartet

Tue., Oct. 22, 8 p.m.
BB's Jazz, Blues & Soups 700 S. Broadway, St. Louis St. Louis - Downtown


314-436-5222

Spafford

Tue., Oct. 22, 8 p.m.
Old Rock House 1200 S. 7th St., St. Louis St. Louis - Soulard

Buy Tickets$20-$23


314-588-0505

Bob Dylan & His Band

Tue., Oct. 22, 8 p.m.
Stifel Theatre 1400 Market St, St. Louis St. Louis - Downtown

Buy Tickets$56.50-$126.50


314-499-7600

Coin

Tue., Oct. 22, 8 p.m.
Delmar Hall 6133 Delmar Blvd., St. Louis Delmar/ The Loop


w/ Dayglow 314-726-6161

The Midnight Hour

Tue., Oct. 22, 8 p.m.
Off Broadway 3509 Lemp Ave., St. Louis St. Louis - South City


w/ Loren Oden, Angela Munoz, Jack Waterson 314-498-6989

UADA

Tue., Oct. 22, 8 p.m.
Fubar 3108 Locust St, St. Louis St. Louis - Midtown

Buy Tickets$13


w/ Blackwell 314-289-9050

Scottie “Bones” Miller

Tue., Oct. 22, 10 p.m.
BB's Jazz, Blues & Soups 700 S. Broadway, St. Louis St. Louis - Downtown


314-436-5222

The Darkness Haunted House

Tue., Oct. 22, 7-9:30 p.m., Wed., Oct. 23, 7-9:30 p.m., Thu., Oct. 24, 7-9:30 p.m., Fri., Oct. 25, 6:45-11:45 p.m., Sat., Oct. 26, 6:45-11:45 p.m., Sun., Oct. 27, 7-9:30 p.m., Mon., Oct. 28, 7-9:30 p.m., Tue., Oct. 29, 7-9:30 p.m., Wed., Oct. 30, 7-9:30 p.m., Thu., Oct. 31, 7-11 p.m., Fri., Nov. 1, 7-11 p.m. and Sat., Nov. 2, 7-11 p.m.
The Darkness 1525 S. Eighth St., St. Louis St. Louis - Soulard

Buy TicketsVarious


Named America's Scariest Haunted House, The Darkness is now open for its 26th Year of Fear. The 2-story haunt is filled with high-tech scenes, live monsters and is longer and scarier than ever before. New in 2019: The Darkness has evil lurking as the Nun wants to take your soul. Grab your friends and scream at The Darkness, now featuring multiple attractions including the all-new Horror Party Room with horror themed arcades, pinballs, electric chair, a three-minute escape room, a Zombie themed haunt The Hive, and the Outdoor Scare Zone and monster selfies. 314-631-8000

Totems: Personal Stories in Fiber

Mondays-Fridays, 9 a.m.-5 p.m. Continues through Nov. 1
Bluebird Park 225 Kiefer Creek Road, Ballwin Manchester/ Ballwin


Visitors will enter an enchanted forest of 3-dimensional art quilts between 4 and 6 feet tall. Each totem is the artist's unique creative expression in fiber, fabric, embellishment and stitch. 314-704-1501

The Shape of Abstraction: Selections from the Ollie Collection

Through March 8, 2020, 10 a.m.-5 p.m.


The Shape of Abstraction: Selections from the Ollie Collection presents 40 abstract paintings, drawings, and prints by acclaimed black artists drawn from and celebrating the transformative gift of the Thelma and Bert Ollie Memorial Art Collection. In 2017, Ollie and his wife Monique gifted the Museum with 81 abstract works in honor of his parents, a collection that has added depth and breadth to the Museum’s holdings of works by black artists. 314.721.0072

Damon Davis: Sad Panther

Tuesdays-Fridays, 12-6 p.m. Continues through Oct. 26
Bruno David Gallery 7513 Forsyth Blvd., Clayton Clayton


Sad Panther is an animated music video by acclaimed post-disciplinary artist Damon Davis. It embodies a visual representation of blackness in deity form, following the story of a God that woke up one day to find there existed a power even greater than him. This video is the visual counterpart to the song “Sad Panther” from Darker Gods, the accompanying full-length album to Davis’ exhibition Darker Gods in the Garden of the Low-Hanging Heavens that premiered at The Luminary in June 2018, and made a debut at Art Basel Miami later that year. 1.314.696-2377

Invent A Musical Instrument - Selections from The Sheldon's SOLID Program

Saturdays, 10 a.m.-2 p.m., Wednesdays-Fridays, 12-5 p.m. and Tuesdays, 12-8 p.m. Continues through Jan. 21
The Sheldon 3648 Washington Blvd., St. Louis St. Louis - Grand Center

Buy TicketsAdmission is Free


A selection of inventive musical instruments by students from over 30 area schools are featured in this exhibition. Created during the 2018 and 2019 school years, the instruments represent the results of The Sheldon’s SOLID (Science of Learning Instrument Design) program, through which students use the Engineering Cycle to build instruments out of recycled materials. SOLID is a STEAM-based program, supported by the St. Louis Science Center. 314-533-9900

Thomas Sleet: Integration: Sacred Space

Tuesdays-Fridays, 12-6 p.m. Continues through Oct. 26
Bruno David Gallery 7513 Forsyth Blvd., Clayton Clayton


Since his youth, Thomas Sleet was always fascinated with nature. He tells stories about growing up in Kirkwood in the 60’s, playing in creeks and running around the neighborhood with his siblings. This fascination followed him well into his adult years, showing up in his sculptures, paintings, prints, and more. True to concepts consistent in past works, Integration: Scared Space continues with Sleet’s theme of intersecting the natural and the manufactured. His new wall mounted pieces highlight his carefully designed experiments with light, space, arrangement/placement, and the concept of the individual intersecting with the whole—the collective. 1.314.696-2377

Jill Downen: Here all is distance, there it was Breath

Tuesdays-Fridays, 12-6 p.m. Continues through Oct. 26
Bruno David Gallery 7513 Forsyth Blvd., Clayton Clayton


The show features Downen’s recent 8 X 10 inches drawings, executed in plaster, lapis lazuli and gold leaf — nearly forty works in all. This new body of work expands the artist’s renowned exploration of human spatial experience and the contemplative value of architectural form. Refined by decades of work with large scale sculptural installations, Downen’s drawings benefit not only from precise conceptual motivation, but also from her distilled palette and proven skill with plaster, lapis and gold leaf. Each piece depicts a moment in which new space emerges or where fragmented structure moves toward balance. 1.314.696-2377

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