Vol. 25, No. 17
Media Whores
Never at a loss for new tricks, the Wahls are now on a spiritual quest.
By D.J. Wilson
The Count
Ace blackjack player Stuart Ziglin has been beating Missouri casinos at their own game. Now they want to change the rules.
By Najeeb Hasan
Certifiably Mad
Say "Percy Green," and some Hispanic businessmen see red
By Peter Downs
Do You See the City and County Ever Coming Together as One Political Entity?
Week of April 25, 2001
By Wm. Stage
Letters
Morning Has Broken
Two years in the making, Western Robot's Music for a Morning's Work defies categorization: It's not punk, prog, jazz or rock -- just sublime.
By Paul Friswold
Frank Talk
Frank Black is pissed about a lot of things, especially brainless rockers who just want to meet chicks and asinine questions about his old band, the Pixies
By Keith Gribbins
Primal Scream
Warp Sessions 1973 presents legendary St. Louis rockers the Screamin' Mee-Mees in all their glory
By Randall Roberts
Syrup, Lofreq and Swampass
Thursday, April 26; Way Out Club
By Matt Harnish
Idlewild
100 Broken Windows (Capitol)
By Andrew Broder
Gone Fishin'
The St. Louis Fish Market is sure to hook diners
By Joe Bonwich
Side Dish
Food for thought from St. Louis restaurants
City of Night
Dark Days discovers the real tunnel-dwellers behind the urban myths
By Luke Y. Thompson
Termagant of Endearment
Liv Tyler makes the boys go crazy in One Night at McCool's
By Gregory Weinkauf
Semi Recall
The lean, mean Memento makes the most of its simple gimmicks
Raising Eire
The Southern Illinois Festival of Irish Music and Dance beckons to lovers of the Emerald Isle
By Chris King
Ties That Bind
Carl Phillips tests the emotional boundaries of devotion in The Tether
By Eddie Silva
All's Welles
Orson Welles emerges victorious in War of the Worlds
By Cliff Froehlich
Shearer Delight
The voice of Flanders is the voice of reason, absatively posilutely
By Robert Wilonsky
Affair of the Harp
Master harmonica player Toots Thielemans blows into St. Louis
By Byron Kerman
Raw Deal
Despite some stumbles, the HotHouse Theatre production of the hot-button Bent is a sobering success
By Brian Hohlfeld
