Join Riverfront Times Press Club. Because No News is Bad News.

Timbaland 

Timbaland Presents Shock Value (Blackground/Interscope)

Tim Mosley's megalomania is totally justified. He's among the most consistently inventive producers of the past decade, and recent hits on which he's both dial-twister and co-star have raised his profile even higher. However, Shock Value proves he's a better supporting player than a main attraction — and his attempts to stretch into new stylistic areas stretch his credibility instead. Granted, there are plenty of masterful arrangements here: Take the martial chorale heard throughout the 50 Cent-Tony Yayo number "Come and Get Me." But Timbaland's monotonal flow clogs up regularly and grows tiresome, and his over-reliance on the same heavy synth tones he used on smashes by Nelly Furtado and Justin Timberlake doesn't make new collabs such as "Give It to Me" seem poppin' fresh. Worse by far, though, are hybrids like the snoozy Elton John featurette "2 Man Show" and the disastrous faux-rocker "One and Only," which will leave anyone who's occasionally tried to defend Fall Out Boy with absolutely nothing to say. If that's a shock, it certainly isn't a pleasant one.

Riverfront Times works for you, and your support is essential.

Our small but mighty local team works tirelessly to bring you high-quality, uncensored news and cultural coverage of St. Louis and beyond.

Unlike many newspapers, ours is free – and we'd like to keep it that way, because we believe, now more than ever, everyone deserves access to accurate, independent coverage of their community.

Whether it's a one-time acknowledgement of this article or an ongoing pledge, your support helps keep St. Louis' true free press free.

More by Michael Roberts

Read the Digital Print Issue

October 28, 2020

View more issues

Newsletters

Never miss a beat

Sign Up Now

Subscribe now to get the latest news delivered right to your inbox.

Best Things to Do In St. Louis

© 2020 Riverfront Times

Website powered by Foundation